À propos de la propriété intellectuelle Formation en propriété intellectuelle Respect de la propriété intellectuelle Sensibilisation à la propriété intellectuelle La propriété intellectuelle pour… Propriété intellectuelle et… Propriété intellectuelle et… Information relative aux brevets et à la technologie Information en matière de marques Information en matière de dessins et modèles industriels Information en matière d’indications géographiques Information en matière de protection des obtentions végétales (UPOV) Lois, traités et jugements dans le domaine de la propriété intellectuelle Ressources relatives à la propriété intellectuelle Rapports sur la propriété intellectuelle Protection des brevets Protection des marques Protection des dessins et modèles industriels Protection des indications géographiques Protection des obtentions végétales (UPOV) Règlement extrajudiciaire des litiges Solutions opérationnelles à l’intention des offices de propriété intellectuelle Paiement de services de propriété intellectuelle Décisions et négociations Coopération en matière de développement Appui à l’innovation Partenariats public-privé Outils et services en matière d’intelligence artificielle L’Organisation Travailler avec nous Responsabilité Brevets Marques Dessins et modèles industriels Indications géographiques Droit d’auteur Secrets d’affaires Académie de l’OMPI Ateliers et séminaires Application des droits de propriété intellectuelle WIPO ALERT Sensibilisation Journée mondiale de la propriété intellectuelle Magazine de l’OMPI Études de cas et exemples de réussite Actualités dans le domaine de la propriété intellectuelle Prix de l’OMPI Entreprises Universités Peuples autochtones Instances judiciaires Ressources génétiques, savoirs traditionnels et expressions culturelles traditionnelles Économie Égalité des genres Santé mondiale Changement climatique Politique en matière de concurrence Objectifs de développement durable Technologies de pointe Applications mobiles Sport Tourisme PATENTSCOPE Analyse de brevets Classification internationale des brevets Programme ARDI – Recherche pour l’innovation Programme ASPI – Information spécialisée en matière de brevets Base de données mondiale sur les marques Madrid Monitor Base de données Article 6ter Express Classification de Nice Classification de Vienne Base de données mondiale sur les dessins et modèles Bulletin des dessins et modèles internationaux Base de données Hague Express Classification de Locarno Base de données Lisbon Express Base de données mondiale sur les marques relative aux indications géographiques Base de données PLUTO sur les variétés végétales Base de données GENIE Traités administrés par l’OMPI WIPO Lex – lois, traités et jugements en matière de propriété intellectuelle Normes de l’OMPI Statistiques de propriété intellectuelle WIPO Pearl (Terminologie) Publications de l’OMPI Profils nationaux Centre de connaissances de l’OMPI Série de rapports de l’OMPI consacrés aux tendances technologiques Indice mondial de l’innovation Rapport sur la propriété intellectuelle dans le monde PCT – Le système international des brevets ePCT Budapest – Le système international de dépôt des micro-organismes Madrid – Le système international des marques eMadrid Article 6ter (armoiries, drapeaux, emblèmes nationaux) La Haye – Le système international des dessins et modèles industriels eHague Lisbonne – Le système d’enregistrement international des indications géographiques eLisbon UPOV PRISMA UPOV e-PVP Administration UPOV e-PVP DUS Exchange Médiation Arbitrage Procédure d’expertise Litiges relatifs aux noms de domaine Accès centralisé aux résultats de la recherche et de l’examen (WIPO CASE) Service d’accès numérique aux documents de priorité (DAS) WIPO Pay Compte courant auprès de l’OMPI Assemblées de l’OMPI Comités permanents Calendrier des réunions WIPO Webcast Documents officiels de l’OMPI Plan d’action de l’OMPI pour le développement Assistance technique Institutions de formation en matière de propriété intellectuelle Mesures d’appui concernant la COVID-19 Stratégies nationales de propriété intellectuelle Assistance en matière d’élaboration des politiques et de formulation de la législation Pôle de coopération Centres d’appui à la technologie et à l’innovation (CATI) Transfert de technologie Programme d’aide aux inventeurs WIPO GREEN Initiative PAT-INFORMED de l’OMPI Consortium pour des livres accessibles L’OMPI pour les créateurs WIPO Translate Speech-to-Text Assistant de classification États membres Observateurs Directeur général Activités par unité administrative Bureaux extérieurs Avis de vacance d’emploi Achats Résultats et budget Rapports financiers Audit et supervision
Arabic English Spanish French Russian Chinese
Lois Traités Jugements Parcourir par ressort juridique

Royaume-Uni

GB327

Retour

The Copyright and Rights in Performances (Quotation and Parody) Regulations 2014 (S.I. No. 2356)

 The Copyright and Rights in Performances (Quotation and Parody) Regulations 2014

S T A T U T O R Y I N S T R U M E N T S

2014 No. 2356

COPYRIGHT

RIGHTS IN PERFORMANCES

The Copyright and Rights in Performances (Quotation and

Parody) Regulations 2014

Made - - - - 26th August 2014

Coming into force - - 1st October 2014

The Secretary of State is a Minister designated for the purposes of section 2(2) of the European

Communities Act 1972(a) in relation to matters relating to copyright and rights in

performances(b).

In accordance with paragraph 2(2) of Schedule 2 to that Act, a draft of this instrument was laid

before Parliament and approved by a resolution of each House of Parliament.

The Secretary of State, in exercise of the powers conferred by section 2(2) of that Act makes the

following Regulations:

Citation and commencement

1. These Regulations may be cited as the Copyright and Rights in Performances (Quotation and

Parody) Regulations 2014 and come into force on 1st October 2014.

Amendments to the Copyright, Designs and Patents Act 1988

2. The Copyright, Designs and Patents Act 1988(c) is amended in accordance with these

Regulations.

Quotation: amendments to section 30

3.—(1) Section 30(d) is amended as follows.

(2) In the heading, after “review” insert “, quotation”.

(3) In subsection (1), after “acknowledgement” insert “(unless this would be impossible for

reasons of practicality or otherwise)”.

(4) After subsection (1) insert—

(a) 1972 c.68; section 2(2) was amended by the Legislative and Regulatory Reform Act 2006 (c.51), section 27(1) and the European Union (Amendment) Act 2008 (c.7), section 3(3) and Part 1 of the Schedule.

(b) S.1. 1992/707 and S.I. 1993/595. (c) 1988 c.48. (d) Section 30 was amended by S.I. 2003/2498, regulations 3 and 10(1).

“(1ZA) Copyright in a work is not infringed by the use of a quotation from the work

(whether for criticism or review or otherwise) provided that—

(a) the work has been made available to the public,

(b) the use of the quotation is fair dealing with the work,

(c) the extent of the quotation is no more than is required by the specific purpose for

which it is used, and

(d) the quotation is accompanied by a sufficient acknowledgement (unless this would

be impossible for reasons of practicality or otherwise).”

(5) In subsection (1A)—

(a) for “subsection (1)” substitute “subsections (1) and (1ZA)”, and

(b) for “that subsection” substitute “those subsections”.

(6) After subsection (3) insert—

“(4) To the extent that a term of a contract purports to prevent or restrict the doing of any

act which, by virtue of subsection (1ZA), would not infringe copyright, that term is

unenforceable.”

Quotation: amendments to Schedule 2

4.—(1) Paragraph 2(a) of Schedule 2 is amended as follows.

(2) In the heading, after “reviews” insert “, quotation”.

(3) After sub-paragraph (1) insert—

“(1ZA) The rights conferred by this Chapter in a performance or a recording of a

performance are not infringed by the use of a quotation from the performance or recording

(whether for criticism or review or otherwise) provided that—

(a) the performance or recording has been made available to the public,

(b) the use of the quotation is fair dealing with the performance or recording, and

(c) the extent of the quotation is no more than is required by the specific purpose for

which it is used.”

(4) After sub-paragraph (1A) insert—

“(1B) To the extent that a term of a contract purports to prevent or restrict the doing of

any act which, by virtue of sub-paragraph (1ZA), would not infringe any right conferred by

this Chapter, that term is unenforceable.”

Parody

5.—(1) After section 30 insert—

30A Caricature, parody or pastiche

(1) Fair dealing with a work for the purposes of caricature, parody or pastiche does not

infringe copyright in the work.

(2) To the extent that a term of a contract purports to prevent or restrict the doing of any

act which, by virtue of this section, would not infringe copyright, that term is

unenforceable.”

(2) In Schedule 2, after paragraph 2 insert—

(a) Paragraph 2 of Schedule 2 was amended by S.I. 2003/2498, regulations 3 and 10(2).

2

“Caricature, parody or pastiche

2A.—(1) Fair dealing with a performance or a recording of a performance for the

purposes of caricature, parody or pastiche does not infringe the rights conferred by this

Chapter in the performance or recording.

(2) To the extent that a term of a contract purports to prevent or restrict the doing of any

act which, by virtue of this paragraph, would not infringe any right conferred by this

Chapter, that term is unenforceable.

(3) Expressions used in this paragraph have the same meaning as in section 30A.”.

Baroness Neville-Rolfe

Parliamentary Under Secretary of State for Business, Innovation and Skills

26th August 2014 Department for Business, Innovation and Skills

3

4

EXPLANATORY NOTE

(This note is not part of the Regulations)

These Regulations amend the Copyright, Designs and Patents Act 1988 (“the Act”). Directive

2001/29 of the European Parliament and of the Council of 22 May 2001 on the harmonisation of

certain aspects of copyright and related rights in the information society (OJ No L167, 22.6.2001.

p.10) permits Member States to provide for exceptions to the copyright and related rights provided

under the Directive in certain cases. Article 5(3)(d) permits an exception in the case of quotations

for purposes such as criticism or review. Regulation 3 amends the way in which this exception is

implemented in the UK. Article 5(3)(k) of the Directive permits an exception in the case of use for

the purpose of caricature, parody or pastiche. Regulation 5 introduces this exception in the UK.

Regulation 3 amends section 30 of the Act by inserting subsection (1ZA) to provide an

exception to copyright for the use of a quotation from a work where the use is fair dealing with the

work and to the extent that the quotation is no more than is required by the specific purpose for

which it is used and the quotation is accompanied by a sufficient acknowledgement. New section

30(4) provides that any term of a contract which prevents or restricts the doing of any act

permitted under new section 30(1ZA) is unenforceable. Regulation 4 amends paragraph 2 of

Schedule 2 to the Act to provide an equivalent exception for quotations by the taking of an extract

from a recording of a performance. The taking of an extract of a recording of a performance in

accordance with paragraph 2(1ZA) does not infringe the rights conferred by Chapter 2 of Part II of

the Act (rights in performances).

Regulation 5 inserts new section 30A and new paragraph 2A in Schedule 2 of the Act. New

section 30A(1) provides an exception to copyright in respect of fair dealing with a work for the

purposes of caricature, parody or pastiche. Subsection (2) provides that any term of a contract

which prevents or restricts the doing of any act permitted under section 30A(1) is unenforceable.

New paragraph 2A of Schedule 2 provides an equivalent exception for fair dealing with a

performance or a recording of a performance. Fair dealing with a performance or a recording of a

performance for the purposes of caricature, parody or pastiche does not infringe the rights

conferred by Chapter 2 of Part II of the Act (rights in performances).

Full impact assessments of the effect that this instrument will have on the cost of business and

the voluntary sector are available from the Intellectual Property Office, Concept House, Cardiff

Road, Newport, NP10 8QQ and are annexed to the Explanatory Memorandum (together with a

transposition note) which is available alongside the instrument on www.legislation.gov.uk.

© Crown copyright 2014

Printed and published in the UK by The Stationery Office Limited under the authority and superintendence of Carol Tullo,

Controller of Her Majesty’s Stationery Office and Queen’s Printer of Acts of Parliament.

£4.25

UK201409042 09/2014 19585

http://www.legislation.gov.uk/id/uksi/2014/2356