Women Entrepreneurs from Indigenous Peoples and Local Communities

Meet the participants of the global and regional editions of the WIPO Training, Mentoring and Matchmaking Program on Intellectual Property for Women Entrepreneurs from Indigenous Peoples and Local Communities.

Aii Shatu Ali

Mbororo | Mbororo Social, Cultural and Development Association (MBOSCUDA), Cameroon

Aii Shatu is a Mbororo Indigenous pastoralist from Cameroon. She is a veterinarian by profession, an agro-pastoral adviser and a master’s student in rural development and administration. Among other commitments, she works with the Mbororo Social, Cultural and Development Association (MBOSCUDA) in Cameroon as the Gender and Women Coordinator.

Mbororo Indigenous women have a longstanding tradition of producing and designing handicrafts with natural local materials, such as calabashes, covers and carriers that are used for household purposes and for home decoration. The community also holds a rich tradition in music and unique hair plaiting techniques.

Judith Bakirya

Jinja Women Agribusiness Cooperative (JiWAE-C), Uganda

Judith comes from the Busoga region of Eastern Uganda. As a child, she started learning about agriculture and farming from her family. Her grandmother also passed on her knowledge and skills in herbal medicine, which Judith is now committed to transmitting to the younger generations within her community.

Judith participates in the Jinja Women Agribusiness Cooperative (JiWAE-C), a local community of women who work together to share learnings, knowledge, market access, and preserve their Indigenous foods and herbal plants. The Cooperative implements different projects, including on artisanal processing of herbal well-being products, preservation of Indigenous herbs through herbal gardens, and production of medicinal remedies made of fruit seeds flour and herbs.

Appolia Dabe

Sano, Naro | Tèèmààseé San Youth Development, Namibia

Appolia is a leader in the San community of the Naro clan in the Eastern part of Namibia. She is involved in, and has served her community from an early age.

Faced with progressive loss of ancestral lands, traditional knowledge, and traditional cultural expressions, Appolia co-founded Tèèmààseé San Youth Development, which strives to foster intergenerational exchange of traditional knowledge. Currently, the initiative includes the creation of beadwork by older and younger community members, which are subsequently sold locally.

Satitia Gomis

Manjack, Senegal

Satitia is a member of the Manjack community. Early on, she became involved in the promotion of one of her community’s precious cultural products, the Manjack woven loincloth, a handwoven traditional textile from West Africa, renowned for its quality and beauty.

Under the program, Satitia will organize weavers of traditional Manjack woven loincloth in her region and intends also to develop a local company incorporating both dress and shoe makers that will use the traditional woven loincloth in new creations. Furthermore, to ensure preservation and valorization of the traditional designs and weaving technic, she will apply for a collective trademarks that may with time evolve into a geographical indication.

Charlotte Kazoora

Bamukisa women development, Uganda

Charlotte is the founder of Tourism inclusion for all limited (TIFA). Her goal is to empower the youth and women in her community and reduce gender-based violence by providing them with a sustainable income. In order to do so, Charlotte provides training opportunities with skilled artisans to teach them how to produce quality handicrafts. Charlotte also provides market access for the goods, locally and abroad.

Charlotte plans to register a trademark to protect and promote the handicrafts that will be marketed under the SCECK CRAFTS project.

Eunice Nabebek Koin

Loita Maasai community | Entito Creations, Kenya

Eunice is from the Loita Maasai community of Narok, a predominantly pastoralist community closely connected to its cultural heritage with distinctive clothing, jewelry, and traditional way of life.

A marketer by profession, and a fashion design enthusiast, Eunice founded Entito Creations Ltd, to incorporate traditional Maasai patterns and beaded products with modern fashion designs.

Eunice works with a group of women in her village, and together they undertake beadwork, as a source of livelihood for the group’s families. They support and teach beadwork to preserve their culture and empower the community, enabling girls to enroll in school.

Diana Lemboko

Maasai | Maasai Women Development Organization (MWEDO), Tanzania

Diana is part of the Indigenous Maasai community of Tanzania. Since 2005, she has been working with the Maasai Women Development Organization (MWEDO) on social and economic development projects. MWEDO was founded by women themselves to counter the injustices women and girls face and strive for gender equality through economic empowerment, access to education, and community healthcare.

One of MWEDO’s flagship projects is the creation of the Fair Trade Centre, which aims at building the capacity of Maasai women in the handicraft sector and providing market access. Through the project, women are able to develop competitive and marketable bead products, earn income and reduce poverty in their households.

Tsitsi Machingauta

Domboshava | Women’s Farming Syndicate Trust, Zimbabwe

Tsitsi founded the Women's Farming Syndicate Trust, an organization that focuses on empowering women in the rural community of Domboshava. She is actively involved in using traditional knowledge systems to create viable products from the forests, promoting environmental sustainability, and engaging in reforestation efforts.

Recognizing the immense potential of the community women, Tsitsi strives to empower them economically through sustainable practices. By utilizing traditional knowledge systems, she helps them develop viable products like teas, herbs, and baskets, thereby creating economic opportunities for themselves and their community.

Celestine Habiba Magouo Epse Djallo

Mundang, Cameroon

Celestine is the founder and manager of HABIBA NATURAL CARE, a company that produces natural cosmetic products from leaves, barks and vegetable oils based on the traditional knowledge of the Mundang people.

Celestine’s business supports women from her community by creating employment opportunities and purchasing local raw materials such as shea butter and sesame oil. During her time in the program, Celestine has focused her IP strategy on the protection of her products’ recipes and distinguishing her products in the marketplace.

Elizabeth Mbau

Kikuyu, Kenya

Elizabeth is developing a brand of herbal tea made from indigenous plants. In doing so, she is working with local farmers in the Aberdare-Mount region of Kenya. She hopes that her project and business to come will help promote the cultivation and preservation of the indigenous plants and provide income for the local communities that cultivate them.

During her time under the program, Elizabeth will focus on product development, market research and the development and registration of a trademark for her business.

Nyasha Clesby Nhutsve

Shona / Karang, Zimbabwe

Nyasha is a designer and craft maker who works with talented but disadvantaged women in the rural Victoria Falls region of Zimbabwe to produce cultural artifacts for the tourist market. She has a registered business that operates according to fair trade standards. She plans to open a shop in Victoria Falls that will provide creative women access to market and a fair price for their products.

Nyasha wants to learn how intellectual property can be used to protect designs and products. She also plans to register a collective or certification mark for the products marketed in the shop as well as a regular trademark for her own products.

Shivani Ragavoodoo Canee

Cahaya, Mauritius

Shivani is a designer and founder of Cahaya, a brand focused on valorizing local craftsmanship and the use of locally sourced materials, while striving for continuous innovation. Operating mainly via e-commerce and seasonal markets, Cahaya also provides services like creative workshops to locals, schools, corporates, and tourists.

In 2023, Cahaya launched its first training program entitled Weave, Wove, Woven, upskilling a group of women beneficiaries on how to weave the pandanus leaves. The products created during the training have been exhibited locally and internationally.

Laima Abeid Sinare

Chagga, United Republic of Tanzania

Laima is the owner of AYMA, a registered trademark specialized in the design and creation of beaded women’s accessories. The accessories are based on Tanzania’s culture and traditions, including her own Chagga people. Working with other indigenous women, it is Laima’s goal to maintain, protect and promote her cultural heritage.

During her time in the program, Laima has grown her business and learned how to benefit from, and manage, her trademark.

Cynthia Suyianka

Maasai, Kenya

Cynthia’s project is to establish the Kajido Indigenous Women Enterprise to produce and market honey and related products, based on Maasai traditional knowledge in bee keeping and farming.

Under the program, Cynthia will seek support from the Ministry of Agriculture, Livestock, Fisheries and Co-operatives of Kenya to provide women from the community further training on bee keeping practices. Pilot groups will be established in the Isinya, Kilonito and Mile Tisa areas and will each be afforded 50 beehives. Cynthia plans to register a collective mark to protect and promote the honey-based products.

In parallel, Cynthia also plans to launch the Maasai Language Project aimed at preserving the Maasai language and culture.

Cherina Zerbo

Samo and Mossi Tribes, Burkina Faso

DON TALATO is a luxury African clothing company founded by Cherina, who hails from the Samo and Mossi Tribes of Burkina Faso. Cherina established the company with the goal of redefining luxury à l’africaine and providing a platform for artisans and seamstresses to showcase their designs.

Cherina, who joined the program in 2021, aims to register her trademark in key markets to distinguish and promote her goods.

Naeema Al Maimani

Muscat, Oman

Naeema is the owner and manager of the Bait Muttrah Gallery for Heritage and Arts, founded in 1996 and based in Muscat, Oman. When Naeema noticed that Omani traditional silver ornaments weren’t suitable for daily use in terms of weight and shape but rather only suitable for traditional events or as framed decoration, she had the idea to design and produce traditional ornaments in a simplified and modernized way. Making them easy to wear, while at the same time preserving the spirit and authenticity of traditional Omani silver ornaments allowed her to contribute to the dissemination of traditional Omani culture.

As a result of the program, Naeema has registered a trademark that protects and promotes her products.

IMAGE: Tronix imaging center, Puerto Princesa City, Palawan, Philippines

Loreta Alsa

Tagbanua, Philippines (the)

Loreta is a member of the Tagbanua People of Plawan, in the Philippines. She has a background as a forest ranger and is working with the Philippines Non-Timber Forest Product Exchange Program. The mission of the program is to catalyze the empowerment of forest dependent communities in Asia towards sustainable management of forested landscapes.

As a participant of the program, Loreta is working on the creation of a brand for the commercialization of honey harvested through numerous indigenous harvesting practices. The honey will be labelled based on the type of honeybee it is collected from. Her project also aims to protect the knowledge, skills and practices of the Tagbanua People on traditional honey harvesting from exploitation.

Lucille Anak Awen Jon

Bidayuh, Malaysia

Hailing from Kampung Sibuluh Bau Kuching, Sarawak, Lucille is the founder of a brand known as PUNGU BORNEO. The brand identifies a series of traditional Bidayuh products and seeks to provide a sustainable income for the indigenous women who produce them, particularly housewives and single mothers.

Following her participation in the program, Lucille has applied for a trademark for her brand. She has also developed her marketing strategy and her online presence through both Instagram and Facebook.

Sana Askari

Hazara | Esheel Stitching Circle, Afghanistan

Sana was born in Afghanistan and raised in Pakistan as part of the Hazara community. She founded the community-led project Esheel Stitching Circle (ESC) to educate and empower the community about its culture and provide employment opportunities for women and girls, enabling them to work from home.

ESC works with and for women with cultural embroidery skills, by providing training opportunities as well as resources to create their products to be sold through ESC and fund their education. The project fosters the preservation and dissemination of the community's cultural knowledge through the production of cultural Hazaragi pieces.

Elene Bulashvili

PESVEBI, Dedoplistskaro, Kakheti Region, Georgia

Elene is a weaver representing studio PESVEBI, which makes Kizikian rugs using natural dyes. PESVEBI employs ten local women using local wool that can no longer be processed and is often thrown in nature.

PESVEBI products stand out because of the density of the weaving, color, and artistic level of ornament composition. Rug makers draw inspiration from the local landscape for the weaving themes represented in their work. The studio has received a certificate of excellence for its handicraft products in Transcaucasia and participated in many national and international exhibitions.

Elene is interested in developing the PESVEBI’s intellectual property rights portfolio and explore potential regional and global partnerships.

Gulnara Derbisheva

Leilek district, Kyrgyzstan

Gulnara is from the Leilek district of the Batken Province in Krygyzstan. To overcome poverty and economic hardship, Gulnara and a group of women from the border communities of the Province developed self-help groups and began producing handmade carpets and souvenirs.

Gulnara’s project is to create a brand and register a collective or certification mark under the name LEILEK KILIM CARPETS to identify high quality carpets and souvenirs made by the self-help groups, thereby allowing the women of her community to make a greater profit. In parallel, Gulnara is also training the women on marketing, management and pricing strategies.

Laxmi Gurung

Gurung | Indigenous Women League Nepal, Nepal

Laxmi belongs to the Gurung Indigenous community of Nepal for whom pastoral activities are part of the traditional way of life.

She is the president of the Indigenous Women League Nepal. She works for the benefit of the community women by supporting them to protect and promote their traditional knowledge related to agriculture, as well as their skills and traditions through activities aimed to further their economic empowerment.

Nenita Kinan

T’boli | Cooperative of Women in Health and Development (COWHED), the Philippines

Nenita belongs to the T’boli and works as the Local Culture and Arts Coordinator of the Municipality of Lake Sebu, South Cotabato, in the Philippines. She is engaged with fellow members of her community in the promotion, protection, preservation, and conservation of the T’boli Culture.

In her capacity as a Civil Society Organization Desk Officer, Nenita empowers some 80 civil society organizations and NGOs in the locality to actively participate in the local governance.

Additionally, Nenita is currently the chairperson of the Cooperative of Women in Health and Development (COWHED) aiming to empower the T’boli women to become entrepreneurs and promote cultural tourism.

Symbat Sagynbek Kyzy

Youth Fund Stimul, Kyrgyzstan

Symbat lives in the Batken Region in Kyrgyzstan. For the past five years, she has been working as a coordinator of social projects at the Youth Fund Stimul (incentive). The organization implements socio-economic projects aimed at empowering vulnerable women from the community, including women with disabilities and living in rural areas.

The Stimul team wishes to open a sewing workshop to craft the women's national headdress Kep-takiya. They plan to employ women with disabilities from the community and create income generating opportunities for them while reviving and popularizing the traditional attire with the younger generation.

Elamae Membrere

Applai-Kankanaey, Philippines (the)

Leader of the Poblacion Tadian Young Women’s Organization, Elamae is a member of the Applai-Kankanaey Indigenous Cultural Communities. She wants to ensure that her indigenous community can revitalize traditional knowledge that underpins their cultural identity, which is at risk of being lost. Specifically, her project aims to ensure continuity of cultural knowledge about weaving skills, traditional patterns and cultural practices around clothing use in her indigenous community, and to create employment opportunities for women.

In July 2021, her organization received a Government grant, which was a set of looms for weaving and some speed sewing machines. She is planning a training program for young women to learn the arts of traditional backstrap weaving and loom weaving under a weaving master. Elamae will use intellectual property rights to protect and promote the products produced by the women she works with, including, but not limited to, a trademark.

Ly Mai Niekdam

Ede | Adventure & Eco Tour Agency, Viet Nam

Ly Mai is a member of the Ede ethnic group based in the central highlands of Viet Nam. Her community-based business centers around sustainable community tourism and the revival of traditional Indigenous weaving techniques.

Having founded the Adventure & Eco Tour Agency in 2017, Ly Mai advocates for the Community-Based Tourism model, which emphasizes local ownership, profit sharing, and environmental conservation, while preserving the community’s rich cultural heritage.

With a deep commitment to fostering positive change, Ly Mai strives to preserve communities’ unique cultural heritage and promote responsible tourism practices, including through supporting traditional folk musical children's groups.

Mansura Shams

Kho & Kalashi, Chitral, Pakistan

Mansura is a social entrepreneur and the director of the not-for-profit enterprise Kho & Kalashi.

For the past eight years, she has been working for the benefit of vulnerable local communities in the district of Chitral, Khyber Pakhtunkhwa, with the objective to empower local community women by providing them with a safe space to pursue entrepreneurship in the creative arts.

Her organization works with 500 artisans from all over Chitral and counts 40 women-led businesses as registered members. Her enterprise is a community hub with a significant social impact in the area in which it operates. Mansura aims to expand it and create more opportunities for the local communities.

Ana Shanshiashvili

Georgian Heritage Crafts Association, Georgia

Ana is the Executive Director of the Georgian Heritage Crafts Association (GHCA), which unites more than 300 member artisans, 70% of whom are women. GHCA connects master craftspeople with young practitioners and with contemporary designers. It aims to support the effective marketing of Georgian craft products locally and internationally, and thereby also to economically empower women handicraft practitioners in Georgia.

Ana’s project will enhance the branding of the GHCA shop by registering Ethnodesign as a trademark. She intends to support quality and design standards handicraft products sold through the GHCA by registering a collective mark. Lastly, Ana’s project will explore stronger branding of wool products from the Tusheti/Akhmeta region through the registration of a Geographical Indication for Tushetian Wool products.

Aishath (Shiru) Shirhan

Haajara Feminine Designs, Maldives

Shiru is the founder of Haajara Feminine Designs, a tradition-based enterprise that has been running for more than three decades and operating online since 2017. Together with other local women artisans, she wishes to revive and popularize the traditional Maldivian attires such as the Libaas and Rumaafalhi as well as Kinaari jewelry. She also raises awareness and teaches school children how to weave Kasabu.

Shiru markets her jewelry and souvenirs at resorts as well as through a government initiative called Authentic Maldives, that aims to promote and sell products by local artists in Malé and at the airport.

Rajita Shrestha

Newa, Nepal

Rajita is a member of the Newa community, known for its rich culture and traditions. Amongst these traditions is the production of handmade rope incense, a practice that used to be taught to girls within the community as rope incense is needed to conduct nitya puja (daily worship). In the past decade, incense-making skills are getting lost as the market is filled with industrial and imported stick incense.

Rajita’s business project is to produce organic handmade rope incense using ancient methods based on her community’s traditional knowledge. The project will result in the employment of more than 20 indigenous women and finance the producers of the organic raw material used to make the incense. Rajita plans to register a trademark to protect and promote her products.

Naw Su Wah

Karen, Myanmar

Naw Su is a Program Assistant at the Karen Environmental and Social Action Network (KESAN). She works with Karen communities to strengthen their traditional practices towards developing food sovereignty and preserving indigenous knowledge relating to food and nature.

As a part of the program, Naw Su will support Karen women with the cultivation and production of dried and preserved mustard leaves, a product unique to Mutraw Karen communities and traditionally used in soups, rice, and salads. Naw Su plans to register a trademark to protect and promote the mustard leaves and will target local markets as well as diaspora communities.

Nurzat Zheenbek Kyzy

Art Group Zharashat, Kyrgyzstan

Nurzat is the director of the Art Group Zharashat, which unites artisans of applied arts, artists, architects, designers, sculptors, ethnographers and historians. Nurzat and her team aim to create an Electronic Book of Ornaments and Patterns, which will provide comprehensive information on traditional Kyrgyz ornaments and patterns, including, for example, their origin, name, meaning, history and rules of use.

As part of the program, Nurzat will work on guidelines for the appropriate use of traditional designs.

Armida Alikaj

Social Development Investment (SDI), Albania

Armida co-founded the non-governmental organization "Social Development Investment" (SDI) in 2017. SDI carries out research and market analysis towards building sustainable small enterprises that support women's social and economic empowerment.

SDI's work is currently focused in the North and Northeast regions of Albania, in which wool textiles represent a primary source of income for generations of many communities. SDI aims to improve artisans' wool skills by developing wool-based, simple-to-manufacture, and environmentally friendly products that generate income for the artisans and their families. By participating in the Program, Armida wishes to learn more about how intellectual property can protect and promote these regional wool products.

Anastasiia Arhunova

Gnizdo, Lviv, Ukraine

Anastasiia has had a deep interest in the culture and traditions of her country since she was a teenager. Early on, she began exploring her country and studying the cultural aspects of each region that intrigued and inspired her.

She founded the linen home textile brand Gnizdo that has collaborated with many dressmakers, local hotels, artists, designers, and bloggers, participating in multiple exhibitions and projects nationally and regionally.

She would like to learn how to protect intellectual property assets of traditional craftswomen, help community craftswomen get orders and benefit commercially from their craft, and preserve, modernize, and popularize the cultural heritage of the different regions of Ukraine.

Fruzsina Arkhely

Directorate of Intangible Cultural Heritage, Hungary

Fruzsina has been working at the Hungarian Open Air Museum’s Directorate of Intangible Cultural Heritage since 2018. She is responsible for coordinating the implementation of the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage. As part of her job, she provides advice to, and communicates with, local communities on intangible cultural heritage issues.

Her PhD topic is related to small communities’ coping mechanisms regarding the growing influence of globalization and adaptation to modernization by transforming their traditional practices.

By participating in the Program, she hopes to be able to assist local communities with distinguishing and commercializing their products.

Radoslava Balabanova

Creative Center of Kalofer Bobbin Lace, Bulgaria

Radoslava is a lace maker representing the Creative Center of Kalofer Bobbin Lace. Its main purpose is to promote the Bulgarian national style and technique of bobbin lace making. The Center combines archival, organizational, commercial and educational activities. The two biggest challenges identified by the Center's team relate to financing and human resources, both of which are intertwined. By struggling to secure stable streams of funding, it becomes difficult to hire people with the necessary skills and competencies to further the work of the Center.

By participating in the Program, Radoslava would like to focus on protecting and growing the Kalofer bobbin lace brand.

Solveig Ballo

Sami, Norway

Solveig is a Sámi from Norway. She is an economist and the CEO of a small innovation company known as “Sámi business garden”. The company supports Sámi entrepreneurs operating in the creative industries that make and sell Sámi handicrafts.

As a participant in the program, Solveig has planned and organized a training program on intellectual property for Sámi entrepreneurs. The goal of the program was to address the development, protection and promotion of designs and traditional handicraft. Since then Solveig has continued to support Sámi entrepreneurs on intellectual property issues and is planning further training and awareness-raising activities.

Tatyana Batova

Nenets, Russian Federation

Tatyana is a designer by profession. She strives to promote the significance of the cultural heritage of the Nenets people and preserve the Nenets language. Tatyana’s project aims to establish an educational platform to collect best practices and tools for indigenous peoples to preserve and promote their cultural heritage through design and fashion.

Tatyana hopes that her participation in the program will help her better understand the copyright and design systems and find solutions for more efficient protection of traditional culture-based designs.

Cristina Dan

Șezătoarea Basarabiei, Chișinău, Republic of Moldova

Cristina is an embroiderer and administrator of a community of women who embroider traditional shirts with altiță (embroidery on the shoulder). Her community is called Șezătoarea Basarabiei and has around 20 active members in Chișinău, and around 200 throughout the country. One of the community’s objectives is to preserve their knowledge and pass it on to the next generations, but also to promote the traditional dress and especially the traditional altiță shirts.

Through participating in the Program, Cristina wishes to learn more about how to protect and commercialize products created by the community.

Liubov Drohomyretska

Art House Tobivka, Ivano-Frankivsk, Precarpathia, Ukraine

Liubov is an embroiderer and member of the Community of Precarpathian Craftsmen. She represents the Art House Tobivka, which incorporates a museum of authentic traditional clothing, an art space for people who want to learn traditional Ukrainian techniques of embroidery, a workshop of traditional Ukrainian handmade and machine embroidery, and a retail store of materials and fabrics for embroidery and other crafts. An important goal of the Art House is the promotion, reproduction and teaching of embroidery techniques, colors, and ornamental features as well as the manufacture of folk costumes.

Liubov wishes to learn more about how to protect and promote the different intellectual property assets of Tobivka.

Metka Fortuna

Idrija Lace Makers Association, Slovenia

Metka is a teacher at the Idrija Lace School and coordinator of activities of the Idrija Municipality, the Idrija Lace Makers Association, and the Faculty of Natural Sciences and Engineering that relate to Idrija lace.

Metka is the Chair of the committee for the geographical indication "Idrijska cipka" with permission to use the geographical indication for her lace products.

By participating in Program, Metka wishes to learn more about how to increase the value of lace for the benefit of the 100+ local community lacemakers, as well as explore hot to best attract younger generations to continue the traditional craft.

Enikő Gerencsér

Győr, Hungary

Enikő is a fifth-generation blueprinter working in the family workshop in Győr.

Enikő is also a member of the Kisalföld Folk Artists’ Association cultivating and promoting folk art traditions and representing the artisans’ interests. The association organizes events, workshops, training courses, and exhibitions.

Some of the challenges for the traditional textile industry include difficulties in procuring raw materials such as cotton and dyes, and the rise of energy prices. She hopes to learn how intellectual property tools can help her community protect and promote blueprinting products and distinguish them from non-authentic goods.

Lavinia Ghimbășan

NALBA, Transylvania, Romania

Lavinia began working with traditional textiles as the co-founder and co-designer of NALBA, a textile innovation project that addresses sustainability and the return to roots and traditional craft. She collects and revives natural dyes with the NALBA group.

A key value of the group is its community-based approach. The group’s research process included ethnographic research, visits, interviews, and workshops. They also gather visual inspiration and storytelling lines from within their community.

Lavinia intends to register NALBA as a trademark, as well as learn more on how to keep the dying techniques as trade secrets.

Anna Halíková

Česká Palička, Prague, Czech Republic

Anna is a self-taught and experienced lace maker representing the organisation Česká Palička. Her interest in bobbin lacemaking began when she was a child. In addition to bobbin lace, she is interested in all types of handmade textiles, including antique lace.

Anna co-founded the "Krajka" (Lace) Association, which became part of Česká Palička. In addition to publishing the magazine "Krajka," Česká Palička also offers lace courses, educational books, calendars and collections of lace patterns.

As part of her involvement in the Program, Anna wishes to register her logo and transmit tips on intellectual property to other lace makers in her magazine.

Slavica Hristova

Skopje, North Macedonia

Slavica is an ethnologist and curator at the Museum of the City of Skopje.

She is also an entrepreneur and owns a fashion studio called "My Story" in which she produces clothing with ethnic elements. In her studio, she often welcomes women from different communities and backgrounds, and they work together to make unique clothing items with natural materials and folk inspiration.

By participating in the Program, Slavica plans to organize, through her position at the museum, workshops and information sessions for local community women entrepreneurs to improve their knowledge and skills to protect and promote their traditional creations.

Leniie Ibrahimova

LeniE'/Busurmanka, Crimea, Ukraine

Leniie is a professional fashion designer who graduated from the Kharkiv State Academy of Design and Arts. Through her work and collaborations with community members, she is promoting and popularizing the traditional Crimean Tatar heritage. She participated in many international exhibitions, competitions, and fashion shows in Europe and beyond.

In 2015, she founded LeniE' LLC, specializing in fashion, film, and entertainment design, and registered the brands busurmanka LeniE'® and busurmanka® on the national level.

Leniie would like to explore opportunities for international trademark registration, design protection as well as geographical indication for certain creations.

Vesna Jakić

Ruta, Cres, Croatia

Vesna is a designer and the head of the Ruta Association based on the island of Cres. For over two decades, Vesna has led projects and creative workshops for children and young adults to teach them about the traditions and usage of wool. Vesna aims to educate the community about the diverse ways in which wool can be used, such as by processing it via the felting technique and recycling it.

Vesna is particularly interested in registering her logo as a trademark, as well as learning more about copyright for her designs and exploring a certification for wool-based products.

Silvija Juozelskytė

SilvijART, Ignalina, Lithuania

Silvija is an accomplished textile artist and designer using linen yarn in her art and design, which is an ecological and sustainable material with very deep roots in her country.

Silvija learned to card wool, spin, weave, knit, and dye thread in her village with her grandmother during her childhood. She now has a textile studio called SilvijART, where she weaves and develops projects using a variety of textile mediums and which involves professional textile artists, her regional community, and schools.

Silvija intends to register a trademark to better protect and promote her products.

Lucyna Ligocka-Kohut

Koniaków Lace Foundation, Istebna, Poland

Lucyna is an ethnologist and anthropologist who promotes folk culture from the Silesian Beskids region of Koniaków. She is the founder and president of the Koniaków Lace Foundation, which funds the Koniaków Lace Center and its work.

As a result of her efforts, the tradition of making Koniaków lace was enshrined in the National List of Intangible Cultural Heritage. The Koniaków Lace was also recently registered as a national geographical indication.

By participating in the Program, Lucyna aims to learn how to better leverage and commercialize the Koniaków lace, including through partnerships and online, for the benefit of the local community.

Slađana Milojević

Nonna Handmade, Belgrade, Serbia

Sladana is an entrepreneur working working with local community women artisans from Western Serbia. She is also a craft practitioner herself, practicing with her sisters various crafts, such as weaving, embroidery, knitting, crochet and teaching the family story of original creations fused with contemporary fashion.

One of the collections created with her sisters, the Nonna Handmade collection, was inspired by their grandmother Milena and grandfather Milinko, and combines traditional and contemporary production methods.

By participating in the Program, Sladana wishes to learn more about trademark registration as well as tips and tricks on how to increase the business’ outreach online.

Diana Roșca

Șezătoarea Ciocârlia, Costești, Republic of Moldova

Diana is a graphic designer and embroiderer.

In 2020, she founded the "Șezătoarea Ciocârlia" community in her village, located about 20km from Chișinău, with the primary goal of reviving peasant art. The association has become a nest for people who love authentic traditions.

Their activities include organizing exhibitions, coaching people, and selling traditional shirts. Their biggest challenge is obtaining raw materials since there are no importers in the Republic of Moldova.

Through participating in the Program, Diana wishes to explore the registration of a collective mark to be used by members of her community when selling their products.

Ana Šakić

Croatian Cultural Artistic Association Rodoč, Mostar, Bosnia and Herzegovina

Ana is an economist and jewelry designer representing the Croatian Cultural Artistic Association Rodoč. The association aims to preserve, protect and promote the intangible cultural heritage of Croatia in Bosnia and Herzegovina and to sensitize younger generations to their heritage. The association organizes workshops on creating traditional items delivered by women as keepers of these traditions. The workshops create social synergies between generations, with older women passing on their skills and know how to younger generations.

Through her participation in the Program, Ana wishes to create a brand for the association and register a trademark for her jewelry workshop.

Soňa Stančíková

Detvianske Ludove Umenie (DLU), Detva, Podpol’anie, Slovakia

The Detva and Podpoľanie regions are rich in folk traditions and dances. Soňa is the fourth generation working in the family business Detva's Folk Art.

Soňa's family makes traditional folk clothing using a special embroidery hook. They organize and participate in events that promote this art, such as exhibitions and workshops. Their products are marketed under the brand Regional Product of Podpoľanie, which means that they are handmade with crooked needles and have original ornaments.

Soňa wishes to learn how to better protect the traditional patterns and promote the products, including in foreign markets.

Elena Variksoo

Seto, Russian Federation

Elena belongs to the Seto people and is an activist for the preservation and promotion of her native Seto culture. Elena’s business consists of manufacturing and commercializing products based on the traditional Seto culture, ranging from handmade handicrafts to food products, such as traditional cheeses and other dairy products. All products are made using raw materials/ingredients supplied by the Seto Community of the Pechorsky District.

While the products have initially been sold through an online store and existing souvenir platforms, Elena plans to open an outlet with a mini-cafeteria as soon as the pandemic situation allows. She is currently looking at a trademark registration to better promote and protect her products.

Flutura Xhabija

SHGPAX/PBWHA, Albania

Flutura is a craft maker with over 30 years of experience in the area of traditional handicrafts, organizing, exhibitions, workshops, business skills trainings and other activities for the benefit of local artisans and entrepreneurs. She is also the founder of the national association for female entrepreneurship "SHGPAZ/PBWHA" dedicated to the provision of capacity building activities and women's business development in Albania. Her objective is to further the economic empowerment of women across the country to, in turn, increase their contribution to the local and national economy.

With her participation in the Program, Flutura wishes to advance the registration of a collective trademark to be used by local artisans on traditional products.

Ani Yoveva

Samokov, Bulgaria

Ani is an embroiderer with extensive experience in creating, preserving, restoring and reproducing local and regional traditional designs from Samokov and Dupnitsa. She is a lecturer and instructor of needlework and has led workshops at the National History Museum.

Ani has experience working with women from local communities on several National Culture Fund projects. She has participated in several embroidery competitions and exhibitions and has published two books on embroidery and stitch visualization.

During her time in the Program, Ani would like to focus on the protection and commercialization of products under a dedicated trademark.

Sandra Karina Aduviri Chambi

Aymara, Bolivia

Sandra works with a national organization known as Red OEPAIC (Red de Organizaciones Económicas de Productores Artesanas(os) con Identidad Cultural) - Network of Economic Organizations of Craftspeople with Cultural Identity. Early on, she came to realize that although traditional craftwork heavily contributes to local economic growth and employment, it often lacks intellectual property protection.

Sandra’s objective is to safeguard and revitalize the traditional handicraft techniques and cultural expressions of her community. In order to do so, she plans to register a mark to identify products made by women from her community on national and international markets and to create and opportunity to share the stories and knowledge related to her community’s products.

Aurelia Ahua Paa (left) and Romelia Papue Mayancha (right)

Community of Tigüino; members of the Waorani Nation and Amazonian Kichwa People, respectively, Ecuador

Aurelia is a member of the Waorani Nation with training from the OPIAC Leadership School for Indigenous Peoples. Since 2018, she has worked as a community land overseer for the Eco-Science and Amazonia Foundation 2.0. On the other hand, Romelia focuses on technical matters, including purchases and sales as well as outreach via social networks. As breadwinners for their households, Aurelia and Romelia both find craft related work, where they have gained the knowledge required a good alternative to oil- or timber company jobs.

Ömere means “forest” in Wao Terero. The business began with eight craftswomen seeking to pass on their knowledge – of art, creativity, innovation and design – to younger generations. Now collaborating with 60, Ömere aims to help perpetuate the ancestral knowledge and intergenerational values of the Waorani People, despite the rapid cultural changes now occurring.

Enma Alvarado Huatatoca (left) and Clemencia Alvarado Huatatoca (right)

Nueva Esperanza Community,Amazonian Kichwa People, Ecuador

The community of Nueva Esperanza, which is situated near the Antisana ecological reserve, is an area well suited to farming. Nueva Esperanza’s Kichwa families are dedicated to farming and conservation of the region’s biodiversity. The initiative started when the community saw the need of using natural resources in a responsible and sustainable way. Enma and Clemencia represent the Sumak Yaku Farm Association, whose 54 members began offering for sale a range of essential oils extracted from lemon verbena as well as cinnamon, lemon and orange. More recently, a substance called sangre de drago, extracted from the area’s “dragon’s blood” trees has also been added to the list. All of these products are registered with health authorities and have their own logos. During their time in the program, Enma and Clemencia will be working to further develop the IP strategy for their community’s products.

Jimena Aranibar Blanco (left) and Dayana Blanco Quiroga (right)

Turco Marka, Carangas Nation, Bolivia

Jimena and Dayana are members of the Carangas Nation living in the Turko Marka indigenous community in Oruro, Bolivia. Turko Marka is a major producer of camelid livestock, llama meat and other derivatives, consisting mainly of jerky. When community leaders took the decision to commercially produce and sell llama jerky, they created and registered the company EcoTurco, which resulted in job creation within the community and the production of nourishing and healthy food for consumers. Therefore, their aim is to tackle unemployment and malnutrition. The community now plans to register a collective trademark, enabling it to export its jerky production to international markets.

Angela Chiquin Chitay

Q'eqchi' Indigenous community | KEMOK, Guatemala

Angela is a passionate advocate for the socio-economic empowerment of Indigenous women and girls. She belongs to the Q'eqchi' Indigenous community known for its tight-knit bonds and deep cultural roots. Within this community flourishes a rich tradition of craftsmanship, especially the intricate art of backstrap loom weaving, a skill passed down through generations.

Driven by the exceptional talents of the women of her community, Angela founded KEMOK, a community project that revitalizes and empowers Indigenous women and girls through backstrap loom weaving. Their recent organization of the First Artisan Weaving Festival, provided a platform for women to showcase their remarkable huipil creations, boosting self-identity and economic prospects.

María Auxiliadora Corral Hidalgo (left) and Dexcy Zambrano Fernández (right)

Los Naranjos Community, Montubio People, Ecuador

Los Naranjos is a community of the Montubio People of Ecuador that farms and produces wild fruit. Maria Auxiliadora and Dexcy provide training in the transformation of raw materials into finished products with added value, that are offered for sale but also consumed within the community to improve nutrition. Dexcy is a student in agribusiness looking into ways to fully exploit the potential of seeds. She has collected 15 varieties, three of which have already been officially classified.Together, María Auxiliadora and Dexcy are working to revive and apply their people’s heritage of traditional farming and nutritional knowledge for the benefit of their community.

Juana Griselda Couch Cab

Yucatec Maya, Mexico

Juana is dedicated to farming, beekeeping and livestock. She works with a Mayan group of women known as Kuchil Kaab, which produces health care products from Melipona honey, that comes from the native Xunaan Kaab bee.

Juana’s project has a dual objective: to train the women’s group and help them market and sell their products, and to promote the health benefits of honey within wider urban communities. In order to achieve these objectives, Juana will support the women’s group with the registration of a collective or certification mark for the honey-based products.

Soguiguili Díaz

Ustupu | Indigenous Tourism Network of Panama (REDTURI PANAMA), Panama

Soguiguili was born in the Ustupu community in the Guna Yala region. She is the co-founder and president of the Indigenous Tourism Network of Panama (REDTURI PANAMA). In that capacity, her focus lies in shaping Indigenous tourism initiatives that uplift local communities, fostering a supportive and sustainable economy. Soguiguili seizes opportunities to serve as a cultural and Indigenous tourism ambassador through various initiatives.

Soguiguili is an artisan herself, skilled in the textile art of the molas. Leading the traditional Guna USKALU dance, Soguiguili safeguards the liveliness of her people's customs and traditions. Her community holds a strong conviction in the enduring strength of their living culture against identity challenges.

Anastasha Elliott

Sugar Town Organics, Saint Kitts and Nevis

Anastasha comes from Basseterre in Saint Kitts and Nevis Islands. She is behind the social enterprise Sugar Town Organics that creates eco-friendly Caribbean health and wellness goods by using smart farming practices.

Sugar Town Organics grew from Anastasha's family experiences, going back four generations. The product production started through the growing need for healthy options despite limited resources available and existing social issues. Anastasha and her mom teamed up to make these items using recipes passed down by women in their family.

Sugar Town Organics puts an emphasis on giving back to the community. Their "Each One Teach One" project focuses on education and skills, especially for youth within her community.

Celeste Mariana Escobar

Collective of Indigenous Women Potters from Caaguazu, Paraguay

Celeste is a member of the Collective of Indigenous Women Potters from Caaguazu Itá, a community initiative founded in 2002 and known as “Kambuchi Apo”. The collective has achieved direct sales to consumers using fair trade practices. It is also active in the digital economy, using social media tools, which enable the potters to reach a wider consumer base.

Celeste aims to safeguard and revalue her Collective’s ancestral ceramic techniques and to find ways to develop a sustainable provision of raw materials needed to produce the ceramic works. By joining this program, Celeste hopes to acquire the knowledge needed to market her products internationally and to protect them.

Clorinda Flores Chero (left) and Juana Ruiz Nima (right)

La Encantada, Peru

Clorinda and Juana live in a village of artisans largely dedicated to ceramic craftwork. Recognized for its quality and originality, their work also revives ancestral techniques of the Vicús and Tallán cultures. As members of an outward-facing association of craftswomen, “La Encantada”, both women work to promote the community’s handicrafts, culture and tourism as a means to support their families. They are committed to economic opportunity and empowerment for craftswomen, delivering trainings to improve the quality of craftwork and looking for sales and promotion opportunities for their products at craft fairs. Their goals are to increase sales volume, expand the scope of their business locally and regionally and ultimately start exporting to foreign markets.

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Verónica Guatatuca Santi (left) and Mireya Santi Santi (right)

Kisuar Amazanga Community, Amazonian Kichwa and Shuar People, Ecuador

Verónica and Mireya are members of the Kisuar Amazanga community. They both work on the farm growing trees and native plants that produce seeds used in their jewelry and mocawas (traditional bowls).

Income from the sale of those products helps to pay for school tuition and is also saved to later invest in workshops. Eight women participate in these activities and sell products in the community and at fairs. This group now plans to establish a formal association, register a collective mark, find more customers, increase jewelry production and involve more women from the community.

Maria Yolanda Hernández Gómez

Tsotsil Maya, Mexico

Yolanda is a member of Mujeres Sembrando la Vida, a group of 70 Tsotsil women artisans who decided to band together to sell their handmade textiles, created with a waist loom and embroidered by hand. The textiles are sold via an online store, which has helped to improve the living standards of the members.

As part of the program, Yolanda wants to learn how to protect the designs of the group’s artisanal products and register a collective or certification mark to distinguish their products in the marketplace.

Angelica Huanca Iquisi (left) and Felipa Marca Choque (right)

Ayllu Agua Blanca, Pukina Nation, Bolivia

Angelica and Felipa are members of Bolivia’s Pukina Nation living in the community of Ayllu Agua Blanca. Both are members of the Ayllus and Markas of the Qullasuyu National Council (CONAMAQ) and active participants in its committees on community development.

Their community’s business consists of 15 women engaged in crafting traditional woolen products and managing alpaca livestock, as the source of wool used. Consisting largely of knitting and weaving, the work has been rewarding for the women involved, who use needles as well as looms to produce scarves, sweaters, dresses, gloves, caps, collars and other articles. This initiative started when Angelica and Felipa saw that the work at the mines was too risky for women in their community. Therefore, they created this initiative, which allows women to have an additional source of income.

Angelica and Felipa are particularly interested in learning how best to market their products. The main challenge has been limited sales for lack of a direct market.

Aurea Eulalia Mendoza Capcha

Community of La Quinua, Peru

Aurea is a potato farmer from the rural community of La Quinua. She belongs to a family of dedicated farmers and has been growing potatoes in the field since she was a little girl. For Aurea, there is an important cultural value of the potato in the community, linked to the traditional knowledge, methods and tools of preserving the varieties unique to the region and the country. Besides being a mother and a farmer, Aurea is an active member of the Association of Guardians of the Native Potato from Central Peru (Asociación de Guardianes de la Papa Nativa del Centro del Perú – Aguapan).

As a part of the program, Aurea has received guidance on the creation of a collective mark to distinguish and commercialize the native potatoes produced by the members of the Aguapan association.

Lorcia Moore

Creole, Belize

Lorcia is the successful owner and creator of Naturally Belize Coconut Oil Products, an eco-friendly company that uses the bi-products of coconut to produce hair and skin care products. Naturally Belize’s products are made with 100% pure virgin coconut oil, retaining the coconut’s nutrients and natural flavor. Lorcia is also the founder of the Women Coconut Processors Association, which trains women in production of coconut-based products.

During her time in the program, Lorcia received guidance on how to protect her business’ intellectual assets and promote her goods nationally and internationally. Lorcia now markets her products through a physical store in Punta Gorda, Belize, and an online store.

Chevauné Moore-Minott

Arawak/Maroon of Jamaica, Jamaica

Chevauné is a member of the West Indian Tribal Society, which works towards cultural preservation through promotion, advocacy and education activities. She is also the co-founder of Katawud Natural Products, a tribal business based in Cattawood Springs that creates tradition-based natural products including soaps, herbal teas and medicines to promote the sustainability and economic viability of her culture.

Under the program, Chevauné will focus on the branding and marketing strategy for Katawud Natural Products. She hopes that her initiative will contribute to making indigenous culture fashionable and useful, thus encouraging youth to preserve and practice it in a time when it is often more attractive to abandon indigenous lifestyles.

Diana Mori Gonzales

Shipibo-Konibo, Peru

Diana is a member of the Shipibo-Konibo community. She is building an indigenous business called Kene Biri aimed at strengthening the capacity of women entrepreneurs from her community who deal in handicrafts and other art ventures and help them to protect and promote their traditional arts and crafts.

During her time in the program, Diana will look for business opportunities for her community and receive guidance on how to protect her community’s intellectual assets, including the registration of a collective or certification mark.

Ruby Ponare Rodriguez (left) and Milena Rincón Lara (right)

Trompillo Kuwai, Sikuani People, Colombia

The ancestral land where Ruby and Milena live is shared by various indigenous peoples: the Sikuani, Cuiva, Piapoco and Waipijiwi. Milena is the leader and representative of the recently established Lekonaewa Association of Craftswomen. Ruby is an active craftworker within the community. They and fellow workers create traditional woolen products and prepare manioc and casabe (yucca bread). Their collective aim is to revive and develop traditional crafts, keep the memory of their ancestors alive and live a good life consistent with the beliefs of their people.

Their dream is to have their own workshop where they can sell their and improve their products for export. Additionally, they want to have this space to teach children about their traditional techniques of making their crafts.

Judith Blanca Reymundo Ruiz (left) and Marisol Shariva Pérez (right)

Platanillo de Getarine, Florida, Ashaninka/Yanesha and Ashaninka, Peru

Peru’s Puerto Bermúdez District is home to 147 Asháninka indigenous communities. The Asháninkas Iroperanto Koya Association of Women Entrepreneurs, of which Judith and Marisol are members, has brought together 50 women from 15 of those communities with the aim of reviving their ancestral culture, language, practices and knowledge, now in danger of extinction. The Association also strives to support the economic empowerment of Asháninkas women and to promote and distribute its members’ products through the Association’s participation in eco-fairs in Lima. Judith and Marisol’s participation in the program will provide the opportunity to develop and implement and IP strategy for the community’s’ products.

María Rosero Trejo (left) and Nury Ruano Chapues (right)

Ipiales indigenous reservation, People of Los Pastos, Colombia

María and Nury live on an indigenous reservation in the town of Ipiales in southern Colombia. They are the coordinators of a community weavers’ network comprising 30 women and three men. Working with their traditional Guanga fabric, the weavers produce ruanas (a kind of poncho), scarves and handbags. All products are handmade from sheep’s wool, using traditional manual techniques for shearing, carding, winding, stretching, washing and dying to prepare the raw material that is then woven into various fabrics. The business engages women, youth and children in the revival of ancestral knowledge, customs and traditions. The goods are then offered for sale, thus helping to disseminate Pasto culture and supporting the community’s livelihoods.

Judith Marina Torres Solís

Arhuaco, Colombia

Judith is a member of the Arhuaco community and the Asoarhuaco Association of local producers. She is also the founder of the Kunsamu (origin of women) weaving line in the communities of Kankawarwa, Munimake and Windiwa. The aim of the Kunsamu line is to strengthen the artisans’ cultural knowledge, refine ancestral weaving techniques and improve the women’s economic income.

As part of the program, Judith will focus on the development of strategies to safeguard and protect the traditions, design and symbols of the mochilas Arhuacas (backpack) by registering “Kunsamu” as a trademark. She will also focus on the marketing strategy for her community’s products.

Nancy Clara Vásquez Garcia

Ayuujk Mexico

Nancy is one of the founders of the Ääts hilando caminos collective, a group of women embroidery committed to the preservation, safeguarding and promotion of the traditional handicrafts and ancestral knowledge of the Santa Maria Tlahuitoltepec Mixe community. The women of this group design and produce traditional clothing including the Xaamnixuy and Tlahuitoltepec blouses, which they offer for sale in physical outlets but also online.

During her time in the program Nancy received guidance on how to protect and promote her community’s cultural expressions, including in the digital economy.

Fanny Vergara Ibarra

Vargas Torres, Ecuador

Fanny is a member of the 200-year old Vargas Torres Community in the Tosagua Canton. Her project is to establish the Manabi culinary school with a focus on a ‘farm to table’ approach. The school will instill in future chefs the value of the work that goes into the production of quality food.

As part of the program, Fanny is developing a better understanding of intellectual property rights and how they can be used to protect and promote her community’s many creations and innovations.

Lourdes Frasser Rojas

Boruca, Costa Rica

Lourdes is dedicated to sustainable organic agriculture and the conservation of the natural environment, with a special commitment to protecting freshwater springs. She is a devoted guardian of ancestral culture and spirituality, and a trained educator by profession.

Since 2000, she has been actively engaged in cultural and community-based art tourism, specializing in the carving and decoration of traditional Boruca masks.

She currently serves as President of the SóCagrú Asociación Ecológica de Arte y Turismo Indígena, where she continues to promote environmental conservation, cultural heritage, and sustainable development within her community.

SóCagrú is an organization of fifteen women who provide tourism services, including lodging, meals, workshops, and guided tours. They also produce traditional handicrafts such as Boruca masks, jícaro-based crafts, and handwoven textiles made on traditional looms. In addition, they engage in agricultural production both in open fields and greenhouses, where they cultivate ceremonial seeds, ancestral seeds, and staple crops for everyday consumption.

All of these activities are closely connected to reforestation campaigns aimed at protecting and restoring areas of vital importance to their community.

Paola Morales Najera

Boruca, Costa Rica

Paola is dedicated to the creation of handicrafts and painting, and she also has knowledge of natural medicine.

She is also a member of SóCagrú.

Dalia Ramírez Martínez

Tsotsil, Mexico

Dalia creates backstrap loom textiles that blend innovation and tradition as part of a family enterprise of thirteen members, where she serves as a representative. She began weaving at the age of eight, and her enterprise was launched in 2021, inspired by a piece that won her the “Bicentennial Commemorative Textile Award” in the FONAC competition. Since then, she has been motivated to design new pieces with original patterns.

Her main focus is to protect her designs and traditional iconography, while achieving greater recognition and appreciation for her artisanal work, which requires months of dedication, as each piece is carefully handwoven.

Ana Palacios Cepeda

San Mateo del Mar, Mexico

Ana is from San Mateo del Mar, an Ikoots community where life is deeply connected to the sea and its traditions. She coordinates the project “Manos del Mar” / “Textiles Ikoots,” a community initiative of ten members dedicated to valuing, preserving, and promoting Ikoots textile art, ensuring fair compensation for artisans and recognizing their work as a form of cultural resistance.

The project encourages the revitalization of the Ikoots language, pride in cultural identity, and the participation of children and youth through workshops that strengthen a sense of belonging and intergenerational connections. It also generates a sustainable source of income for women, contributing to their economic autonomy, while fostering solidarity and cooperation by building networks of support among artisans, conscious buyers, and cultural allies.

Ana’s commitment is to protect and promote the traditional knowledge of weaving and embroidery, living expressions of the Ikoots worldview and their connection to the sea, the territory, and community memory.

Karola Castro Brown

Garífuna, Honduras

Karola is a Garífuna leader and a representative of the Garífuna and Creole peoples of the northern coast of Honduras. Through various development platforms, she promotes Women’s Networks, supporting them in their training processes, entrepreneurship initiatives, and access to markets. As a representative of REMBLAH, through the School for Equality and Empowerment of Rural Women, she works directly in Garífuna communities, strengthening women’s leadership.

Karola is the founder and current President of the Association Jardín de Mujeres Emprendedoras (JAME), an organization that promotes equality, leadership, and cultural preservation among diverse women, with a special emphasis on Indigenous women from different cultures who enrich their collective identity through their own worldviews.

She is also the founder of the enterprise “Mama Plucxi,” a line of natural and packaged food products inspired by ancestral recipes.

Josefina Pascual Cayetano

San Ildefonso, Mexico

Josefina has led a group of six women artisans specializing in textiles for the past 20 years. During this time, they have conducted numerous workshops on the creation and embroidery of dolls in different states across the country, proudly representing their community through the DonxÜ doll.

Her primary goal is to protect the identity and cultural legacy embodied by the DonxÜ doll, promoting its recognition both in Querétaro and nationwide, as it is a fundamental part of her community’s cultural heritage.

This effort seeks to increase the visibility of the DonxÜ doll, create employment opportunities for women in the community, and help reduce migration among its members.

Vitalina Díaz Cuj

Maya Kaqchikel, Guatemala

Vitalina is a Kaqchikel Maya woman, a community leader, and a defender of Indigenous women’s human rights, advocating from the needs and realities of her community. In recent years, she has worked actively in the creation of traditional textiles using the backstrap loom, crafting güipiles, belts, table runners, and napkins in collaboration with other women from her locality.

Through the enterprise of which she is a member—currently composed of twenty participants—she seeks to preserve and revitalize the ancestral knowledge connected to textile arts in the face of the challenges posed by industrialization. Her work aims to safeguard the cultural and symbolic value, as well as the collective knowledge embodied in the use of the backstrap loom, preventing its devaluation and loss.

Aracely Martínez Gómez

Lenca, Honduras

Aracely is originally from Tres Cruces, a Lenca Indigenous community located in Erandique, Lempira, at more than 1,800 meters above sea level. She has taken an active role in defending her culture and strengthening the local economy. She serves as President of the Multiple Services Enterprise Tierra Lenca, an organization of ten members made up primarily of women coffee producers.

Since its founding, she has driven the organization’s development. She currently coordinates coffee production, collection, and lot traceability, ensuring quality standards and access to better markets.

Her commitment is focused on creating opportunities for other women, strengthening the local economy, and preserving the roots of the Lenca people through sustainable coffee production practices. Tierra Lenca not only cultivates high-quality coffee, but also nurtures dignity, identity, and a future for the community.

Iris Sactic

Maya Kaqchikel, Guatemala

Iris is from Santiago Sacatepéquez, a Kaqchikel Maya community located in the central region of the country. She is a member of her community’s Council of Weavers which is part of the Movimiento Nacional de Tejedoras (MNT).

Through the MNT, they have advanced strategic litigation efforts, including a legislative proposal aimed at protecting and recognizing collective intellectual property rights over traditional textiles and dress.

The enterprise in which Iris participates as a weaver is called “Job’ Kem” (“Rain of Weavings” in Kaqchikel). It was created by the MNT’s Councils of Weavers and brings together two hundred members. The initiative promotes the direct commercialization of textiles, traditional dress, ancestral medicine, and publications, ensuring that weavers receive fair compensation for their work.

This space also serves as a platform to make visible and confront plagiarism, unfair competition, and the commodification of their work, while fostering economic autonomy and empowering women of different ages and communities.

Natalia Ajcalon Xalix

Maya Kaqchikel, Guatemala

Natalia previously served on the Community Development Council and is currently one of the Community Leaders, where she promotes the active participation of women and youth in decision-making spaces, with the goal of achieving equal rights and opportunities.

She manages an entrepreneurial initiative that currently involves twenty participants and is also responsible for promoting sales. The enterprise focuses on the revitalization of textiles woven on the traditional backstrap loom, including güipiles, table runners, napkins, jackets, and other handcrafted products. Each piece is created with careful attention to preserving and honoring the meaning of every figure and detail woven into the fabric.

These products have experienced growing demand at the local level, contributing to the strengthening of both cultural heritage and the community’s economy through textile tradition.

Amanda Tah Arana

X-pichil, Mexico

X-pichil is a Maya Indigenous community in central Quintana Roo, recognized for its extensive forests and rich cultural heritage. Women in Xpichil have found in Maya embroidery cooperatives a way to preserve their cultural identity while generating economic opportunities. Born in this community, Amanda maintains a deep connection to its traditions, especially embroidery, a legacy passed down by her ancestors and shared with new generations.

“Lool Pich” is a collective of twenty-three traditional artisans, of which Amanda is President. Since 2011, the collective has worked to preserve and promote ancestral Maya embroidery techniques. They sell embroidered garments nationally and internationally, collaborate with designers and researchers, and contributed to the declaration by the Congress of Quintana Roo recognizing Maya motifs and symbols as intangible cultural heritage.

The collective has also created a cultural “seedbed” to teach these traditions to children and participates in Indigenous tourism and social solidarity economy networks that support sustainable development across more than ten Maya communities. Their work not only strengthens cultural identity but also creates fair economic opportunities, promoting women’s autonomy and community well-being.

Magali Pech

X-pichil, Mexico

Magali is from the X-Pichil community, recognized as an Artisan Town known for the beauty of its traditions, particularly embroidery, a practice primarily carried out by women. Within this community, a diverse collective—including men, women, elders, children, and youth—works diligently to preserve and share Maya cultural heritage with new generations.

Magali actively promotes cultural identity through talks and workshops in schools and community spaces, strengthening practices such as embroidery, traditional cuisine, and the use of the Maya language.

She is President of the textile collective “Lool Chuy,” which specializes in creating unique pieces that combine ancestral techniques, vibrant colors, and Maya symbols—such as geometric figures and serpent motifs—handcrafted using high-quality, sustainable materials.

Currently, the project directly benefits eighteen families in the community and generates both direct and indirect employment. It also offers cultural experiences to the public, including embroidery workshops, ancestral cooking, and Maya storytelling, fostering pride in Maya identity and worldview among younger generations.

Leidy Leiva Morales

Boruca, Costa Rica

Leidy developed a deep passion for art, particularly painting and the preservation of traditional Boruca art. This passion led her to become an artisan, specializing in hand-carved wooden masks and cotton handwoven textiles.

She is also a member of SóCagrú.

Milvian Aspuac Cón

Maya Kaqchikel, Guatemala

Milvian belongs to the Kaqchikel People of Santiago Sacatepéquez and is a member of the Council of Indigenous Authorities, which safeguards the territory. She is also part of the community’s Council of Weavers, made up of twenty-four members, and of the Movimiento Nacional de Tejedoras (MNT), where she serves as National Coordinator.

Through the MNT, she works to protect collective intellectual property and to safeguard the ancestral knowledge associated with textile traditions, guided by their own forms of organization and governance.

She is dedicated to the creation of Maya textiles, which are marketed through an online store. These woven pieces reflect and express the traditional knowledge intrinsic to Maya culture.

Yorivel Pinto

Ngäbe, Panama

She proudly represents the Comarca Ngäbe, working with dedication to preserve and transmit her people’s ancestral heritage. Her work seeks to inspire more women to raise their voices and participate actively in defending and promoting their culture.

She is President of “ASMUAN” (Asociación de Mujeres Artesanas Ngäbe), an organization of twenty-five members dedicated to creating traditional Ngäbe clothing, including the nägua (näon), chacara (krä), and chaquira.

The nägua is a traditional garment passed down through generations, a living symbol of cultural identity and pride. Through her artisanal work, she not only keeps this tradition alive but also shares it with other women to strengthen collective knowledge.

Her commitment is to preserve these cultural expressions as a fundamental part of the Comarca Ngäbe legacy, promoting their recognition and continuity for future generations.

Tania Moreno Montezuma

Ngäbe, Panama

Tania is also a member of “ASMUAN” (Asociación de Mujeres Artesanas Ngäbe), which has twenty-five members. In addition to being an artisan, she serves as the organization’s legal advisor. The collective is dedicated to creating and selling the nägua—the traditional clothing of Ngäbe women—as well as shirts, earrings, necklaces, and other crafts intrinsic to their culture.

As an Indigenous community and organization, they are committed to promoting, protecting, and transmitting the value of the Ngäbe language, traditional clothing, and cultural identity, especially among young people.

Their goal is to strengthen pride in their roots and inspire the community—particularly women—through this collective enterprise, which not only generates economic opportunities but also reaffirms the importance of their traditions.

Through her artisanal and community work, Tania seeks to keep Ngäbe culture alive and ensure its transmission to future generations.

Virginia Tathum Massias

Miskito- Creole, Nicaragua

Virginia is from Bilwi, in the North Caribbean Coast Autonomous Region of Nicaragua, land of the Miskitu and Mayangna Indigenous peoples as well as Afro-descendant Creole communities. She has developed her work as a cultural leader and founder of the collective “Yapti Prana,” an initiative that empowers Indigenous women through art, education, and sustainable artisanal production.

In her community role, she teaches jewelry-making and sustainable sewing techniques, promoting economic autonomy and cultural appreciation. Through Yapti Prana, she fosters the transmission of ancestral knowledge in dialogue with contemporary practices.

Virginia is also the creator of “Virginia Tathum,” a sustainable fashion brand that repurposes second-hand clothing to design unique, avant-garde pieces, incorporating artisanal details and cultural elements of the Nicaraguan Caribbean.

Her enterprise, which involves twenty participants, combines sustainability, identity, and women’s empowerment, making each piece a living expression of Indigenous and Afro-descendant roots. It seeks to preserve and disseminate textile knowledge, iconography, and traditional techniques from the Caribbean, strengthening cultural pride among new generations.

Rosamelia Agustin Yalia

Sabana del puerto Bonao/ La Vega, Dominican Republic

Rosamelia is from the community of Las Cidras, in Loma de Sabana del Puerto, Bonao, a remote mountainous area. From a young age, she has been committed to community work and the preservation of rural traditions.

She hosts spiritual and family retreats, offering visitors an authentic experience of connection with nature, culture, and spirituality. Together with her community, she cooks with firewood, carries water by hand, and keeps mountain life traditions alive.

Her work is part of the family and community project “Caofé Rodríguez,” which involves ten members and is dedicated to transforming ancestral knowledge into products and experiences that honor rural life. She collaborates in the harvest, processing, and transport of coffee, cocoa, honey, gofio and other traditional products.

Through her role, Rosamelia defends the cultural legacy of Las Cidras as an act of love and resistance, with the hope that these practices will continue to thrive, be recognized, and valued by future generations.

Daniela Juárez Villa

Náhuatl, Cuetzalan, Puebla, Mexico

Daniela is from Cuetzalan, a municipality recognized for its rich natural and cultural heritage, as well as its active social and environmental organizations. Within this context, a local Indigenous women’s organization works actively to defend the territory and strengthen community autonomy.

Daniela is part of this local organization, serving as a facilitator for training programs, coordinating a community-based tourism project, and participating in the Comité de Ordenamiento Territorial Integral de Cuetzalan (COTIC).

The enterprise, which involves twenty-five members, combines community tourism with traditional herbalism. Since 2015, the organization has hosted the Community Tourism Gathering “Tikijkiti Tonemilis” (“Weaving Our Lives”), where visitors spend five days living with cooperative members of “Masehual Siuamej Mosenyolchicauani” (Indigenous Women Supporting Each Other), sharing knowledge, customs, and ways of life.

At both family and collective level, Daniela produces herbal products as a natural approach to health care, preserving ancestral knowledge. She currently focuses on strengthening the identity of the community tourism project, building capacities for collective ownership among the organization’s members, and improving the commercialization of local medicinal products.

Acitlali Ávila Francisco

Nahua de Yohualichan, Puebla, Mexico

Acitlali is from Yohualichan, a community with rich historical and cultural heritage, where Totonac, Nahua, and Catholic traditions converge. Her name in Nahuatl means “House of the Night,” and the community is also known for its archaeological site.

Within this context, “Masehual Siuat Xochitajkitinij” was founded in 1985, a cooperative of fifteen Indigenous women artisans concerned about the decline of the traditional kexkemil woven on the backstrap loom. They began by offering free classes, overcoming barriers such as machismo and limited opportunities.

Today, the organization operates a traditional food restaurant, an artisan shop, lodging services, and workshops on cotton spinning, embroidery, backstrap loom weaving, and traditional cooking.

Their goal is to preserve and transmit ancestral knowledge, strengthening cultural identity and ensuring its continuity for future generations.

Ashley Minner

Lumbee Tribe of North Carolina, United States of America

A member of the Lumbee Tribe of North Carolina, Ashley is a folklorist and has studied and documented aspects of her community’s cultural identity. Through ethnography, archival research and with the help of her elders and creative team, Ashley has been mapping East Baltimore’s historic area known as “The Reservation”.

As a participant in the program, Ashley has developed several projects that will document the aforementioned historic “Reservation”. These include a print map and guide, a cellphone walking tour application an Arc GIS story map and a dedicated website. Ashley intends to promote the use of these resources and spread knowledge of the Lumbee’s cultural heritage.

Shannon Monk

Mi’kmaq and Oji-Cree, Canada

Shannon is Mi'kmaq from Lennox Island in Prince Edward Island, and Oji-Cree as a member of St. Theresa Point First Nation in Manitoba. She has worked her whole life with First Nations, primarily as an educator. Shannon is supporting Mi’kmaq elders, knowledge keepers, artists, crafters, performers and business owners to protect their cultural knowledge.

As part of the program, Shannon is exploring collective intellectual property strategies that will aim to build an authentic certification process for cultural tourism business owners, entrepreneurs, crafters, artists and performers. She believes that this initiative will be an important step towards creating a strong tourism sector by upholding the authenticity of Mi’kmaq cultural products and tourism experiences.

Malia Nobrega-Olivera

Kaua’I, Hawaii, United States of America

Malia, a Native Hawaiian, was born and raised on the island of Kauaʻi. Malia is an educator, a kumu hula, a salt maker, an event strategist, and an advocate of Indigenous rights locally, regionally, and internationally. Malia is also a multimedia artist with experience in lei making, film making, multimedia presentation. In the past few years, she has undertaken the journey of ʻulana lauhala (pandanus weaving).

Malia is involved in a community-based project relating to fiber arts, developing educational resources, and creating wearable art pieces. Together with her fiber art mentor, Malia is working on cultural exchanges with other Indigenous fiber artists and mentoring the next generation.

Sage Paul

Indigenous Fashion Arts (IFA), Canada

Sage is an urban Denesuline woman. Born and raised in Toronto, her family comes from Patuanak and she is a member of the English River First Nation. She also has ancestral roots in Europe. Sage Paul is an artist and designer whose work centers around family, sovereignty, and resistance for balance.

Sage co-founded the arts and cultural festival Indigenous Fashion Arts (IFA), where she is now the Executive & Artistic Director. This non-profit arts organization is by and for Indigenous artists and designers delivering artist-focused initiatives, public programming, and sector innovation. IFA's largest initiative is the biennial Indigenous Fashion Arts Festival (Toronto), which presents over 100 international Indigenous designers.

Sylvia Plain

Aamjiwnaang First Nation, Canada

Sylvia is Anishinaabe from Aamjiwnaang First Nation made up of Ojibwe, Odawa and Potawatomi Nations, also known as the Three Fires Confederacy, one of the oldest political confederacies within the Great Lakes Basin. The people of the Great Lakes are known for their water vessel, the wiigwaas ciimaan, a canoe made from the bark of the birch tree.

Sylvia is a practitioner and educator of traditional knowledge, particularly around canoe-building, basket-making and weaving. In 2014, Sylvia launched the Great Lakes Canoe Journey Education Program to teach Indigenous community members how to build birch bark canoes, the technology that comes with it and the history of Indigenous innovations and contributions within the Great Lakes Basin.

IMAGE: Steve Wewerka, courtesy of First Peoples Fund

Theresa Secord

Penobscot, United States of America

Theresa is a traditional Penobscot basket maker. She weaves traditional Wabanaki baskets using her great-grandmother’s wooden forms and tools, a skill she learned from an elder in her community. She has taught many to weave ash and sweet grass baskets, including her own son, to ensure continuation within her family.

As part of the program, Theresa has been documenting the traditional weaves of the Penobscot and Passamaquoddy tribes in Maine – a first-time endeavor by an indigenous person. She also registered the trademark WIKEPI BASKETS to protect and promote her baskets and developed her online presence by setting up her website.

Delsie Betty Bosi

Taumako, Duff islands, Solomon Islands

Delsie is the administrative manager of the Holau Vaka Taumako Association (HVTA), a charitable organization dedicated to preserving the unique cultural heritage of the Taumako community in the Solomon Islands. Her project focuses on revitalizing traditional navigation and canoe-building practices, ensuring the knowledge is passed to future generations. HVTA also empowers women by teaching traditional weaving skills and creating income opportunities through the sale of woven items.

Delsie’s efforts include leveraging an internet lab to connect her isolated community, enabling communication, education, and healthcare services. Through the Program, she aims to protect her community’s cultural knowledge and weaving practices using intellectual property tools, ensuring their traditions are safeguarded while fostering sustainable development.

Image: Australian Pacific Training Coalition

Esita Nadakai Karanavatu

ITaukei, Fiji

Esita, a 46-year-old mother of three from the Fiji Islands, has dedicated her life to helping women in struggling communities achieve financial independence. With years of experience in socio-economic empowerment, she focuses on supporting women who face challenges like poverty, single motherhood, and marginalization. Esita’s work involves teaching skills in areas such as sports, traditional crafts, and youth development.

By helping women discover their talents and build confidence, she empowers them to embrace their individuality and creativity. Through the Solo Moms Project, Esita helps women create their own brands and markets. Her goal is to inspire women to take pride in their cultural identities while building sustainable businesses. Esita is eager to expand her skills to better manage Indigenous social enterprises, ensuring her work continues to positively impact the women she supports.

Florence Jaukae

Goroka, Papua New Guinea

Florence is an internationally recognized fiber artist and sits at the forefront of wearable Bilum. She is also the founder of the Goroka Bilum Festival, a platform that aims at preserving and celebrating the cultural practice of weaving bilum and which now provides women weavers in Papua New Guinea an opportunity to earn an income.

As a participant of the program, Florence has received guidance on how to manage intellectual property issues that arise in the context of the Goroka Bilum Festival. She has also started the process of registering her own trademark to ensure that her work is easily identified and attributed to her and her culture.

Sisimoka Laufoli

Niue

Sisimoka runs a small business that sells handmade Niuean crafts. She aims to create a digital platform where she can list and sell these crafts online, expanding the reach of local weavers by allowing them to sell their products as well. The project addresses the challenge of the limited availability of Niuean crafts, especially for customers abroad, by providing an online marketplace that will make these crafts accessible globally. Given Niue’s isolated location, shipping arrangements can be a challenge.

However, Sisimoka plans to begin with basic shipping solutions while working with national shipping agents to improve logistics in the future. Through the Program, Sisimoka hopes to learn how to trademark her products, ensuring they are easily identified and protected for future generations. She also hopes to gain the knowledge to help other weavers secure their own trademarks. Additionally, Sisimoka is seeking financial support to further develop and sustain her platform. By participating in the Program, she aims to enhance her business and contribute to the preservation and recognition of Niuean crafts.

Tusiata Lemuelu

Faauliuli, Vaipu'a Savaii, Samoa

Tusiata is the founder of Siapo Demonstration, a business dedicated to preserving the traditional art of siapo-making while empowering her community, particularly women, to engage in sustainable practices. The business promotes the planting of paper mulberry trees, integral to the crafting of siapo, and aims to share its beauty and cultural significance globally while honoring Samoan heritage and passing the craft to future generations.

Tusiata sees the Program as a transformative opportunity to strengthen Siapo Demonstration. She aims to learn how to grow their business develop resilience in a seasonal tourism market and gain tools for networking and marketing. Her goal is to preserve and promote the siapo craft while expanding its global recognition.

Subama Mapou

Kanak Unia tribe, New Caledonia (France)

Subama is a young Kanak from the Unia tribe. She holds a bachelor in biology and a master in plant and micro-organism biology. She is the founder of GARDENIA COSMETIQUE, a startup that aims to promote biodiversity and traditional knowledge using an ecological and innovative eco-extraction process.

As a participant of the program, Subama co-founded the Kanak Institute of Plants, Handicrafts and Indigenous Languages (IKAPALA), an NGO which aims to bring together a network of actors committed to the enhancement and protection of Kanak traditional knowledge. Subama also intends to develop a database of natural resources in vernacular languages.

Bonnie Moi Naua

Motu, Papua New Guinea

Bonnie Moi Naua, an entrepreneur from Port Moresby, has spent nine years specializing in tailoring, garment, and textile design. As the owner of Saroni Tailoring Services, she integrates Indigenous tattoo designs into garments featured on fashion runways and understands the importance of intellectual property knowledge after facing global copyright challenges.

Her "Give Back to the Community" program includes the Basic Sewing and Quality Check Training Project, which has trained over 50 disadvantaged young women in sewing, quality control, and financial literacy over the past three years. The program empowers participants for employment or self-reliance but now seeks funding due to economic challenges. Bonnie hopes to deepen her understanding of IP tools and copyright laws to benefit her business and community.

Jae-Dee Ngirdimau

Ngara Otellouch, Palau

Jae-Dee is the founder of Eco Pro Palau, also known as Eco Products Palau, a locally owned, family-operated small business that aims to reduce the use of single-use plastics and Styrofoam. The business focuses on providing eco-friendly alternatives made from locally sourced materials, such as using the leaf sheaths of the areca nut tree (or betelnut tree), a staple tree in the Pacific Islands, to create hot-pressed eco-friendly plates with modern machinery. As a small local business, Eco Pro Palau strives to engage the community, particularly the elders, by outsourcing the supply of materials, providing them with an opportunity to earn extra income.

Jae-Dee’s expectations from the Program are to gain valuable knowledge about running a small local business and develop new skills to enhance the business’s operations. She also hopes to expand her network by connecting with participants from different countries. Ultimately, Jae-Dee aspires for the initiatives promoted by her business to succeed and flourish in the future, contributing to a more sustainable environment and supporting the local community.

Barbra Pagasa

Kewabi, Papua New Guinea

Barbra Pagasa is part of Giluwe Artisans, a group based in Papua New Guinea, which was established in 2017. GiluweArtisans was created to provide local women with the opportunity to weave Bilums and trade them both locally and internationally. The group was formed to address gender-based violence, promote women's rights, and help women escape poverty while preserving the traditional art of Bilum making. Giluwe Artisans has introduced a unique Bilumpattern, the "NuKinu," which is the first of its kind.

The women are excited about this new design, which sustains their livelihoods and fosters empowerment. By participating in the Program, Barbra hopes to learn more about protecting traditional customs, particularly the Nu Kinu Bilums, and securing markets for their products. She expects to gain a deeper understanding of intellectual property, learn from other women entrepreneurs about their IP experiences, and understand when and how IP issues arise.

Adi Meretui Ratunabuabua

Tui Nasesevia, Nadi Levu, Fiji

Adi Meretui is the founder and President of the Women in Action Cooperative, a network of Indigenous women entrepreneurs based in Nadi and Lautoka,Fiji. Their mission is to empower and uplift women through collaboration, education, and advocacy, promoting sustainable growth, resilience, and economic independence. The cooperative unites women from a variety of industries, including traditional weaving, herbal medicines, pearl jewelry, catering, construction, farming and more, providing opportunities to share resources, ideas, and collaborate on joint projects.

Through workshops, webinars, and mentorship programs, they gain valuable business skills in areas such as marketing and financial management. The cooperative also advocates for gender equality in entrepreneurship, amplifying the voices of women-led businesses. Their community is a supportive sisterhood, celebrating successes, navigating challenges, and working together to create a more inclusive business landscape where women thrive and drive lasting change.

Alana Fiafia Richmond-Rex

Aliutu, Fonuakula, Talikifea, Niue

Alana Fiafia is part of Niue Entrepreneurial Women (NEW), a non-governmental organization formed in 2021 and officially founded in 2023. This organization serves to empower and uplift entrepreneurial women of Niue by providing tools, resources, and opportunities to achieve financial independence and improve their socio-economic standing. NEW also aspires to contribute to national outcomes for greater prosperity for both people and the environment. At the core of NEW's work is a focus on intellectual property.

The NGO aims to provide education and capacity building to help women register traditional designs, train them to market these designs as premium products, and partner with patent offices to help women innovators file patents. NEW also works to develop branded product lines showcasing Indigenous art, supported by copyrights and trademarks. Furthermore, the organization seeks to protect Indigenous sovereign information and knowledge, ensuring that it is not exploited.

Amanda Riniu

Belaha, Solomon Islands

Amanda is one of the founders of Belaha Women’s Association, a community initiative where women gather weekly to create traditional crafts like mats, baskets, and other items using materials such as bush ropes, coconut fronds, and pandanus. These crafts provide an income for the women and their families through sales to local and international visitors. Amanda also organizes village visits and weaving classes, encouraging locals to use their skills and sell directly to customers. These classes, which have attracted expatriates, emphasize the unique styles of the community’s crafts, preserving weaving traditions while expanding business opportunities.

Through the Program, Amanda seeks knowledge on protecting traditional skills, overcoming entrepreneurial challenges, and learning from other participants. She hopes to gain tools to safeguard her community’s weaving heritage while growing her business, creating more opportunities for women entrepreneurs, and preserving cultural traditions for future generations.

Diana Rojumana

Dume Tribe, Solomon Islands

Diana is the founder of Ghaseali Island Resort, a business that blends hospitality with a commitment to social impact. Her primary focus is on empowering local Indigenous women, particularly those from the Dume Tribein Ysabel Province, Solomon Islands. Diana is focusing on preserving and promoting the traditional art of jewelry-making using 'sisile' beads, which are crafted by skilled Ysabelianwomen and hold cultural significance. The beads are worn during local cultural events and are a symbol of heritage.

Diana will also focus on preserving the tradition of crafting Ysabelmats, another unique product from the region. By supporting these crafts, she hopes to empower Dume women to preserve their cultural traditions while creating sustainable economic opportunities. Through the Program, Diana hopes to gain expertise in intellectual property rights, branding, and market access strategies. Her goal is to provide a safe platform for the Dume women to sell their traditional products in national and regional markets, ensuring that their cultural heritage is protected and valued.

Fenella Sam

Tamanakuloko Tribe, Papua New Guinea

Fenella is the founder of Coco Siva, a community project that collaborates with women and youth artisans to create eco-friendly crafts, art, and building materials using coconuts and other natural resources from the islands. The project focuses on preserving traditional designs while providing artisans with a sustainable income to support their families and communities. By mentoring and training artisans, Coco Siva equips them with the skills and knowledge to grow their businesses and manage their work, all while responsibly sourcing materials to ensure environmental sustainability and the continuation of cultural traditions.

Through the Program, Fenella aims to safeguard the traditional designs created by the artisans using intellectual property rights. The goal is to trademark the Coco Siva logo and branding, establishing a strong and consistent identity for the project. Additionally, Fenella has produced educational materials and books based on research and data collection, which they hope to copyright. This will allow these resources to be used in similar projects globally, supporting Indigenous cultures while protecting the authenticity of Coco Siva’s work.

Serah Linore Tari

Vanuatu

Serah is part of Especially Local, a brand promoting high-quality locally made products crafted by skilled artisans using traditional or modern techniques. Combining sustainability with traditional skills and locally sourced materials, the brand creates social, economic, and environmental benefits. Serah envisions improved livelihoods for island communities through well-established supply chains. Her journey began as a National Consultant for an International Trade Centre project (2016-2019), where she empowered micro-enterprises and artisans in the fashion and lifestyle sectors.

Witnessing a lack of market pathways for women producing woven hats, baskets, and accessories, she founded Especially Local to connect artisans with broader markets. Through the Program, Serah aims to enhance her knowledge of intellectual property to protect and promote
artisans' products effectively. As a trainer, she intends to share this expertise, empowering others to innovate while safeguarding their cultural and creative heritage.

Tia Taurere-Clearsky

Nga Puhi/Ngati Kuri (Maori), New Zealand

Tia is an editor and videographer for broadcast television who noticed that existing online repositories did not provide truly accurate depictions of indigenous people and the way they live. To provide indigenous representation and content to service the film and television industry, Tia decided to create a website to provide indigenous footage and images.

Under the program, Tia has approached indigenous artists in New Zealand, Australia, Canada and the United States of America in furtherance of her project. She aims to protect and promote her work and the work of the artists that will be featured on her website through copyright and trademarks.

Tereeao Teingiia

I-Kiribati, Kiribati

Tereeao has over ten years of experience as the Coordinator for Continuing and Community Education at the University of the South Pacific, Kiribati Campus. She enjoys writing and sharing stories about Kiribati’s culture and has published works on the topic. Her project, the KGGA Handicraft Shop, empowers girls and young women in Kiribati by teaching life skills, leadership, and traditional crafts like weaving, sewing, and cooking. The shop will provide a space for women to sell handmade items, preserving Kiribati’s culture while creating economic opportunities.

It also encourages knowledge sharing between older women and younger generations to foster creativity and self-reliance. Tereeao hopes to gain new skills from the Program to enhance her work and share her learning with her community, contributing to Kiribati’s development. She values the support and inspiration from the program’s community, which she believes will strengthen her efforts back home.

Merewalesi Vakarewa

ITaukei, Fiji

Merewalesi is an active member of the Cicia Women’s Network, an initiative dedicated to empowering the women of Cicia Island and promoting resilience and independence within their community. The network works to open market access for these women, enabling them to contribute economically while enhancing the well-being of their families and the village as a whole. A central focus of the initiative is the preservation and revitalization of traditional knowledge, which is vital to their cultural identity.

The Cicia Women’s Network aims at, among others, helping women build their capacity to understand and navigate intellectual property protection, equipping them with the tools to safeguard their creations and traditions. It also connects the community with legal experts and market resources, emphasizing the importance of protecting cultural heritage. By fostering these connections, the network creates sustainable economic opportunities while empowering women to preserve their cultural legacy and strengthen their community for future generations.

Feresi Waqaisavou Veisa

ITaukei, Fiji

Feresi is a passionate advocate for empowering local women in her community. She is dedicated to helping them generate income by utilizing natural resources and preserving their cultural traditions through handicrafts and artifacts. By doing so, Feresi aims to create sustainable opportunities for women, promoting financial independence and social growth.

She is committed to establishing a green space for women to sell their products, including traditional textiles, such as tapa (masi print), and cava. Her vision is to create a vibrant market that will grow over time, benefiting both the women and the wider community. Feresi's approach is rooted in education, mentorship, and collaboration with stakeholders to support the marketing of women's products.

Emily Waqalevu

Na I Soqosoqo Vakamarama I Taukei Cakaudrove (SVTC), Fiji

Emily lives in Soqulu village, Fiji Islands. She is a dedicated member of the Na I Soqosoqo Vakamarama I Taukei Cakaudrove (SVTC), a registered NGO focusing on empowering rural Indigenous women and promoting I-taukei traditional knowledge through cultural practices.

Emily is renowned for her groundbreaking achievement as the first person in Fiji to recreate the iconic "tagimoucia flower", using mulberry bark called "tapa" and acrylic paint. This beautiful red and white orchid, native to Fiji, inspired a thriving enterprise after garnering widespread interest. Emily's creations expanded to include diverse products like earrings, necklaces, hairpieces, garlands, and more.