Regulation on Distribution of Royalties for Use of Copyright and Related Rights (approved by Decision No. 5 of August 6, 2013, and Order No. 135 of August 12, 2013, of the State Service of Intellectual Property and Innovation under the Government of the Kyrgyz Republic)
REGULATIONS of distribution of royalties for use of copyright and related rights
Approved by decision of Scientific and Technical Council of the State Service of Intellectual Property and Innovation under the Government of the Kyrgyz
Republic of August 6, 2013 № 5
Approved by Order of the State Service of Intellectual Property and Innovation under the Government of the KR of August 12, 2013 № 135
REGULATIONS
of distribution of royalties for use of of copyright and related rights
Section I General provisions
1. Present Regulation of distribution of royalties for use of copyright and related rights (further- Regulation of distribution) developed according article 31 of the Law of the Kyrgyz Republic “O Copyright and Related rights” and with provisions on minimal rates for use of objects copyright and related rights approved by regulation of the Government of the Kyrgyz Republic of July 22,
2002 N488.
2. Regulation establishes the distribution percentages and shares in the distribution of royalties accrued by users for owners of property rights for the use of copyright and related rights.
In the case of co-authorship in the same category creators of works of the amount of remuneration is divided equally between the authors if there is no separate agreement.
Royalties for the public performance of works, consisting of parts having independent meaning created by co-authors as one indivisible whole is paid in accordance with Section II of the Rules of distribution.
Of royalties to the author of a literary text used by artists of the original genre (entertainers, clowns, magicians, psihoeksperimentatorami, etc.), for the music that accompanies their
performance (without literary text) shall be paid in accordance with Section III of the Rules of distribution.
Rewards authors and performers for the transmission performances (plays) to the public in a broadcast or cable shall be paid:
- In the primary use according to the contract between the performer and the organization created the formulation and / or transmission;
- With repeated use under Section IV of the Rules of distribution.
Authors royalty for public performance Royalties for the public performance is calculated only by the authors (and their successors), which is protected by copyright. The remuneration is not claimed within three years, will be deducted in the State Intellectual Property Fund.
3. Notwithstanding the provisions of Articles 37 and 38 of the Law of the Kyrgyz Republic "On Copyright and Related Rights" shall be allowed without the consent of the producer of a phonogram published for commercial purposes, and performer whose performance is recorded on the phonogram, but against payment of remuneration:
1) the public performance of the phonogram;
2) broadcasting of the phonogram;
3) communication of the phonogram to the public by cable.
On the basis of Article 44 of the aforementioned Law the collection, distribution and payment of remuneration by one of the organizations that manage the rights of phonogram producers and performers on a collective basis, in accordance with the agreement between the organization and users. If the agreement provides otherwise, the remuneration shall be distributed between the phonogram producers and performers equally.
The distribution of royalties collected on the territory of the Kyrgyz Republic, on the basis of the information specified in the reports used by users of the products.
Report forms are defined by user agreements concluded between users and Kyrgyzpatent. The distribution of received reports of users, designed properly and containing sufficient
information for distribution.
Reports deemed improperly appointed and / or contain insufficient information in the following cases:
- A report drawn up by an unidentified form of contract;
- In the report there is no stamp and signature of authorized representative of the user or a report signed by a person not entitled to sign;
- There is no information in the required columns of the report;
- The report did not contain the names of the authors and / or titles of works;
- The report contains deliberately false information (in the "author" Unknown Artist, etc.);
- The report is filled by font size less than 12 pt.
In the above cases, the report shall be transmitted to the user for revision. If the report is transmitted to the user on completion, the amount of royalties received on such reports, are not allocated to the receipt of the reports in the proper form.
If the report given by the product processed, resolution, the processing of which has not been received, the amount of royalties is reserved until receipt of the corresponding application from the author of the original work or an agreement on the processing of the product.
Basic Concepts
4. For the purposes of this Regulation the distribution of the following terms have the following meanings:
- author автор - private body
- Singer - actor, singer, musician, dancer or other person who performs, sings, plays a musical instrument or otherwise performs works of literature or art (including variety, circus or puppet show), as well as the director of the play and conductor;
- The owner of copyright and (or) related rights:
- Author or performer when property rights vested with the author or performer;
- Natural or legal person who has been ceded property rights;
- A natural person other than the author or performer or a legal entity in cases where property rights was originally endowed with a natural or legal person (phonogram producer, producer of an audiovisual work, the publisher or other person on the initiative and by means of which was created by the product);
- Share - weighting factor specific genre product that is used in the distribution of royalties for concert, dance, circus and other program teams of the copyright holder.
Section II
Distribution of royalties
for the use of works in the public performance drama, music (with or without text)
and musical-dramatic works
(Great shape)
5. The size of contributions to cover the costs related to fees, charges, distribution, payment of royalties is 10 percent of the amount of remuneration received from the payer.
6. The remaining amount of royalties distributed among the authors as follows:
Types of works | % of authors royalty |
Original dramatic works Author of play Composer | 80 20 |
Dramatizations of works protected (not protected) copyright Author of literary work Author of dramatization Composer | 40 40 20 |
Dramatizations of works protected (not protected) copyright at translation of literary work. Author of literary work Author of dramatization Translator of literary works (in the case of staging copyrighted translation of literary works) | 30 35 15 |
Composer | 20 |
Translations of dramatic works protected (not protected) copyright Author of play Translator Composer | 40 40 20 |
Opera Composer Author of libretto choreographer | 70 20 10 |
Opera in the translation of the libretto composer libretto libretto translator choreographer | 70 15 5 10 |
ballet composer libretto choreographer | 70 5 25 |
Operettamusicalcomedy.musicale Author of play | 45 |
Composer choreographer | 45 10 |
Operetta, musical comedy, a musical with text translations composer Author of the play The translator of the play choreographer | 45 25 20 10 |
Section III
The distribution of royalties accrued
for the use of music (with or without text) and dramatic works, coming for the concert,
dance, circus and other prefabricated programs
equal footing in the (small form)
7. The size of contributions to cover the costs related to fees, charges, distribution, payment of royalties for the public performance of works of small forms of 10protsentov with the amount of remuneration received from the payer.
8. The remaining amount of royalties distributed among the authors in equal footing as follows:
Genre (form) of the work | Number of shares | |
Genre (form) of the work | Text/ Libretto | Music |
Aitysh | 15 | |
intermission | 5 |
Aria from the opera, operetta | 3 | 6 |
Ballet in one act | 9 | 35 |
Ballet in one act | 9 | 35 |
Symphonic Ballad | 20 | |
Ballad for separate instruments | 5 | |
Ballad (song) | 3 | 3 |
Variations symphony | 35 | |
Variations pop | 5 | |
Vivat | 3 | 6 |
Vocalise | 5 | |
Entry to the circus or variety program, dramas | 5 | |
Dastan | 15 | |
divertissement | 20 | |
Duet from the opera, operetta | 3 | 6 |
sketches symphony | 35 | |
sideshow | 15 |
Cantata for chorus, soloists and orchestra | 9 | 35 |
Cantata (one part) | 3 | 6 |
Symphonic pictures | 35 | |
quartet | 35 | |
Quartet (one piece) | 10 | |
quintet | 35 | |
Quintet (one piece) | 10 | |
composition | 5 | |
Vocal and choreographic composition | 8 | 20 |
Vocal and choreographic composition (one piece) | 3 | 6 |
Concerto with orchestra | 35 | |
Concerto for Orchestra | 35 | |
Concert (one part) | 10 | |
concertina | 20 | |
entertainer | 10 | |
Entertainer with music | 10 | 3 |
kuu | 20 | |
Kayak, choor | 10 | |
Literary cycle (a poem, a story, a fairy tale) | 10 | |
Literary cycle (poem, story) | 10 | |
Manas epics Small | 15 | |
mass | 9 | 35 |
metamorphosis | 5 | |
monologue | 10 | |
Music for the circus acts (for each musical number) | 2 | |
tunes | 5 | |
But No | 35 | |
Nonet (one piece) | 35 | |
octet | 35 | |
Octet (one piece) | 10 | |
Opera in one act | 15 | 35 |
Opera (one act) | 15 | 35 |
Operetta (musical comedy), one-act | 20 | 20 |
Operetta (musical comedy) (one act) | 20 | 20 |
oratorio | 9 | 35 |
Oratorio (one piece) | 3 | 6 |
Original music accompanying statement | 3 | |
pantomime | 5 | |
paraphrase | 5 | |
parody | 3 | |
Partita | 20 | |
Partita (one piece) | 5 | |
Passacaglia | 5 | |
pastorale | 5 | |
Pastorale (one piece) | 3 | |
song | 3 | 3 |
medley | 5 | |
symphonic Poem | 35 |
Vocal-symphonic poem or multipart choran( �/p> | 9 | 35 |
Vocal-symphonic poem (one piece) | 3 | 6 |
prelude | 3 | |
Piece tool | 3 | |
symphonic Rhapsody | 20 | |
Rhapsody pop | 5 | |
Rasp | 3 | 6 |
Requiem | 9 | 35 |
Patter | 5 | |
Recitative | 3 | 6 |
Romance | 3 | 3 |
Salamdashuu | 15 | |
Satire | 3 | |
Sextet | 35 | |
Sextet (one piece) | 10 | |
Septet | 35 |
Septet (one piece) | 10 | |
Symphony | 35 | |
Symphony (one piece) | 10 | |
Symphony with text | 9 | 35 |
Sinfonietta | 35 | |
Sinfonietta (one piece) | 10 | |
Sonata for one or more instruments | 35 | |
Sonata (one piece) | 10 | |
Sonatina | 20 | |
A scene from the opera | 3 | 10 |
A scene from the ballet (pas de deux) | 2 | 10 |
A scene from the operetta | 6 | 6 |
Suite vocal and choreographic | 8 | 20 |
Suite vocal and choreographic (one piece) | 3 | 6 |
Suite vocal-symphonic (multipart) | 9 | 35 |
Vocal-symphonic suite (one piece) | 3 | 6 |
Suite for Brass Band | 10 | |
Suite for Brass Band (one piece) | 3 | |
Suite from the Ballet (for symphony orchestra) | 20 | |
Suite from the Ballet (for symphony orchestra) (one part) | 6 | |
Suite from the opera | 35 | |
Symphonic Suite | 20 | |
Symphonic Suite (one piece) | 6 | |
Dance Suite | 10 | |
Dance Suite (one piece) | 3 | |
Choral Suite | 8 | 20 |
Choral Suite (one piece) | 3 | 6 |
Suite pop | 5 | |
Dance | 3 | |
Terme | 15 | |
Terzetto | 35 | |
Toccata | 5 |
Toccatina | 3 | |
Trio tool | 35 | |
Trio (one piece) | 10 | |
The trio of operas, operettas | 3 | 6 |
Triptych | 9 | |
Symphonic Overture | 20 |
The overture to the ballet, opera, operetta 10
Overture to the circus or variety programs, films, dramatic performances 5
Symphonic Fantasia 20
Fantasy 5 pop
Feuilleton verses from March 10
Chorus March 6th
Ditty March 3
Sketches Symphony 35
Study 3
Chacon 10
Fragment (music) 3 extravaganza 5 fugue
10
The calculation of royalties by the formula:a(i) = S D(i), :
a(i) – authors royalties for 1 author;
S - the amount of payment for a concert minus the fee; D(i) – authors share
n
D(i) = P(i) / E P(i), :
i
P(i) - пай i-го автора;
n – number of authors, whose works was performed in this concert
Section IV
The distribution of royalties for the use of of copyright and related rights organizations broadcasting and cable
9. The size of contributions to cover the costs of the fees, charges, distribution, payment of royalties is 10 percent of the amount of remuneration received from the payer. Calculations are made on quarterly reports.
10. The remaining amount to pay copyright royalties distributed among authors and holders of property rights in accordance with the amount of a performance for the reporting period as follows:
40% - the author of the text;
40% - the author of music;
20% - the executor.
Section V
The distribution of royalties for the use
of copyright and related rights incoming without report on used works.
11The size of contributions to cover the costs related to fees, charges, distribution, payment of royalties for the use of copyright and related rights, received no report about the used products is 10 percent of the amount of remuneration received from the payer.
12. In this case, payers are legal entities and individuals included in the category of taxpayers who have paid a royalty for the use of copyright and related rights, but for objective reasons can not provide a report about the used products.
13. The distribution is as follows:
Royalties received no reports, summed and divided by the consolidated annual accounts of broadcasting and cable broadcasting as a percentage depending on the amount of calculation of royalties each organization broadcasting and cable.
14. Further distribution of royalties is made in accordance with Section IV of this Regulation. Section VI
The distribution of royalties accrued
for the use of music (with or without text)
and dramatic works coming
from the reproduction and distribution promulgated products in the form of a sound recording,
in equal footing (Short Form)
15. The amount of remuneration for the use of music (with or without text), and dramatic works, coming from the reproduction and distribution of published works in the form of a sound recording is distributed among the authors in equal footing similar to section III of this Regulation.