About Intellectual Property IP Training IP Outreach IP for… IP and... IP in... Patent & Technology Information Trademark Information Industrial Design Information Geographical Indication Information Plant Variety Information (UPOV) IP Laws, Treaties & Judgements IP Resources IP Reports Patent Protection Trademark Protection Industrial Design Protection Geographical Indication Protection Plant Variety Protection (UPOV) IP Dispute Resolution IP Office Business Solutions Paying for IP Services Negotiation & Decision-Making Development Cooperation Innovation Support Public-Private Partnerships The Organization Working with WIPO Accountability Patents Trademarks Industrial Designs Geographical Indications Copyright Trade Secrets WIPO Academy Workshops & Seminars World IP Day WIPO Magazine Raising Awareness Case Studies & Success Stories IP News WIPO Awards Business Universities Indigenous Peoples Judiciaries Genetic Resources, Traditional Knowledge and Traditional Cultural Expressions Economics Gender Equality Global Health Climate Change Competition Policy Sustainable Development Goals Enforcement Frontier Technologies Mobile Applications Sports Tourism PATENTSCOPE Patent Analytics International Patent Classification ARDI – Research for Innovation ASPI – Specialized Patent Information Global Brand Database Madrid Monitor Article 6ter Express Database Nice Classification Vienna Classification Global Design Database International Designs Bulletin Hague Express Database Locarno Classification Lisbon Express Database Global Brand Database for GIs PLUTO Plant Variety Database GENIE Database WIPO-Administered Treaties WIPO Lex - IP Laws, Treaties & Judgments WIPO Standards IP Statistics WIPO Pearl (Terminology) WIPO Publications Country IP Profiles WIPO Knowledge Center WIPO Technology Trends Global Innovation Index World Intellectual Property Report PCT – The International Patent System ePCT Budapest – The International Microorganism Deposit System Madrid – The International Trademark System eMadrid eMadrid Reference Article 6ter (armorial bearings, flags, state emblems) Hague – The International Design System eHague Lisbon – The International System of Appellations of Origin and Geographical Indications eLisbon UPOV PRISMA Mediation Arbitration Expert Determination Domain Name Disputes Centralized Access to Search and Examination (CASE) Digital Access Service (DAS) WIPO Pay Current Account at WIPO WIPO Assemblies Standing Committees Calendar of Meetings WIPO Official Documents Development Agenda Technical Assistance IP Training Institutions COVID-19 Support National IP Strategies Policy & Legislative Advice Cooperation Hub Technology and Innovation Support Centers (TISC) Technology Transfer Inventor Assistance Program WIPO GREEN WIPO's Pat-INFORMED Accessible Books Consortium WIPO for Creators WIPO ALERT Member States Observers Director General Activities by Unit External Offices Job Vacancies Procurement Results & Budget Financial Reporting Oversight

In the Courts: Ed Sheeran succeeds in music copyright infringement case, but it’s not over yet…

September 2023

By Hayleigh Bosher, Reader in Intellectual Property Law and Associate Dean, Brunel University London, UK

How did we get here?

Ed Sheeran has successfully defended a US music copyright infringement case, which claimed that his song Thinking Out Loud copied Let’s Get It On, a song co-written and performed by Marvin Gaye.

Singer,songwriter Ed Sheeran is one of a growing number
of artists that have been involved in copyright-related
lawsuits in the UK and the US. In the most recent,
in May 2023, a New York court found that Sheeran’s
Thinking Out Loud did not infringe the copyright of Let’s
Get It On, a song co-written and performed by Marvin Gaye.
(Photo: Harald Krichel - CC BY-SA 3.0)

As we approach the 10-year anniversary of the filing of the Blurred Lines case, the impact of the decision is still being felt across the music industry. In August 2013, Robin Thicke and Pharrell Williams filed an application for a declaration of non-infringement, after the Marvin Gaye Estate claimed that Blurred Lines had copied Marvin Gaye’s Got To Give It Up.

After a trial and two days of deliberation, the jury found that Thicke and Williams were liable for copyright infringement and granted the Gaye Estate the largest award of damages pdf in music copyright history at that point: USD7.3 million. In March 2018, the US Court of Appeals upheld the verdict but reduced the damages award to USD 5.3 million, plus a 50 percent interest in any future royalties from the song.

The decision was controversial, not least because it focused on the similarity of the style of the songs. Dissenting, Judge Nguyen warned that the ruling had “improperly allowed the Defendants to copyright a musical style” and Williams feared: “if we lose our freedom to be inspired, we’re going to look up one day and the entertainment industry as we know it will be frozen in litigation.” In an interview for my podcast Whose Song Is It Anyway?, the leading US copyright lawyer William Patry referred to the decision as a “stain on the federal judiciary.”

If we lose our freedom to be inspired, we’re going to look up one day and the entertainment industry as we know it will be frozen in litigation.

Pharrell Williams

Williams’ fear became a reality for many songwriters, including Mark Ronson and Bruno Mars, Drake, Olivia Rodrigo, Dua Lipa, and Justin Bieber to name a few. (You can find a playlist of songs involved in copyright issues called Copyright in the Music Industry on Spotify and Apple Music.)

Ed Sheeran was involved in several disputes, in both the US and the UK. In 2016, he settled a dispute for GBP16 million, alongside co-writer Johnny McDaid, when it was claimed that their song Photograph copied Amazing released by X-Factor winner Matt Cardle. In 2018, he settled another claim that a song he co-wrote with Tim McGraw and Faith Hill The Rest of Our Life copied When I Found You by Sean Carey and Beau Golden. In the same year, Sheeran fought back on a UK-based infringement claim that his song Shape of You infringed Sam Chokri’s Oh Why. The previous settlements came back to haunt Sheeran when they were used as similar fact evidence against him in this trial. In 2022, the High Court of England and Wales found that Sheeran had neither deliberately, nor subconsciously copied, and so began the turning of the tide for Sheeran, and potentially the music industry.

Let’s Get It On v Thinking Out Loud

Thinking Out Loud was co-written by Ed Sheeran and Amy Wadge in 2015. Let’s Get It On was co-written by Marvin Gaye and Ed Townsend in 1973.

Kathryn Townsend Griffin, the daughter of Ed Townsend, inherited a third of Townsend’s share of the musical work when he died in 2003. She also inherited the shares of her half-brother David when he died in 2005. This case was brought by Kathryn Townsend Griffin, Ed Townsend’s sister, Helen Mcdonald, and The Estate of Townsend’s wife Cherrigale Townsend in July 2017, against Ed Sheeran and Amy Wadge (Griffin et al v Sheeran et al ). Additional cases were filed over the same songs by Structured Asset Sales, a company owned by investment banker David Pullman that is a beneficial owner of one-third of the copyright in the Townsend catalogue.

After a denial of summary judgment, the Griffin v Sheeran case proceeded to trial in April 2023 in a US Federal Court in Manhattan. It took six years of litigation, six days of trial and three hours of jury deliberations for a decision to be made.

Copyright […] must strike the right balance between protecting against copying and allowing creators to build upon and take inspiration from previous works.

Copyright is supposed to protect and reward eligible original works to promote creativity. To do this, it must strike the right balance between protecting against copying and allowing creators to build upon and take inspiration from previous works. Copyright is the regulation of copying of original elements, not the regulation of inspiration or copying of unoriginal elements. The crux of this case was that parts of the two songs are similar, but those parts are the unprotected elements that are freely available for everyone to use.

The crux of this case was that parts of the two songs are similar, but those parts are the unprotected elements that are freely available for everyone to use.

But should it take this long and this many experts to decide if copying has taken place, or has Blurred Lines led us, and the music industry, astray from copyright principles?

Are the songs substantially similar?

Under US law, to prevail on a copyright infringement claim, a plaintiff must establish that the defendant has actually copied the plaintiff's work and, as a result of the copying there is a substantial similarity between the defendant's work and the protectible elements of the plaintiff’s work. Where a work has both protectible and unprotectible elements, the analysis must involve extracting the unprotectible elements from consideration. The court then only asks whether the protectible elements, standing alone, are substantially similar.

In the present case, as has become the norm in these circumstances, both parties submitted expert musicologist reports. Alexander Stewart’s report on behalf of the plaintiffs (the Griffin parties) concluded that Thinking Out Loud had copied from Let’s Get It On, stating that similarities included the bass melody, drum parts, and harmonies, the structural placement in the overall form and slight shift in setting over the four-chord groove.

On the other hand, Lawrence Ferrara provided a contradictory report on behalf of Sheeran, stating that the songs do not share any significant structural, harmonic, rhythmic, melodic, or lyrical similarities. And that any similarities between the two songs represented expression that was common prior to the creation of Let’s Get It On. Sheeran’s argument was therefore that the songs are not substantially similar because the similar elements are commonplace and therefore not protected by copyright.

In Griffin et al v Sheeran et al, the parties disputed whether the chord progression used in Let’s Get It On was commonplace. (Photo: MarsBars / E+)

At trial, the parties disputed whether the chord progression used in Let’s Get It On was commonplace. Townsend conceded that Sheeran's expert identified at least thirteen songs that predate Let’s Get It On and use the same chord progression, and that it appears in at least two guitar textbooks. The parties also disputed whether the harmonic rhythm of that four-chord progression - the second and fourth chords being anticipated, or placed ahead of the beat - was protectable. Sheeran said it is a commonplace technique, Townsend argued it is distinctive.

As the trial concluded, the judge reiterated to the jury that independent creation is a complete defence to copyright infringement, no matter how similar two songs are. The jury reached its decision after less than three hours of deliberation. They found that Sheeran’s Thinking Out Loud had been created independently and therefore did not infringe the copyright of Let’s Get It On.

On May 16, 2023, US District Judge Louis Stanton followed the same decision, dismissing a second case brought by Structured Asset Sales relating to the same songs but based on their copyright share. Judge Stanton found that the parts of Let's Get It On that Sheeran was accused of infringing were commonplace elements and therefore not eligible for copyright protection. He emphasised that chord progressions and harmonic rhythms are common building blocks of musical creation.

But it’s not over yet…

However, this is not the end of the story for Sheeran or the increasing trend of music copyright infringement cases. Townsend filed a notice of appeal on June 1, 2023. The notice did not state the grounds for the appeal and so we will have to watch this space for further details.

Related articles

The WIPO Magazine is intended to help broaden public understanding of intellectual property and of WIPO’s work, and is not an official document of WIPO. The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of WIPO concerning the legal status of any country, territory or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. This publication is not intended to reflect the views of the Member States or the WIPO Secretariat. The mention of specific companies or products of manufacturers does not imply that they are endorsed or recommended by WIPO in preference to others of a similar nature that are not mentioned.