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International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations (Rome Convention)
The Rome Convention secures protection in performances for performers, in phonograms for producers of phonograms and in broadcasts for broadcasting organizations.
Publication year: 1961
Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms
The Convention deals with the obligation of each Contracting State to protect a producer of phonograms who is a national of another Contracting State against the making of duplicates without the consent of the producer; against the importation of such duplicates, where the making or importation is for the purposes of distribution to the public; and against the distribution of such duplicates to the public.
Publication year: 1973
Convention Relating to the Distribution of Programme-Carrying Signals Transmitted by Satellite
The Convention deals with the obligation of each Contracting State to take adequate measures to prevent the unauthorized distribution on or from its territory of any programme-carrying signal transmitted by satellite.
Publication year: 1974
Berne Convention for the Protection of Literary and Artistic Works
The Convention rests on three basic principles and contains a series of provisions determining the minimum protection to be granted, as well as special provisions available to developing countries which want to make use of them.
Publication year: 1979
Beijing Treaty on Audiovisual Performances
The Beijing Treaty on Audiovisual Performances was adopted by the Diplomatic Conference on the Protection of Audiovisual Performances, which took place in Beijing from June 20 to 26, 2012. The Treaty deals with the intellectual property rights of performers in audiovisual performances.
Publication year: 2012
Managing Intellectual Property in the Book Publishing Industry
Creative industries - Booklet no. 1
This introductory booklet on managing intellectual property in the book publishing industry is for publishers who wish to increase their understanding of how to manage intellectual property rights in a business context. The booklet offers practical information to help publishers both to exploit intellectual property rights as economic assets, and to avoid infringing the rights of others. While focusing primarily on publishers of trade books, the concepts covered are equally relevant to publishers of other printed literature, such as textbooks, newspapers, magazines and corporate literature.
Publication year: 2007
International Survey on Private Copying - Law and Practice 2013
The present survey represents a collection of key data on private copying compensation systems around the world. It appears now in its 23rd edition which, for the second time, is the result of collaboration between the Private Copying Collection body in the Netherlands Stichting de Thuiskopie and the World Intellectual Property Organization (WIPO).
Publication year: 2014
International Survey on Private Copying - Law and Practice 2012
This publication describes national systems on compensation for private copying and provides available data on their operation in different countries around the world. The survey offers a global overview of this important element of the copyright infrastructure and is the result of collaboration between WIPO and the Private Copying Collection body in the Netherlands.
Publication year: 2013
International Survey on Text and Image Copyright Levies
2014 Edition
The publication provides an international overview of the functioning of the various models of text and image levies which are currently in operation across the world. The survey demonstrates that the practice of operating levies is a commonly used way to provide authors and publishers with remuneration for certain uses of their copyright works.
Monetization of Copyright Assets by Creative Enterprises
Creative Industries - Booklet 7
The objective of this study is to create an awareness of intellectual property rights that are associated with creative activities and to present financial and valuation tools that can enable the quantification of the monetary value of successful creative efforts.