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WIPO/PUB/EMAT/2014/6

Management of Rights in Dramatic Works

Educational Material on Collective Management of Copyright and Related Rights - Module 6

WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.

Publication year: 2014

WIPO/PUB/EMAT/2014/5

Management of Rights for Visual Arts and Photography

Educational Material on Collective Management of Copyright and Related Rights - Module 5

WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.

Publication year: 2014

WIPO/PUB/EMAT/2014/4

Management of Rights in Print and Publishing

Educational Material on Collective Management of Copyright and Related Rights - Module 4

WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.

Publication year: 2014

WIPO/PUB/EMAT/2014/3

Management of Copyright and Related Rights in the Audiovisual Field

Educational Material on Collective Management of Copyright and Related Rights - Module 3

WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.

Publication year: 2014

WIPO/PUB/EMAT/2014/2

Management of Copyright and Related Rights in the Field of Music

Educational Material on Collective Management of Copyright and Related Rights - Module 2

WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.

Publication year: 2014

WIPO/PUB/FLYER/ABC

Accessible Books Consortium:

Bringing books to persons with print disabilities

The Accessible Books Consortium (ABC) is an alliance that comprises WIPO, organizations that serve persons with print disabilities and organizations that represent authors and publishers.

Publication year: 2014

WIPO/REPORT/CR/VCR

Comparative Analysis of National Approaches on Voluntary Copyright Relinquishment

This report is divided into three main sections. First, the report looks at copyright relinquishment in the context of current copyright law and doctrine, including issues such as the nature of protection, irrevocability and moral rights. The second section of the report is a survey of national legislation and jurisprudence on the subject. Finally, the report considers practical issues surrounding public domain dedications by looking at examples of institutions and individuals who might be interested in donating their copyright.

Publication year: 2014

WIPO/PUB/939

How to Make a Living from Music

Creative industries - Booklet no. 4, 2nd edition

This guide is designed for musicians and music professionals who wish to hone their knowledge of the music business. It is intended as a practical tool to help composers, performers and all those involved in the music world get into the specifics of the management of their intellectual property rights. The guide aims to provide instructive advice on how to build a successful career in music in both developed and developing countries, by generating income from musical talent.

Publication year: 2014

WIPO/PUB/218

Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired or Otherwise Print Disabled

The full text of the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled.

Publication year: 2013

WIPO/PUB/ECONSTAT/WP/9

The Economics of Copyright and the Internet: Moving to an Empirical Assessment Relevant in the Digital Era

Economic Research Working Paper No. 9

Technology and the Internet have triggered important changes to how creative works are created and accessed, and how creators and copyright-based industries generate their revenues. The authors reassess the economics of copyright in the light of these changes. After providing an introduction to the economics of copyright, they analyze the changes to the baseline copyright model triggered by the new technological landscape. Then, they assess the empirical economic work on copyright so far, and suggest future avenues of research and related data needs.

Publication year: 2013