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Copyright and Related Rights
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WIPO/PUB/ECONSTAT/WP/65

COVID-19 Impact on Artistic Income

Economic Research Working Paper No. 65

This paper assesses the impact of the pandemic crisis on self-employed income among artists resident in Germany. Using unique data from the latest available public insurance records, we show that musicians and performing artists are among the most vulnerable groups, and that writers, on average, are relatively less impacted. Moreover, the paper looks at the impact of the 2020 crisis on income differences by gender, career stages and regions, and it investigates the effect of specific non-pharmaceutical, public intervention implemented in German states.

Publication year: 2021

WIPO/PUB/CR/CMOTOOLKIT/2021

WIPO Good Practice Toolkit for Collective Management Organizations (The Toolkit)

A Bridge between Rightholders and Users

The WIPO Good Practice Toolkit for Collective Management Organizations (CMOs) brings together examples of legislation, regulation and codes of conduct in the area of collective management from around the world. Member states and other stakeholders may use relevant parts of the document to help them design an approach suitable for their particular context. Note - The Toolkit is not a normative document. The first version of the Toolkit was published in 2018. The current version was published in September 2021, and reflects the submissions received from WIPO Member States and other stakeholders throughout the consultation process in 2021.

Publication year: 2021

WIPO/PUB/1054

Boosting Tourism Development through Intellectual Property

This publication helps non-IP specialists understand the connection between IP, tourism and culture. Through multiple case studies, it illustrates how existing and potential IP tools, in particular branding and copyright, can add value to tourism services and products. It explains how to include IP in tourism policies, product development and destination branding, and shows how different IP rights can be leveraged for fundraising purposes.

Publication year: 2021

WIPO/PUB/ECONSTAT/WP/63

Exclusive content and platform competition in Latin America

Economic Research Working Paper No. 63

Platforms often compete over non-price strategies such as the exclusive distribution of products. But these strategies are not always welfare-enhancing. Using rich data on audiovisuals distributed on platforms in Brazil, we find that non-exclusive distribution and availability of titles across platforms is more effective in deterring online piracy than in the single homing case. Moreover, in certain markets (TVOD), it induces higher average investment in the production of new titles upstream. We discuss options of copyright and antitrust policies in the light of these findings.

Publication year: 2020

WIPO/PUB/ECONSTAT/WP/62

Grand rights and opera reuse today

Economic Research Working Paper No. 62

This article studies the economic role of grand rights in the incentives to stage and reuse works from the opera canon. It complements previous research on the incentives to create new opera (Giorcelli and Moser, 2020) in the way it looks at copyright taxing availability and follow-on creativity around works. Based on a unique dataset of global opera performances, we find that changes in copyright status increase the number of total performances individual works receive on stage once copyright expires. Moreover, we provide preliminary evidence on chilling, long-term effects of status around premiering operas and revivals at the beginning of the copyright term. Based on these findings, we discuss limitations of the study and novel options for copyright policy frameworks.

Publication year: 2020

WIPO/PUB/ECONSTAT/WP/61

Batman forever? The economics of overlapping rights

Economic Research Working Paper No. 61

When copyrighted comic characters are also protected under trademark laws, intellectual property (IP) rights can be overlapping. Arguably, registering a trademark can increase transaction costs for cross-media uses of characters, or it can help advertise across multiple sales channels. In an application to book, movie and video game publishing industries, we thus ask how creative reuse (innovation in uses) is affected in situations of overlapping rights, and whether ‘fuzzy boundaries' of right frameworks are in fact enhancing or decreasing content sales.

Publication year: 2020

WIPO/PUB/1037/2013

International Survey on Private Copying - Law and Practice 2012

This publication describes national systems on compensation for private copying and provides available data on their operation in different countries around the world. The survey offers a global overview of this important element of the copyright infrastructure and is the result of collaboration between WIPO and the Private Copying Collection body in the Netherlands.

Publication year: 2013

WIPO/PUB/1042

International Survey on Text and Image Copyright Levies

2014 Edition

The publication provides an international overview of the functioning of the various models of text and image levies which are currently in operation across the world. The survey demonstrates that the practice of operating levies is a commonly used way to provide authors and publishers with remuneration for certain uses of their copyright works.

Publication year: 2014

WIPO/PUB/1034

WIPO Review of Contractual Considerations in the Audiovisual Sector

This review is a condensed, yet comprehensive, panorama of all the key aspects of performers' contracts in the audiovisual industry and the various ways in which these may serve the interests of both performers and producers.

Publication year: 2013

WIPO/PUB/1042/2017

International Survey on Text and Image Copyright Levies

2016 Edition

The third ‘International Survey of Text and Image Copyright Levies', jointly published by the World Intellectual Property Organization (WIPO) and the International Federation of Reprographic Rights Organizations (IFRRO) builds on and updates the first two surveys published in 2014 and 2015, and analyzes the origins, scope and current use of these levies around the world, and their role in ensuring easy legal access to copyright material. The Survey also shows how and why text and image (TI) levies are different from audio and audio-visual private copying levies. As with the first two surveys, it uses data from IFRRO members, collated and presented by Paul Greenwood, a consultant, with the assistance of representatives of IFRRO members and the IFRRO Secretariat. The methodology and scope are unchanged.

Publication year: 2017