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WIPO/PUB/1017

National Studies on Assessing the Economic Contribution of the Copyright-Based Industries - Series no. 3

This publication constitutes the third volume of National Studies on Assessing the Economic Contribution of the Copyright-Based Industries, Creative Industries Series and contains the studies carried out in Colombia, Croatia, Romania, the Russian Federation and the Ukraine. The publication reviews the contribution of economic activities based on copyright and related rights to the creation of national value added, employment and trade in selected countries and broadens the scope of WIPO-led research on the economic aspects of copyright.

Año de publicación: 2009

WIPO/PUB/1009

National Studies on Assessing the Economic Contribution of the Copyright-Based Industries - Series no. 2

This publication constitutes the second volume of the National Studies on Assessing the Economic Contribution of the Copyright-Based Industries, Creative Industries Series. It contains the results of five national studies representing the contribution of the creative sector - in terms of value-added, employment, and foreign trade - in the Philippines, Mexico, Jamaica, Bulgaria and Lebanon. The publication reviews the contribution of economic activities based on copyright and related rights to the creation of national value added, employment and trade in selected countries and broadens the scope of WIPO-led research on the economic aspects of copyright.

Año de publicación: 2007

WIPO/PUB/869

Rights, Camera, Action! IP Rights and the Film-Making Process

Creative industries - Booklet no. 2

The creative process and business models of film industries are being refined as new technologies are used to develop, produce, finance, distribute and market film productions. So much so that the use of new technologies has allowed small and independent filmmakers from the non traditional markets of developing nations to enter regional and international marketplaces. These filmmakers face considerable challenges as they try to keep abreast of the transformation of the legal and commercial film environment. This booklet focuses on issues that producers, independent filmmakers, scriptwriters, performing artists, and distributors in the developing world must be aware of. It is a publication intended for use by persons not trained or expert in intellectual property law and wishing to identify the intellectual property related issues in all key phases of film making.

Año de publicación: 2007

WIPO/PUB/868

Managing Intellectual Property in the Book Publishing Industry

Creative industries - Booklet no. 1

This introductory booklet on managing intellectual property in the book publishing industry is for publishers who wish to increase their understanding of how to manage intellectual property rights in a business context. The booklet offers practical information to help publishers both to exploit intellectual property rights as economic assets, and to avoid infringing the rights of others. While focusing primarily on publishers of trade books, the concepts covered are equally relevant to publishers of other printed literature, such as textbooks, newspapers, magazines and corporate literature.

Año de publicación: 2007

WIPO/PUB/938

Managing Creative Enterprises

Creative industries - Booklet no. 3

This introductory booklet is intended to be used by creative individuals and business entrepreneurs both (1) as a tool to understand the specifics of the creative market and the major challenges facing creative enterprises in terms of financing, marketing or managing intellectual property assets, and (2) as a practical guide to assist managers and creators in addressing these challenges and setting up and running viable creative businesses.

Año de publicación: 2006

WIPO/PUB/789

Copyright Collective Management in Music

Presented in the form of a theoretical and practical guide, this posthumous publication by the late Dr. Ulrich Uchtenhagen concerns the stages in the setting-up of a collective management society in the field of music and the society's operation. The work describes the essential activities and mechanisms as well as the fundamental principles required for sound collective management. It provides clear explanations of the complex notions of a system which is essential for authors, composers and music publishers throughout the world who seek protection and wish to be rewarded for their work.

Año de publicación: 2005

WIPO/PUB/924

Collective Management in Reprography

This publication gives a general description of the concept of collective management and its role in the field of reprography, and affords insight into the legislative framework and the different national reprographic reproduction rights organizations and their activities.

Año de publicación: 2005

WIPO/PUB/926

The Setting-up of New Copyright Societies

The document provides short explanations, on the different steps, conditions and on the various parameters indispensable for the creation of a collective management organization for musical works. It includes an interesting work plan indicating in a time frame the different stages necessary for achieving such goal.

Año de publicación: 2005

WIPO/PUB/891

Guide to the Copyright and Related Rights Treaties Administered by WIPO and Glossary of Copyright and Related Rights Terms

This Guide seeks to clarify and explain the legal principles enshrined in the copyright and related rights treaties administered by WIPO, and their relationship with policy, economic, cultural and technological considerations. It will be particularly helpful to governments, creators, businesses, the legal profession, academics, consumers and students in all WIPO Member States.

Año de publicación: 2004