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WIPO Magazine, Issue 4/2020 (December)
The WIPO Magazine explores intellectual property, creativity and innovation in action across the world.
Année de publication: 2020
Innovative Technologies Tackling Food Loss
This edition of the Global Challenges in Focus series explores cutting-edge technologies to reduce food loss in the supply chain. Though identifying “critical loss points”, the brief proposes innovative technologies with the highest estimated impact on mitigating food loss. To continue the topic of the food management process, a forthcoming paper will address the technologies tackling food waste.
Ethics and Innovation
10 Years WIPO Ethics Office
This anniversary publication presents the creation and history of WIPO's Ethics Office, and describes the interrelationship between law and ethics in the internal justice system. The book also features contributions by leading scholars, originally made in the context of the WIPO Public Lectures series on Ethics, which explore ethical challenges to technological developments, communication, justice and culture.
What is Intellectual Property?
Intellectual property (IP) refers to creations of the mind – everything from works of art to inventions, computer programs to trademarks and other commercial signs. This booklet introduces the main types of IP and explains how the law protects them. It also introduces the work of WIPO, the global forum for IP services, policy, information and cooperation.
Guide to WIPO Arbitration
Arbitration is increasingly being used to resolve disputes involving intellectual property, technology, entertainment and other commercial rights. This booklet provides a straightforward introduction to this dispute resolution procedure, based on the extensive experience of the WIPO Center. It describes the main features and advantages of arbitration and explains how arbitration under the WIPO Arbitration and Expedited Arbitration Rules works in practice, with case examples.
World Intellectual Property Indicators 2020
This authoritative report analyzes IP activity around the globe. Drawing on 2019 filing, registration and renewals statistics from national and regional IP offices and WIPO, it covers patents, utility models, trademarks, industrial designs, microorganisms, plant variety protection and geographical indications. The report also draws on survey data and industry sources to give a picture of activity in the publishing industry.
Exclusive content and platform competition in Latin America
Economic Research Working Paper No. 63
Platforms often compete over non-price strategies such as the exclusive distribution of products. But these strategies are not always welfare-enhancing. Using rich data on audiovisuals distributed on platforms in Brazil, we find that non-exclusive distribution and availability of titles across platforms is more effective in deterring online piracy than in the single homing case. Moreover, in certain markets (TVOD), it induces higher average investment in the production of new titles upstream. We discuss options of copyright and antitrust policies in the light of these findings.
Methodology for the Development of National Intellectual Property Strategies
Second edition
This core reference for national project teams developing IP strategies has been fully revised to give clear, step-by-step guidance through every phase of the lifecycle of a strategy, from initiation through to monitoring and evaluation. This comprehensive reference guide includes a range of tools and best practices, templates and other resources.
Grand rights and opera reuse today
Economic Research Working Paper No. 62
This article studies the economic role of grand rights in the incentives to stage and reuse works from the opera canon. It complements previous research on the incentives to create new opera (Giorcelli and Moser, 2020) in the way it looks at copyright taxing availability and follow-on creativity around works. Based on a unique dataset of global opera performances, we find that changes in copyright status increase the number of total performances individual works receive on stage once copyright expires. Moreover, we provide preliminary evidence on chilling, long-term effects of status around premiering operas and revivals at the beginning of the copyright term. Based on these findings, we discuss limitations of the study and novel options for copyright policy frameworks.