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WIPO/PUB/926

The Setting-up of New Copyright Societies

The document provides short explanations, on the different steps, conditions and on the various parameters indispensable for the creation of a collective management organization for musical works. It includes an interesting work plan indicating in a time frame the different stages necessary for achieving such goal.

Année de publication: 2005

WIPO/PUB/891

Guide to the Copyright and Related Rights Treaties Administered by WIPO and Glossary of Copyright and Related Rights Terms

This Guide seeks to clarify and explain the legal principles enshrined in the copyright and related rights treaties administered by WIPO, and their relationship with policy, economic, cultural and technological considerations. It will be particularly helpful to governments, creators, businesses, the legal profession, academics, consumers and students in all WIPO Member States.

Année de publication: 2004

WIPO/PUB/922

From Artist to Audience

A WIPO booklet produced in cooperation with the International Confederation of Societies of Authors (CISAC) and the International Federation of Reproduction Rights Organisations (IFRRO), aims to answer questions by exploring one way in which the copyright and related rights system works, namely through the collective management of rights.

Année de publication: 2004

WIPO/PUB/484

Copyright Comic Book

This comic book narrates the adventures of four teenagers who learn what copyright is and how they and society at large can benefit from copyright. While the WIPO comic books are primarily geared towards students from 8 to 12 years' old, higher-level students and adults have found them useful in providing a basic understanding of IP issues.

Année de publication: 2001

WIPO/PUB/227

WIPO Performances and Phonograms Treaty (WPPT)

The Treaty deals with intellectual property rights of two categories of beneficiary: (i) performers (actors, singers, musicians, etc.), and (ii) producers of phonograms (the persons or legal entities who or which take the initiative and have the responsibility for the fixation of the sounds).

Année de publication: 1996

WIPO/PUB/226

WIPO Copyright Treaty (WCT)

The Treaty mentions two subject matters to be protected by copyright, (i) computer programs, whatever may be the mode or form of their expression, and (ii) compilations of data or other material (databases), in any form, which by reason of the selection or arrangement of their contents constitute intellectual creations. Where a database does not constitute such a creation, it is outside the scope of this Treaty.

Année de publication: 1996

WIPO/PUB/287

Berne Convention for the Protection of Literary and Artistic Works

The Convention rests on three basic principles and contains a series of provisions determining the minimum protection to be granted, as well as special provisions available to developing countries which want to make use of them.

Année de publication: 1979

WIPO/PUB/289

Convention Relating to the Distribution of Programme-Carrying Signals Transmitted by Satellite

The Convention deals with the obligation of each Contracting State to take adequate measures to prevent the unauthorized distribution on or from its territory of any programme-carrying signal transmitted by satellite.

Année de publication: 1974

WIPO/PUB/288

Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms

The Convention deals with the obligation of each Contracting State to protect a producer of phonograms who is a national of another Contracting State against the making of duplicates without the consent of the producer; against the importation of such duplicates, where the making or importation is for the purposes of distribution to the public; and against the distribution of such duplicates to the public.

Année de publication: 1973

WIPO/PUB/328

International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations (Rome Convention)

The Rome Convention secures protection in performances for performers, in phonograms for producers of phonograms and in broadcasts for broadcasting organizations.

Année de publication: 1961