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WIPO/ACADEMY/REVIEW/2017

Celebrating 20 years of IP Education and Training - The WIPO Academy Year in Review 2017

This report introduces the work of the Academy, highlights our achievements in 2017 and shines a light on some of the Academy's achievements in the past 20 years.

Año de publicación: 2018

WIPO/IPA/PILOTSURVEY/2016

The Global Publishing Industry in 2016

A Pilot Survey by the IPA and WIPO

The International Publishers Association (IPA) and the World Intellectual Property Organization (WIPO) joined forces to pilot a new survey of global publishing activity in 2016. The survey covered three market segments: retail; educational; and scholarly, academic and scientific (SAS) publishing. In total, 35 national publishers associations and copyright authorities responded to the survey.

Año de publicación: 2018

WIPO/PUB/GREENFLYER

WIPO GREEN

Connecting sustainable technology users and providers

WIPO GREEN is a global marketplace that promotes green tech innovation and diffusion. This short brochure outlines the benefits of joining WIPO GREEN in order to collaborate on projects and events, leverage its global network, increase visibility and join the fight against climate change.

Año de publicación: 2018

WIPO/PUB/455/2018

Guide to the International Registration of Marks under the Madrid Agreement and the Madrid Protocol (2018)

This Guide is primarily intended for applicants and holders of international registrations of marks, as well as officials of the competent administrations of the Member States of the Madrid Union. It leads them through the various steps of the international registration procedure and explains the essential provisions of the Madrid Agreement, the Madrid Protocol and the Common Regulations.

Año de publicación: 2018

WIPO/PUB/GREENREPORT/2017

WIPO GREEN

Year in Review 2017

Another successful and productive year for WIPO GREEN! This Year in Review report summarizes WIPO GREEN highlights and achievements as the network expanded both in membership, collaborations and events.

Año de publicación: 2018

WIPO/PUB/943/2017

WIPO IP Facts and Figures 2017

An overview of intellectual property activity based on the latest available year of complete statistics.

Año de publicación: 2018

WIPO/PUB/ECONSTAT/WP/51

Submarine Trademarks

Economic Research Working Paper No. 51

Companies use trademarks to protect their brands from outright imitation or competition by confusingly similar products. However, publication of trademark filings by the trademark office discloses information about a firm's new product or service. This creates a trade-off between legal protection and disclosure of information. We analyze the trade-off through the lens of “submarine trademarks” in the U.S. – submarine trademarks are trademarks whose publication and hence disclosure to the public is strategically delayed. This is achieved through a particular international filing strategy that is often combined with the use of shell companies to further conceal the trademark filing. These submarine strategies allow companies to benefit from legal trademark protection while reducing the risk of inadvertent disclosure of information. We provide the first systematic evidence of submarine trademarks and explore both their determinants and their effectiveness in reducing the disclosure of information.

Año de publicación: 2018

WIPO/PUB/BROCHURE/BRIP/2018

Spreading the message, building respect

This brochure highlights a few of the tools we produce to raise awareness about key intellectual property issues, from outreach publications for children to support communications campaigns by IP offices.

Año de publicación: 2018

WIPO/PUB/ECONSTAT/WP/50

Unpacking predictors of income and income satisfaction for artists

Economic Research Working Paper No. 50

The stereotype of the “starving artist” is pervasive in modern Western culture, but previous research on artists and income is mixed. The goal of this study is to explore how several demographic variables, along with self-reported behaviors and artistic activities associated with non-monetary and monetary motivators, predict income and income satisfaction for artists.Using unique survey data on current working artists in the United States, we provide empirical evidence on substantial reputational rewards and rewards from altruistic behaviors as important sources of artists' utility and, arguably, sources of their motivation to create new works. Moreover, we find that the evidence on “procedural” utility from working in the arts is less straightforward, and we find that many artists are pooling and diversifying financial risks on household levels. Overall, quantitative findings indicate that artists may have different criteria and conceptualizations when it comes to income, and they may derive value from their work in a variety of ways aside from income.

Año de publicación: 2018

WIPO/PUB/ECONSTAT/WP/49

Creators' Income Situation in the Digital Age

Economic Research Working Paper No. 49

The digital transformation imposes both opportunities and risks for creativity and for creative employment, with implications for trends in income levels and the distribution of income. First, we consider skill-biased technological change as a determinant of income and labor market outcomes in the arts. Arguably, the IT revolution has changed the demand for certain skills, with creative occupations being more in demand than general employment. Second, we consider declines in the costs of generating new works and artistic experimentation due to digital technologies, and their effect on the barriers to entry in labor markets. Third, we touch upon the rise of online contract labor in certain creative professions as a determinant of income. Here, online platforms can change creators' access to work opportunities and it may alter the way income is distributed. We find that wage trends for creative workers in the digital age outperform general trends in the population: based on various data sources and various ways to identify creators, we see creators losing less or even gaining a better income position in relative terms. From a policy perspective, results do not lend support to the idea that creators' income situation has systematically worsened with the rise of the internet and its intermediaries. Evidence on changing distributions of income is ambiguous as trends differ from one country to the next.

Año de publicación: 2018