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The Setting-up of New Copyright Societies
The document provides short explanations, on the different steps, conditions and on the various parameters indispensable for the creation of a collective management organization for musical works. It includes an interesting work plan indicating in a time frame the different stages necessary for achieving such goal.
Año de publicación: 2005
From Artist to Audience
A WIPO booklet produced in cooperation with the International Confederation of Societies of Authors (CISAC) and the International Federation of Reproduction Rights Organisations (IFRRO), aims to answer questions by exploring one way in which the copyright and related rights system works, namely through the collective management of rights.
Año de publicación: 2004
International Survey on Text and Image Copyright Levies
2014 Edition
The publication provides an international overview of the functioning of the various models of text and image levies which are currently in operation across the world. The survey demonstrates that the practice of operating levies is a commonly used way to provide authors and publishers with remuneration for certain uses of their copyright works.
Año de publicación: 2014
WIPO Review of Contractual Considerations in the Audiovisual Sector
This review is a condensed, yet comprehensive, panorama of all the key aspects of performers' contracts in the audiovisual industry and the various ways in which these may serve the interests of both performers and producers.
Año de publicación: 2013
Copyright and Related Rights Cases in the Field of Music in the Asia-Pacific Region
With the development of digital technology, the laws and legal disputes of copyright and related rights have known a dynamism reflecting this evolution. This publication is an informative collection of legal decisions made by the courts of countries in the Asia and the Pacific region. It provides summaries of a number of salient cases in the field of music, and offers some very interesting insights into the different ways in which copyright and related rights are being handled in various jurisdictions. It aims to be a useful reference for the many professionals who are seeking to navigate the music industry's increasingly complex legal and commercial landscape. This case book was prepared with the assistance of the Funds-in-Trust of the Republic of Korea.
Año de publicación: 2011
Copyright Collective Management in Music
Presented in the form of a theoretical and practical guide, this posthumous publication by the late Dr. Ulrich Uchtenhagen concerns the stages in the setting-up of a collective management society in the field of music and the society's operation. The work describes the essential activities and mechanisms as well as the fundamental principles required for sound collective management. It provides clear explanations of the complex notions of a system which is essential for authors, composers and music publishers throughout the world who seek protection and wish to be rewarded for their work.
Guide to the Copyright and Related Rights Treaties Administered by WIPO and Glossary of Copyright and Related Rights Terms
This Guide seeks to clarify and explain the legal principles enshrined in the copyright and related rights treaties administered by WIPO, and their relationship with policy, economic, cultural and technological considerations. It will be particularly helpful to governments, creators, businesses, the legal profession, academics, consumers and students in all WIPO Member States.
WIPO Copyright Treaty (WCT)
The Treaty mentions two subject matters to be protected by copyright, (i) computer programs, whatever may be the mode or form of their expression, and (ii) compilations of data or other material (databases), in any form, which by reason of the selection or arrangement of their contents constitute intellectual creations. Where a database does not constitute such a creation, it is outside the scope of this Treaty.
Año de publicación: 1996
International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations (Rome Convention)
The Rome Convention secures protection in performances for performers, in phonograms for producers of phonograms and in broadcasts for broadcasting organizations.
Año de publicación: 1961
Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms
The Convention deals with the obligation of each Contracting State to protect a producer of phonograms who is a national of another Contracting State against the making of duplicates without the consent of the producer; against the importation of such duplicates, where the making or importation is for the purposes of distribution to the public; and against the distribution of such duplicates to the public.
Año de publicación: 1973