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Copyright and Related Rights
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WIPO/PUB/1043/2018

Intellectual Property and Folk, Arts and Cultural Festivals

Practical Guide

This Guide provides general information about intellectual property (IP) and cultural interests. It identifies the main IP challenges faced by festival organizers and outlines some practical elements of an effective IP management strategy, following a step-by-step approach.

Publication year: 2018

WIPO/PUB/218

Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired or Otherwise Print Disabled

The full text of the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled.

Publication year: 2013

WIPO/PUB/226

WIPO Copyright Treaty (WCT)

The Treaty mentions two subject matters to be protected by copyright, (i) computer programs, whatever may be the mode or form of their expression, and (ii) compilations of data or other material (databases), in any form, which by reason of the selection or arrangement of their contents constitute intellectual creations. Where a database does not constitute such a creation, it is outside the scope of this Treaty.

Publication year: 1996

WIPO/PUB/328

International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations (Rome Convention)

The Rome Convention secures protection in performances for performers, in phonograms for producers of phonograms and in broadcasts for broadcasting organizations.

Publication year: 1961

WIPO/PUB/288

Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms

The Convention deals with the obligation of each Contracting State to protect a producer of phonograms who is a national of another Contracting State against the making of duplicates without the consent of the producer; against the importation of such duplicates, where the making or importation is for the purposes of distribution to the public; and against the distribution of such duplicates to the public.

Publication year: 1973

WIPO/PUB/289

Convention Relating to the Distribution of Programme-Carrying Signals Transmitted by Satellite

The Convention deals with the obligation of each Contracting State to take adequate measures to prevent the unauthorized distribution on or from its territory of any programme-carrying signal transmitted by satellite.

Publication year: 1974

WIPO/PUB/287

Berne Convention for the Protection of Literary and Artistic Works

The Convention rests on three basic principles and contains a series of provisions determining the minimum protection to be granted, as well as special provisions available to developing countries which want to make use of them.

Publication year: 1979

WIPO/PUB/228

Beijing Treaty on Audiovisual Performances

The Beijing Treaty on Audiovisual Performances was adopted by the Diplomatic Conference on the Protection of Audiovisual Performances, which took place in Beijing from June 20 to 26, 2012. The Treaty deals with the intellectual property rights of performers in audiovisual performances.

Publication year: 2012

WIPO/PUB/1025

Copyright and Related Rights Cases in the Field of Music in the Asia-Pacific Region

With the development of digital technology, the laws and legal disputes of copyright and related rights have known a dynamism reflecting this evolution. This publication is an informative collection of legal decisions made by the courts of countries in the Asia and the Pacific region. It provides summaries of a number of salient cases in the field of music, and offers some very interesting insights into the different ways in which copyright and related rights are being handled in various jurisdictions. It aims to be a useful reference for the many professionals who are seeking to navigate the music industry's increasingly complex legal and commercial landscape. This case book was prepared with the assistance of the Funds-in-Trust of the Republic of Korea.

Publication year: 2011

WIPO/PUB/789

Copyright Collective Management in Music

Presented in the form of a theoretical and practical guide, this posthumous publication by the late Dr. Ulrich Uchtenhagen concerns the stages in the setting-up of a collective management society in the field of music and the society's operation. The work describes the essential activities and mechanisms as well as the fundamental principles required for sound collective management. It provides clear explanations of the complex notions of a system which is essential for authors, composers and music publishers throughout the world who seek protection and wish to be rewarded for their work.

Publication year: 2005