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Monetization of Copyright Assets by Creative Enterprises
Creative Industries - Booklet 7
The objective of this study is to create an awareness of intellectual property rights that are associated with creative activities and to present financial and valuation tools that can enable the quantification of the monetary value of successful creative efforts.
Año de publicación: 2014
How to Make a Living from Music
Creative industries - Booklet no. 4, 2nd edition
This guide is designed for musicians and music professionals who wish to hone their knowledge of the music business. It is intended as a practical tool to help composers, performers and all those involved in the music world get into the specifics of the management of their intellectual property rights. The guide aims to provide instructive advice on how to build a successful career in music in both developed and developing countries, by generating income from musical talent.
Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired or Otherwise Print Disabled
The full text of the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled.
Año de publicación: 2013
WIPO Review of Contractual Considerations in the Audiovisual Sector
This review is a condensed, yet comprehensive, panorama of all the key aspects of performers' contracts in the audiovisual industry and the various ways in which these may serve the interests of both performers and producers.
International Survey on Private Copying - Law and Practice 2012
This publication describes national systems on compensation for private copying and provides available data on their operation in different countries around the world. The survey offers a global overview of this important element of the copyright infrastructure and is the result of collaboration between WIPO and the Private Copying Collection body in the Netherlands.
The Economics of Copyright and the Internet: Moving to an Empirical Assessment Relevant in the Digital Era
Economic Research Working Paper No. 9
Technology and the Internet have triggered important changes to how creative works are created and accessed, and how creators and copyright-based industries generate their revenues. The authors reassess the economics of copyright in the light of these changes. After providing an introduction to the economics of copyright, they analyze the changes to the baseline copyright model triggered by the new technological landscape. Then, they assess the empirical economic work on copyright so far, and suggest future avenues of research and related data needs.
The Legal Status of Video Games: Comparative Analysis in National Approaches
This report analyzes the classification that each country has adopted for video games, and provides, in the final section, a tentative classification of these complex works, considering their nature, the elements they are made of and the creative process.
Managing Intellectual Property for Museums
Guide
This Guide, prepared by Rina Elster Pantalony, was recently updated to reflect the tremendous developments since it was first published in 2007, in particular Digital Rights Management, the role of social media as a business opportunity and traditional knowledge. The two-part Guide first describes IP issues relevant to museums then reviews existing business models that could provide museums with appropriate opportunities to create sustainable funding, and deliver on their stated objectives.
Typical Features of Copyright in Countries in Transition: Review of the Transition Process – Guidance for its Completion where it may still be needed
This Study presents special features of the copyright laws and institutions of countries in transition and aims to help with modernizing the laws on copyright and neighboring rights, adapting them to an appropriate interpretation of the existing conventions and to the newly emerging international standards by eliminating the elements of the laws which followed from the centrally-planned, collectivist systems. The goal is to appropriately reflect the legitimate interests of employers and producers, making the enforcement more efficient and eliminating over-regulation.
Año de publicación: 2012
Beijing Treaty on Audiovisual Performances
The Beijing Treaty on Audiovisual Performances was adopted by the Diplomatic Conference on the Protection of Audiovisual Performances, which took place in Beijing from June 20 to 26, 2012. The Treaty deals with the intellectual property rights of performers in audiovisual performances.
