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Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired or Otherwise Print Disabled
The full text of the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled.
Année de publication: 2013
International Survey on Private Copying - Law and Practice 2012
This publication describes national systems on compensation for private copying and provides available data on their operation in different countries around the world. The survey offers a global overview of this important element of the copyright infrastructure and is the result of collaboration between WIPO and the Private Copying Collection body in the Netherlands.
WIPO Review of Contractual Considerations in the Audiovisual Sector
This review is a condensed, yet comprehensive, panorama of all the key aspects of performers' contracts in the audiovisual industry and the various ways in which these may serve the interests of both performers and producers.
Monetization of Copyright Assets by Creative Enterprises
Creative Industries - Booklet 7
The objective of this study is to create an awareness of intellectual property rights that are associated with creative activities and to present financial and valuation tools that can enable the quantification of the monetary value of successful creative efforts.
Année de publication: 2014
The Global Publishing Industry in 2016
A Pilot Survey by the IPA and WIPO
The International Publishers Association (IPA) and the World Intellectual Property Organization (WIPO) joined forces to pilot a new survey of global publishing activity in 2016. The survey covered three market segments: retail; educational; and scholarly, academic and scientific (SAS) publishing. In total, 35 national publishers associations and copyright authorities responded to the survey.
Année de publication: 2018
IP Training Institutions Brochure
Learn more about the WIPO Academy's support to Member States in establishing self-sustaining IPTIs
Année de publication: 2020
Joining the International Copyright System: What's At Stake?
This booklet introduces the copyright treaties administered by WIPO, identifies some of the potential benefits they offer, and outlines the steps that countries need to take in order to join the international copyright system.
Année de publication: 2017
Intellectual Property Basics: A Q&A for Students
Compiled by the China National Intellectual Property Administration (CNIPA) with the support of the WIPO China Funds-in-Trust, this book gives students a basic yet comprehensive understanding of IP. Using a question-and-answer format, it covers the general rules of the IP system as well as the essentials of patents, copyright, trademarks and other forms of IP, such as industrial designs, geographical indications and traditional knowledge.
Année de publication: 2019
The Global Publishing Industry in 2017
This study provides an overview of the global publishing industry in 2017. Based on data from a survey by the International Publishers Association and WIPO with responses from 56 countries, the study reports on publishing revenue, the number of titles published and the number sold, and ranks the top global publishers.
Unpacking predictors of income and income satisfaction for artists
Economic Research Working Paper No. 50
The stereotype of the “starving artist” is pervasive in modern Western culture, but previous research on artists and income is mixed. The goal of this study is to explore how several demographic variables, along with self-reported behaviors and artistic activities associated with non-monetary and monetary motivators, predict income and income satisfaction for artists.Using unique survey data on current working artists in the United States, we provide empirical evidence on substantial reputational rewards and rewards from altruistic behaviors as important sources of artists' utility and, arguably, sources of their motivation to create new works. Moreover, we find that the evidence on “procedural” utility from working in the arts is less straightforward, and we find that many artists are pooling and diversifying financial risks on household levels. Overall, quantitative findings indicate that artists may have different criteria and conceptualizations when it comes to income, and they may derive value from their work in a variety of ways aside from income.