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WIPO/PUB/1056

Intellectual Property Basics: A Q&A for Students

Compiled by the China National Intellectual Property Administration (CNIPA) with the support of the WIPO China Funds-in-Trust, this book gives students a basic yet comprehensive understanding of IP. Using a question-and-answer format, it covers the general rules of the IP system as well as the essentials of patents, copyright, trademarks and other forms of IP, such as industrial designs, geographical indications and traditional knowledge.

Publication year: 2019

WIPO/PUB/1064

The Global Publishing Industry in 2017

This study provides an overview of the global publishing industry in 2017. Based on data from a survey by the International Publishers Association and WIPO with responses from 56 countries, the study reports on publishing revenue, the number of titles published and the number sold, and ranks the top global publishers.

Publication year: 2019

WIPO/PUB/ECONSTAT/WP/50

Unpacking predictors of income and income satisfaction for artists

Economic Research Working Paper No. 50

The stereotype of the “starving artist” is pervasive in modern Western culture, but previous research on artists and income is mixed. The goal of this study is to explore how several demographic variables, along with self-reported behaviors and artistic activities associated with non-monetary and monetary motivators, predict income and income satisfaction for artists.Using unique survey data on current working artists in the United States, we provide empirical evidence on substantial reputational rewards and rewards from altruistic behaviors as important sources of artists' utility and, arguably, sources of their motivation to create new works. Moreover, we find that the evidence on “procedural” utility from working in the arts is less straightforward, and we find that many artists are pooling and diversifying financial risks on household levels. Overall, quantitative findings indicate that artists may have different criteria and conceptualizations when it comes to income, and they may derive value from their work in a variety of ways aside from income.

Publication year: 2018

WIPO/PUB/ECONSTAT/WP/49

Creators' Income Situation in the Digital Age

Economic Research Working Paper No. 49

The digital transformation imposes both opportunities and risks for creativity and for creative employment, with implications for trends in income levels and the distribution of income. First, we consider skill-biased technological change as a determinant of income and labor market outcomes in the arts. Arguably, the IT revolution has changed the demand for certain skills, with creative occupations being more in demand than general employment. Second, we consider declines in the costs of generating new works and artistic experimentation due to digital technologies, and their effect on the barriers to entry in labor markets. Third, we touch upon the rise of online contract labor in certain creative professions as a determinant of income. Here, online platforms can change creators' access to work opportunities and it may alter the way income is distributed. We find that wage trends for creative workers in the digital age outperform general trends in the population: based on various data sources and various ways to identify creators, we see creators losing less or even gaining a better income position in relative terms. From a policy perspective, results do not lend support to the idea that creators' income situation has systematically worsened with the rise of the internet and its intermediaries. Evidence on changing distributions of income is ambiguous as trends differ from one country to the next.

Publication year: 2018

WIPO/PUB/1043/2018

Intellectual Property and Folk, Arts and Cultural Festivals

Practical Guide

This Guide provides general information about intellectual property (IP) and cultural interests. It identifies the main IP challenges faced by festival organizers and outlines some practical elements of an effective IP management strategy, following a step-by-step approach.

Publication year: 2018

WIPO/PUB/893

Guide on Surveying the Economic Contribution of the Copyright-Based Industries

The Guide contains information and recommendations for research teams and copyright professionals studying the contribution of the copyright-based industries to the national economy. This publication is intended as a practical tool to facilitate national and regional surveys. The Guide lays out the thrust of the main legal, economic and statistical concepts, relevant to the survey. This Guide also contains a glossary of copyright terms.

Publication year: 2015

WIPO/PUB/938

Managing Creative Enterprises

Creative industries - Booklet no. 3

This introductory booklet is intended to be used by creative individuals and business entrepreneurs both (1) as a tool to understand the specifics of the creative market and the major challenges facing creative enterprises in terms of financing, marketing or managing intellectual property assets, and (2) as a practical guide to assist managers and creators in addressing these challenges and setting up and running viable creative businesses.

Publication year: 2006

WIPO/PUB/1021

Managing Intellectual Property in the Advertising Industry

Creative Industries - Booklet no. 5

This study will address various IP-related issues that are important for the efficient management of companies active in creating and implementing advertising content and campaigns.

Publication year: 2011

WIPO/PUB/226

WIPO Copyright Treaty (WCT)

The Treaty mentions two subject matters to be protected by copyright, (i) computer programs, whatever may be the mode or form of their expression, and (ii) compilations of data or other material (databases), in any form, which by reason of the selection or arrangement of their contents constitute intellectual creations. Where a database does not constitute such a creation, it is outside the scope of this Treaty.

Publication year: 1996

WIPO/PUB/328

International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations (Rome Convention)

The Rome Convention secures protection in performances for performers, in phonograms for producers of phonograms and in broadcasts for broadcasting organizations.

Publication year: 1961