عن الملكية الفكرية التدريب في مجال الملكية الفكرية إذكاء الاحترام للملكية الفكرية التوعية بالملكية الفكرية الملكية الفكرية لفائدة… الملكية الفكرية و… الملكية الفكرية في… معلومات البراءات والتكنولوجيا معلومات العلامات التجارية معلومات التصاميم الصناعية معلومات المؤشرات الجغرافية معلومات الأصناف النباتية (الأوبوف) القوانين والمعاهدات والأحكام القضائية المتعلقة بالملكية الفكرية مراجع الملكية الفكرية تقارير الملكية الفكرية حماية البراءات حماية العلامات التجارية حماية التصاميم الصناعية حماية المؤشرات الجغرافية حماية الأصناف النباتية (الأوبوف) تسوية المنازعات المتعلقة بالملكية الفكرية حلول الأعمال التجارية لمكاتب الملكية الفكرية دفع ثمن خدمات الملكية الفكرية هيئات صنع القرار والتفاوض التعاون التنموي دعم الابتكار الشراكات بين القطاعين العام والخاص أدوات وخدمات الذكاء الاصطناعي المنظمة العمل مع الويبو المساءلة البراءات العلامات التجارية التصاميم الصناعية المؤشرات الجغرافية حق المؤلف الأسرار التجارية أكاديمية الويبو الندوات وحلقات العمل إنفاذ الملكية الفكرية WIPO ALERT إذكاء الوعي اليوم العالمي للملكية الفكرية مجلة الويبو دراسات حالة وقصص ناجحة في مجال الملكية الفكرية أخبار الملكية الفكرية جوائز الويبو الأعمال الجامعات الشعوب الأصلية الأجهزة القضائية الموارد الوراثية والمعارف التقليدية وأشكال التعبير الثقافي التقليدي الاقتصاد المساواة بين الجنسين الصحة العالمية تغير المناخ سياسة المنافسة أهداف التنمية المستدامة التكنولوجيات الحدودية التطبيقات المحمولة الرياضة السياحة ركن البراءات تحليلات البراءات التصنيف الدولي للبراءات أَردي – البحث لأغراض الابتكار أَردي – البحث لأغراض الابتكار قاعدة البيانات العالمية للعلامات مرصد مدريد قاعدة بيانات المادة 6(ثالثاً) تصنيف نيس تصنيف فيينا قاعدة البيانات العالمية للتصاميم نشرة التصاميم الدولية قاعدة بيانات Hague Express تصنيف لوكارنو قاعدة بيانات Lisbon Express قاعدة البيانات العالمية للعلامات الخاصة بالمؤشرات الجغرافية قاعدة بيانات الأصناف النباتية (PLUTO) قاعدة بيانات الأجناس والأنواع (GENIE) المعاهدات التي تديرها الويبو ويبو لكس - القوانين والمعاهدات والأحكام القضائية المتعلقة بالملكية الفكرية معايير الويبو إحصاءات الملكية الفكرية ويبو بورل (المصطلحات) منشورات الويبو البيانات القطرية الخاصة بالملكية الفكرية مركز الويبو للمعارف الاتجاهات التكنولوجية للويبو مؤشر الابتكار العالمي التقرير العالمي للملكية الفكرية معاهدة التعاون بشأن البراءات – نظام البراءات الدولي ePCT بودابست – نظام الإيداع الدولي للكائنات الدقيقة مدريد – النظام الدولي للعلامات التجارية eMadrid الحماية بموجب المادة 6(ثالثاً) (الشعارات الشرفية، الأعلام، شعارات الدول) لاهاي – النظام الدولي للتصاميم eHague لشبونة – النظام الدولي لتسميات المنشأ والمؤشرات الجغرافية eLisbon UPOV PRISMA UPOV e-PVP Administration UPOV e-PVP DUS Exchange الوساطة التحكيم قرارات الخبراء المنازعات المتعلقة بأسماء الحقول نظام النفاذ المركزي إلى نتائج البحث والفحص (CASE) خدمة النفاذ الرقمي (DAS) WIPO Pay الحساب الجاري لدى الويبو جمعيات الويبو اللجان الدائمة الجدول الزمني للاجتماعات WIPO Webcast وثائق الويبو الرسمية أجندة التنمية المساعدة التقنية مؤسسات التدريب في مجال الملكية الفكرية الدعم المتعلق بكوفيد-19 الاستراتيجيات الوطنية للملكية الفكرية المساعدة في مجالي السياسة والتشريع محور التعاون مراكز دعم التكنولوجيا والابتكار نقل التكنولوجيا برنامج مساعدة المخترعين WIPO GREEN WIPO's PAT-INFORMED اتحاد الكتب الميسّرة اتحاد الويبو للمبدعين WIPO Translate أداة تحويل الكلام إلى نص مساعد التصنيف الدول الأعضاء المراقبون المدير العام الأنشطة بحسب كل وحدة المكاتب الخارجية المناصب الشاغرة المشتريات النتائج والميزانية التقارير المالية الرقابة
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القوانين المعاهدات الأحكام التصفح بحسب كل ولاية قضائية

قيرغيزستان

KG165

رجوع

Regulation on Distribution of Royalties for Use of Copyright and Related Rights (approved by Decision No. 5 of August 6, 2013, and Order No. 135 of August 12, 2013, of the State Service of Intellectual Property and Innovation under the Government of the Kyrgyz Republic)

REGULATIONS of distribution of royalties for use of copyright and related rights

Approved by decision of Scientific and Technical Council of the State Service of Intellectual Property and Innovation under the Government of the Kyrgyz

Republic of August 6, 2013 № 5

Approved by Order of the State Service of Intellectual Property and Innovation under the Government of the KR of August 12, 2013 № 135

REGULATIONS

of distribution of royalties for use of of copyright and related rights

Section I General provisions

1. Present Regulation of distribution of royalties for use of copyright and related rights (further- Regulation of distribution) developed according article 31 of the Law of the Kyrgyz Republic “O Copyright and Related rights” and with provisions on minimal rates for use of objects copyright and related rights approved by regulation of the Government of the Kyrgyz Republic of July 22,
2002 N488.
2. Regulation establishes the distribution percentages and shares in the distribution of royalties accrued by users for owners of property rights for the use of copyright and related rights.
In the case of co-authorship in the same category creators of works of the amount of remuneration is divided equally between the authors if there is no separate agreement.
Royalties for the public performance of works, consisting of parts having independent meaning created by co-authors as one indivisible whole is paid in accordance with Section II of the Rules of distribution.
Of royalties to the author of a literary text used by artists of the original genre (entertainers, clowns, magicians, psihoeksperimentatorami, etc.), for the music that accompanies their
performance (without literary text) shall be paid in accordance with Section III of the Rules of distribution.
Rewards authors and performers for the transmission performances (plays) to the public in a broadcast or cable shall be paid:
- In the primary use according to the contract between the performer and the organization created the formulation and / or transmission;
- With repeated use under Section IV of the Rules of distribution.
Authors royalty for public performance Royalties for the public performance is calculated only by the authors (and their successors), which is protected by copyright. The remuneration is not claimed within three years, will be deducted in the State Intellectual Property Fund.
3. Notwithstanding the provisions of Articles 37 and 38 of the Law of the Kyrgyz Republic "On Copyright and Related Rights" shall be allowed without the consent of the producer of a phonogram published for commercial purposes, and performer whose performance is recorded on the phonogram, but against payment of remuneration:
1) the public performance of the phonogram;
2) broadcasting of the phonogram;
3) communication of the phonogram to the public by cable.
On the basis of Article 44 of the aforementioned Law the collection, distribution and payment of remuneration by one of the organizations that manage the rights of phonogram producers and performers on a collective basis, in accordance with the agreement between the organization and users. If the agreement provides otherwise, the remuneration shall be distributed between the phonogram producers and performers equally.
The distribution of royalties collected on the territory of the Kyrgyz Republic, on the basis of the information specified in the reports used by users of the products.
Report forms are defined by user agreements concluded between users and Kyrgyzpatent. The distribution of received reports of users, designed properly and containing sufficient
information for distribution.
Reports deemed improperly appointed and / or contain insufficient information in the following cases:
- A report drawn up by an unidentified form of contract;
- In the report there is no stamp and signature of authorized representative of the user or a report signed by a person not entitled to sign;
- There is no information in the required columns of the report;
- The report did not contain the names of the authors and / or titles of works;
- The report contains deliberately false information (in the "author" Unknown Artist, etc.);
- The report is filled by font size less than 12 pt.
In the above cases, the report shall be transmitted to the user for revision. If the report is transmitted to the user on completion, the amount of royalties received on such reports, are not allocated to the receipt of the reports in the proper form.
If the report given by the product processed, resolution, the processing of which has not been received, the amount of royalties is reserved until receipt of the corresponding application from the author of the original work or an agreement on the processing of the product.
Basic Concepts
4. For the purposes of this Regulation the distribution of the following terms have the following meanings:
- author автор - private body
- Singer - actor, singer, musician, dancer or other person who performs, sings, plays a musical instrument or otherwise performs works of literature or art (including variety, circus or puppet show), as well as the director of the play and conductor;
- The owner of copyright and (or) related rights:
- Author or performer when property rights vested with the author or performer;
- Natural or legal person who has been ceded property rights;
- A natural person other than the author or performer or a legal entity in cases where property rights was originally endowed with a natural or legal person (phonogram producer, producer of an audiovisual work, the publisher or other person on the initiative and by means of which was created by the product);
- Share - weighting factor specific genre product that is used in the distribution of royalties for concert, dance, circus and other program teams of the copyright holder.

Section II

Distribution of royalties

for the use of works in the public performance drama, music (with or without text)

and musical-dramatic works

(Great shape)

5. The size of contributions to cover the costs related to fees, charges, distribution, payment of royalties is 10 percent of the amount of remuneration received from the payer.
6. The remaining amount of royalties distributed among the authors as follows:

Types of works

% of authors royalty

Original dramatic works

Author of play

Composer

80

20

Dramatizations of works protected (not protected) copyright

Author of literary work Author of dramatization Composer

40

40

20

Dramatizations of works protected (not protected) copyright at translation of literary work.

Author of literary work

Author of dramatization

Translator of literary works (in the case of staging copyrighted translation of literary works)

30

35

15

Composer

20

Translations of dramatic works protected (not protected) copyright

Author of play Translator Composer

40

40

20

Opera

Composer

Author of libretto choreographer

70

20

10

Opera in the translation of the libretto

composer libretto

libretto translator choreographer

70

15

5

10

ballet composer libretto choreographer

70

5

25

Operettamusicalcomedy.musicale

Author of play

45

Composer choreographer

45

10

Operetta, musical comedy, a musical with text translations

composer

Author of the play

The translator of the play choreographer

45

25

20

10

Section III

The distribution of royalties accrued

for the use of music (with or without text) and dramatic works, coming for the concert,

dance, circus and other prefabricated programs

equal footing in the (small form)

7. The size of contributions to cover the costs related to fees, charges, distribution, payment of royalties for the public performance of works of small forms of 10protsentov with the amount of remuneration received from the payer.
8. The remaining amount of royalties distributed among the authors in equal footing as follows:

Genre (form) of the work

Number of shares

Genre (form) of the work

Text/ Libretto

Music

Aitysh

15

intermission

5

Aria from the opera, operetta

3

6

Ballet in one act

9

35

Ballet in one act

9

35

Symphonic Ballad

20

Ballad for separate instruments

5

Ballad (song)

3

3

Variations symphony

35

Variations pop

5

Vivat

3

6

Vocalise

5

Entry to the circus or variety program, dramas

5

Dastan

15

divertissement

20

Duet from the opera, operetta

3

6

sketches symphony

35

sideshow

15

Cantata for chorus, soloists and orchestra

9

35

Cantata (one part)

3

6

Symphonic pictures

35

quartet

35

Quartet (one piece)

10

quintet

35

Quintet (one piece)

10

composition

5

Vocal and choreographic composition

8

20

Vocal and choreographic composition (one piece)

3

6

Concerto with orchestra

35

Concerto for Orchestra

35

Concert (one part)

10

concertina

20

entertainer

10

Entertainer with music

10

3

kuu

20

Kayak, choor

10

Literary cycle (a poem, a story, a fairy tale)

10

Literary cycle (poem, story)

10

Manas epics Small

15

mass

9

35

metamorphosis

5

monologue

10

Music for the circus acts (for each musical number)

2

tunes

5

But No

35

Nonet (one piece)

35

octet

35

Octet (one piece)

10

Opera in one act

15

35

Opera (one act)

15

35

Operetta (musical comedy), one-act

20

20

Operetta (musical comedy) (one act)

20

20

oratorio

9

35

Oratorio (one piece)

3

6

Original music accompanying statement

3

pantomime

5

paraphrase

5

parody

3

Partita

20

Partita (one piece)

5

Passacaglia

5

pastorale

5

Pastorale (one piece)

3

song

3

3

medley

5

symphonic Poem

35

Vocal-symphonic poem or multipart choran( �/p>

9

35

Vocal-symphonic poem (one piece)

3

6

prelude

3

Piece tool

3

symphonic Rhapsody

20

Rhapsody pop

5

Rasp

3

6

Requiem

9

35

Patter

5

Recitative

3

6

Romance

3

3

Salamdashuu

15

Satire

3

Sextet

35

Sextet (one piece)

10

Septet

35

Septet (one piece)

10

Symphony

35

Symphony (one piece)

10

Symphony with text

9

35

Sinfonietta

35

Sinfonietta (one piece)

10

Sonata for one or more instruments

35

Sonata (one piece)

10

Sonatina

20

A scene from the opera

3

10

A scene from the ballet (pas de deux)

2

10

A scene from the operetta

6

6

Suite vocal and choreographic

8

20

Suite vocal and choreographic (one piece)

3

6

Suite vocal-symphonic (multipart)

9

35

Vocal-symphonic suite (one piece)

3

6

Suite for Brass Band

10

Suite for Brass Band (one piece)

3

Suite from the Ballet (for symphony orchestra)

20

Suite from the Ballet (for symphony orchestra) (one part)

6

Suite from the opera

35

Symphonic Suite

20

Symphonic Suite (one piece)

6

Dance Suite

10

Dance Suite (one piece)

3

Choral Suite

8

20

Choral Suite (one piece)

3

6

Suite pop

5

Dance

3

Terme

15

Terzetto

35

Toccata

5

Toccatina

3

Trio tool

35

Trio (one piece)

10

The trio of operas, operettas

3

6

Triptych

9

Symphonic Overture

20

The overture to the ballet, opera, operetta 10
Overture to the circus or variety programs, films, dramatic performances 5
Symphonic Fantasia 20
Fantasy 5 pop
Feuilleton verses from March 10
Chorus March 6th
Ditty March 3
Sketches Symphony 35
Study 3
Chacon 10
Fragment (music) 3 extravaganza 5 fugue
10
The calculation of royalties by the formula:a(i) = S D(i), :
a(i) – authors royalties for 1 author;
S - the amount of payment for a concert minus the fee; D(i) – authors share
n
D(i) = P(i) / E P(i), :
i
P(i) - пай i-го автора;
n – number of authors, whose works was performed in this concert

Section IV

The distribution of royalties for the use of of copyright and related rights organizations broadcasting and cable

9. The size of contributions to cover the costs of the fees, charges, distribution, payment of royalties is 10 percent of the amount of remuneration received from the payer. Calculations are made on quarterly reports.
10. The remaining amount to pay copyright royalties distributed among authors and holders of property rights in accordance with the amount of a performance for the reporting period as follows:
40% - the author of the text;
40% - the author of music;
20% - the executor.

Section V

The distribution of royalties for the use

of copyright and related rights incoming without report on used works.

11The size of contributions to cover the costs related to fees, charges, distribution, payment of royalties for the use of copyright and related rights, received no report about the used products is 10 percent of the amount of remuneration received from the payer.
12. In this case, payers are legal entities and individuals included in the category of taxpayers who have paid a royalty for the use of copyright and related rights, but for objective reasons can not provide a report about the used products.
13. The distribution is as follows:
Royalties received no reports, summed and divided by the consolidated annual accounts of broadcasting and cable broadcasting as a percentage depending on the amount of calculation of royalties each organization broadcasting and cable.
14. Further distribution of royalties is made in accordance with Section IV of this Regulation. Section VI
The distribution of royalties accrued
for the use of music (with or without text)
and dramatic works coming
from the reproduction and distribution promulgated products in the form of a sound recording,
in equal footing (Short Form)
15. The amount of remuneration for the use of music (with or without text), and dramatic works, coming from the reproduction and distribution of published works in the form of a sound recording is distributed among the authors in equal footing similar to section III of this Regulation.