Online Forum on Intellectual Property in the Information Society  
IPIS Forum

 Theme Four: What is the impact of copyright law, both at international and national levels, on education and research?

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    1. The Information Society is characterized by an abundance of readily available information, covering billions of pages hosted on more than 52 million active domains.1 A simple Google search for “intellectual property” delivers more than 75 million websites of potential relevance. Wikipedia, the collaborative open source online encyclopedia compiled by the site’s users, contains 536,246 ongoing articles covering 1,540,695 pages, making it the second-most visited reference site online.2 Information in digital form is now available on demand more quickly, at lower cost, in more locations and to more consumers and users of educational material than ever before. Intellectual property (IP) rights are used by the authors of such information to control the ways that it is used, and this control raises the concern that IP rights should be exercised responsibly, so as not to overly restrict access to sources of knowledge for educational and research purposes, particularly in developing countries.

    Internet dissemination affords access to material such as music, newspapers, computer programs, photos, graphic art and films. Where supported by an adequate system of copyright protection, creators of these materials are able to exploit and market them safely to consumers in countries around the world, sometimes even without foreign intermediaries, transportation facilities or physical manufacturing infrastructure which add to delivery costs. A vast amount of information is also available free of charge, contributing to a culture of expectation among some consumers that all information on the Internet should be freely accessible without restriction. However, it is a truism that not all information on the Internet is or should be free of charge. Production of quality information products requires an investment of resources, and the livelihood of authors may depend upon payment for its use. Copyright law gives authors the choice of how to structure their relationships with consumers – whether to reserve their rights against all uses, charge for some or all uses of content, or make their works available free of charge with or without restrictions upon future use.

    In the educational field, the relatively lower entry thresholds and start-up costs involved in copyright-based business models for digital distribution can result in lower costs being passed on to users. In the 1980s, the Encyclopaedia Britannica cost between US$1500 and $2200. Today, it is published in paper form (32 volumes containing 65,000 articles, at a price of US$ 1400), or online (120,000 articles, brief summaries of articles can be viewed for free, and the full text is available for US$11.95 per month or US$69.95 per year for individual subscribers).3 Emerging business models for distribution of digital content have found ways to generate revenue other than charging consumers, such as through advertising and value-added services. Open access publishing4, and the proliferation of free online academic journals, are examples of these trends in the context of education and research.5

    2. Copyright-protected content can also be made available under certain exceptions and limitations to rights in national laws and, in limited circumstances under the Appendix to the Berne Convention, under compulsory licensing of certain rights. Since its inception, copyright law has recognized that exceptions to or limitations on the scope of rights granted to authors and beneficiaries of related rights are justified in particular cases. The Berne Convention contains provisions granting flexibility to Member States to limit the rights of authors in certain circumstances, including use of protected content for teaching purposes (article 10(2)). Likewise, the WIPO “Internet Treaties”- the WIPO Copyright Treaty (WCT) and WIPO Performances and Phonograms Treaty (WPPT) - provide countries with flexibility to establish exceptions or limitations to rights in the digital environment. Countries may, in appropriate circumstances and subject to the three-step test contained in Berne, TRIPS and the WCT/WPPT,6 grant exceptions for uses deemed to be in the public interest, such as for libraries or non-profit educational and research purposes.

    3. The WIPO Internet Treaties also provide remedies for misuse of technological measures of protection and rights management information, aimed at ensuring (but not requiring) that rightholders can effectively use technology to protect their rights and to license their works online to users. The first obligation requires countries to provide adequate legal protection and effective remedies against the circumvention of technological measures, such as digital rights management (DRM) systems and encryption used by rightholders to protect their rights. The second obligation requires remedies against the deliberate alteration or deletion of electronic information which accompanies any protected material, and which identifies the work, right owners, and the terms and conditions for its use, among other things.

    The set of rights and obligations contained in the WIPO Internet Treaties have added complexity to the traditional balancing of the interests of rightholders and users, including in the field of education. Striking the right balance between the legitimate interests of right owners and users of educational materials is not a straightforward process in the digital environment. Use of DRM is a good example: while the Internet Treaties do not mandate (require) that DRMs be used, beneficiaries of limitations and exceptions have raised concerns that application of DRMs might thwart certain legitimate uses of works. In their view, DRMs may hinder legitimate access to content in electronic form or hamper the conversion process of works into alternative formats or, in general, weaken the exercise of limitations and exceptions to copyright, for example fair use. These concerns have been addressed in the WIPO studies and meetings that are listed below.

    4. The Appendix7 to the Paris Act of the Berne Convention contains a special regime with respect to the translation, reproduction and broadcasting of works protected under the Convention that may be invoked by developing countries, notably for educational and research purposes. The Appendix allows developing countries, under certain conditions and circumstances, to limit the rights of translation, reproduction and broadcasting by submitting them to a system of special provisions on non-voluntary licenses. This possibility is subject to an obligation of notification, which means that the developing country that wishes to benefit from the provisions of the Appendix must notify it to the Director General of WIPO. Such notification automatically lapses on expiry of 10-year periods but can be renewed according to paragraph 2 of Article I of the Appendix.

    Despite the advantage to developing countries in utilizing the system provided by the Berne Appendix, the number of countries under the current 10-year regime still remains modest. WIPO is actively engaged in raising awareness about the adherence to such special provisions as well as in its implementation in national legislation.

    Questions to consider

    • Are copyright-based business models for making educational and research materials available in digital form meeting the needs of the Information Society?
    • Are existing exceptions and limitations to copyright law being used in a way that sustains education and research?
    • What role could the Appendix to the Paris Act of the Berne Convention play in ensuring access to educational texts?
    • What differences exist among national laws implementing the WIPO Copyright Treaty (WCT) and WIPO Performances and Phonograms Treaty (WPPT) with respect to technological protection measures and copyright protection and uses for education and research?
    • On balance, is there predominantly a “lock-up”, or rather an increased availability, of information in the digital environment?

 

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1 Source - Whois Source Detailed Domain Counts and Internet Statistics.

2 Enid Burns, “Wikipedia’s Popularity and Traffic Soar” ClickZ Network, May 10, 2005.

3 Wikipedia “Encyclopedia Britannica”.

4 The Wellcome Trust defines open access publication as follows:

    “An open access publication is one that meets the following two conditions:

    1. The author(s) and copyright holder(s) grant(s) to all users a free, irrevocable, worldwide, perpetual (for the lifetime of the applicable copyright) right of access to, and a licence to copy, use, distribute, perform and display the work publicly and to make and distribute derivative works in any digital medium for any reasonable purpose, subject to proper attribution of authorship2, as well as the right to make small numbers of printed copies for their personal use.

    2. A complete version of the work and all supplemental materials, including a copy of the permission as stated above, in a suitable standard electronic format is deposited immediately upon initial publication in at least one online repository that is supported by an academic institution, scholarly society, government agency, or other well-established organisation that seeks to enable open access, unrestricted distribution, interoperability, and long-term archiving (for the biomedical sciences, PubMed Central is such a repository).” Wellcome Trust Position Statement in Support of Open Access Publishing.

5 See, for example, the University of Houston Libraries list of free Scholarly Journals Distributed Via the World Wide Web.

6 Exceptions must be confined to special cases that do not conflict with a normal exploitation of the work or unreasonably prejudice the legitimate interests of the rightsholder.

7 Appendix to the Berne Convention – Special Provisions Regarding Developing Countries.



Comments [23]

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Comments:

Kindly accept my greetings.Just to let you know,i am a Kenyan who is in the business of protecting intellectual property and founded the Centre for Intellectual Property - Nairobi(CENIP)

I will dwell on the question of exceptions and limitations to copyright law being used as to sustain education and research.

There is lots of texts that is used in research but have tou evwer wondered where the so called researchers get there answers or formulations from?

Have you wondered why online essay companies are becoming a multimillion industry in the digital age?

Thinking babout it,they circumvent the existing intellectual property laws BASED ON THE EXCEPTIONS.It will not be surprising to see a book based on findings of other people or modern day authors whose work is based on text from other works which later compile a book.

Let me offer a suggestion,a proper research findings shouln't be based on footnotes and endnotes totalling 100.What do u think?

NB YOU CAN AS WELL KEEP MY EMAIL CONTACTS TO CONTINUE THIS FORUM EVEN WHEN THE wipo ONE WILL COME TO AN END IN JUNE 15.

Posted by Wilson Rading Outa on June 03, 2005 at 11:32 AM CEST #

whenever you put leagle limits on ideas you limmit research and education. this is because you have to get permition and PAY to use the knowlage. if it were not for open information you would not have been able to set this website up much less QUOTE all the other people's information.

by the way, this post is copyright myself, 2005 USA. any use with out my permision or even reading of my post is in violation of my licence agreement FORCED upon you.

think about it, you are forcing laws upon the public for what came from and is owned by the public, just so you can profit at the cost of the public.

Posted by myself on June 06, 2005 at 02:33 AM CEST
Website: http://poem.kausi.com #

Copyright law is not what is adversely affecting education.

Rather it is the corporate media cartel that controls the production of textbooks and keeps their prices highly inflated.

Posted by Jab (193.5.93.35) on June 06, 2005 at 04:14 AM CEST #

I think both copyright and patents should be reviewed to expire in a shorter time frame.

Posted by 193.5.93.35 on June 06, 2005 at 04:59 AM CEST #

Long term copyrights have a clear impact on the number and frequency of new works. This is clear with books as well as audio recordings. Early audio recordings in the US had short term copyrights and the leaders in the field would often produce 8 recorded songs a week. Its uncommon now for a even a top 40 band to produce 8 songs a year. Copyright on books has a similar effect, most modern authors are only producing a books a decade compared to 100 years ago when many authors produce a few books a month. Copyright terms should be reduced to no more than 17 years.

Posted by Tim Hogard on June 06, 2005 at 05:12 AM CEST #

I think open-access journals are the way of the future for serious scientific research. I also feel that outdated and obsolete copyright laws should be dismantled as quickly as possible to insure the free flow of data, which is critical to scientific innovation.

Posted by Agatha Dobbs on June 06, 2005 at 09:32 AM CEST
Website: http://hive-mind.blogspot.com #

I would just be happy if the government took more control over giant corporations and not let them run the show!

Posted by Mike on June 06, 2005 at 02:08 PM CEST #

One thing that is not currently well recognised is the difference in status of copyright holders. I am a copyright holder, yet when my copyright has been violated (as it has been), I am not in a position to take offenders to court. A collegue of mine had some of their original work reprinted in a major anthology, without either permission being granted, or royalties being offered. When they objected, theywere basically told 'tough'. We academics do not have the salaries to legally protect our copyrights.

On the flip side, when we have a paper accepted for publication, it is usual for us to have to sign over all the rights to the publisher of the journal. If we work for a State institution, this means that our work, which was paid for by the public is being given away to private corporations. This doesn't seem right. However, to make matters worse, we sometimes cannot access our own work if our University library doesn't have a subscription to the relevant journal. In effect, the public, who fund universities, are forced to pay fees to access the work they paid to create!

Journals sometimes defend their positions by citing production costs as a justification for their charges. However, this arguemnt should not be seen as persuasive. Using freely available software it is quite possible to publish papers in an on-line format for minimal cost. In addition, standards can be maintained by continuing to insist that all papers are subject to a blind refereeing process. For an example, see *The Electronic Journal of Analytic Philosophy* (http://ejap.louisiana.edu).

Whatever are the final conclusions of this deliberation process, the results should be designed to address the imbalance of power between individual researchers and corporations. Perhaps an international body to enforce copyright might help? Also, it would be good if there were provisions to encourage persons to make quality research materials freely available.

Posted by Dr. Istvan Berkeley on June 06, 2005 at 10:07 PM CEST
Website: http://www.ucs.louisiana.edu/~isb9112 #

Point by point...

(1) "Copyright law gives authors the choice of how to structure their relationships with consumers – whether to reserve their rights against all uses, charge for some or all uses of content, or make their works available free of charge with or without restrictions upon future use."

This is a direct contradiction of Theme 3 (Reference the comment I made in Theme 3: http://www.wipo.int/roller/comments/ipisforum/Weblog/theme_three_the_public_domain, easily found here: http://www.knowprose.com/node/2155 )

Copyright, or the right to control the use of one's work, is again being viewed as an integral part of a business model. If this is such an issue, perhaps the present system of business models should be taken to task - business models which are based on traditional technologies. Consider that an artist can now publish online without a publisher; consider that the real problem for lobbying organizations are not the rights of the artists themselves to profit by the right for the lobbying organizations - the traditional publishers - to profit.

"Open access publishing, and the proliferation of free online academic journals, are examples of these trends in the context of education and research."

These are also business models which work more along the lines of the commission model that creators used prior to the 'modern' (more accurately now, 'traditional') publishing business.

(2) Does the Berne Convention supercede TRIPs agreements, or do TRIPs agreements allow bypassing of the Berne Convention? That needs to be clarified, since TRIPs agreements are not made public. Simply put: Can a TRIPs agreement of a country also permit less flexibility?

Certainly, the TRIPs agreements, Berne Convention and WCT/WPPT *could* be used in the way that is suggested within the corresponding paragraph - the question is, are they being used in this way? It does not appear that way at present.

(3) It seems that the WIPO Internet Treaties do not correspond to U.S. Copyright Law, where the lack of defense of Copyright decreases the chances of being able to defend against 'piracy'. Since many countries have used U.S. Patent, Copyright and Trademark Laws as, at best, templates, this is of interest.

(4) Again, can the Appendix to the Paris Act of the Berne Convention be superceded by other agreements?
----------------------------------------

Before the Berne Convention can be discussed sensibly, the question as to whether or not it can be superceded by any other agreements must be answered. Further, the general public probably doesn't know what TRIPs agreements have been signed for their specific countries because it does not seem that such information is required to be accessible to the voting population of a country. WIPO is in a position where it could assure that TRIPs agreements are required to be made available to the population of a country such that more informed decisions and discussion - such as this - could take place.

Posted by Taran on June 07, 2005 at 08:54 PM CEST
Website: http://www.knowprose.com #

I cannot tell what the impact copyrights have on international or national levels. But I can on a personal level. I teach mathematics to university/college students. Several years ago I was enthusiastic about making contents available to students online. I created a course website, mainly with excercises available to students, and made it publicly open, so if anyone wants, they can use the materials. Later I realized how problematic this can be. There is no guarantie that whatever I publish is not identical or close to identical to existing published work. Several times I worked hard to try to produce new homework excercises to replace existing ones, and after hours of work concluded that there is only one possible question the students can be asked, and it probably appears in the same form in copyrighted publications. Technically I am not infringing on copyright if I happen to create a work identical to an existing work. Practically, there is no way to defend the truth in court in such cases. If I am sued by a publisher I never heard about, I cannot afford the defense anyway. And the way things are now, with most copyrights lasting between 70 to about 150 years, probably almost everything I ever learned and that now I teach is copyrighted by someone in some form. So now if I make things available in a website to students I protect the site with a password and put a clear message that the site is only to be used by certain students at a certain time for a certain purpose.
Another thing: I found that when I publish homework I give some of it eventually ends up in other teachers excercise books that are published by their institutions with copyright notices, and that do not cite me as the source, so eventually I might end up being sued for infringement because I use my own stuff. The result is that I often refrain from sharing good excercises with my colleagues.
In a world where individuals have to restrict themselves because they cannot afford to defend their ideas you cannot expect openess.

Anyway, copyrights are contrary to human nature. Copying ideas is what brought this ape to become the dominant species on this planet. Among all creatures and all primates, this particular ape (Homo Sapiens) has perfected copying as a tool for improvement. Copyright laws as they are at present and as they seem to develop try to reverse this trend. I don't say that copyrights are completely useless. There's a minute minority that can make a living creating only if there have copyright protection. Non of them needs the extensive protection that today's laws give. Almost all creators do not make a living from their work, and do not expect to, but copyright is forced on them. The default assumption is that maximum protection is to be applied if the author does not explicitly say otherwise, while the reality is that almost all authors do not require any legal protection, only very few require some of it, and practically no one except traders in copyright (anf not authors) require the full legal protection (and all they can get on top of it, such as disallowing fair use or failing to meet other legal obligations by using technology).

Posted by Ofer Hadas on June 08, 2005 at 01:00 AM CEST #

Thank you for this opportunity to be heard. I hope that WIPO will listen to those who make intelligent comments about IP law and the direction it is going. Here are my comments, based on the questions posed above:

* Are copyright-based business models for making educational and research materials available in digital form meeting the needs of the Information Society?

I cannot really say too much on this question since I am not in an academic environment, but I do think that the open journals that are beginning to appear are a good thing. I think any research funded with public money should be available without cost to all.

* Are existing exceptions and limitations to copyright law being used in a way that sustains education and research?

I am not sure.

* What role could the Appendix to the Paris Act of the Berne Convention play in ensuring access to educational texts?

If this act can make access to research and text books available to developing countries at a reasonable cost, then I am all for it.

* What differences exist among national laws implementing the WIPO Copyright Treaty (WCT) and WIPO Performances and Phonograms Treaty (WPPT) with respect to technological protection measures and copyright protection and uses for education and research?

First of all, I must say I am against laws such as the DMCA (the U.S.A.’s version of this law). In 2001 fear of the RIAA using this law prevented Ed Felton from presenting his finding from the SDMI challenge. This was a purely academic exercise – no real copyright laws were involved or broken. This revealed that research can be censored under these type laws.

* On balance, is there predominantly a “lock-up”, or rather an increased availability, of information in the digital environment?

The entertainment industry in particular is hooked on DRM lock-ups. This DRM along with the DMCA (in USA) make it impossible for one to make use of his or her fair-use rights without technically breaking the law. The Ironic thing is that despite all of the DRM, information is increasingly available in open formats and for free on P2P networks. From what I understand, even College textbooks are now showing up on the P2P networks (I have not looked into this) due to the cost of the legitimate item. These high prices are a symptom of the problem with existing IP laws.

Bill

Posted by Bill Strebin on June 09, 2005 at 09:01 PM CEST #

A problem with "Research" - particularly in PhDs - that makes some of your questions irrelevant - is that PhDs themselves must be "original".

and they must be "original" at the time of publication.

the parallels with patents are quite clear.

in both cases:

* the researcher/patenter must keep knowledge, ideas and development a total secret until publication.

* the researcher/patenter must perform a (necessarily) limited search of "prior art" to ensure that the area has not already been covered.

the consequences of this are:

* that there is a serious risk of time-wasting

* that the researcher/patenter might have already come up with something already done before

* that the amount of time and resources available to the researcher/patenter - because they are effectively cut off from their peers by non-disclosure paranoia - are limited, and they ultimately, isolated, simply cannot keep up or deliver.



now, suddenly, along comes "free software" development models:

* copyright holders own the copyright of everything they develop - that is RESPECTED.

* people trade information and ideas amongst their peers

* as a general rule, progress is made, and made rapidly, as long as the framework in which the developers operate is a GOOD one (e.g. the Apache Software Foundation's Charter REQUIRES "mutual respect" and that ideas be considered on "technical merit" - not necessarily the best choice, it leaves out "strategic merit" for example).

* there exists a direct-access forum for communication between internet-aware users and the developers themselves. usually. http://opencores.org is a blatant exception to that ["if we don't like you, we won't bother to approve your posts or you joining the forum at all"].


the development of free software is at TOTAL odds with the concepts expected of "patenting" and "phd research", because it is typically (but not always) OPEN.

yes, there are individuals or groups of individuals who work on free software who present "fait-accomplit" entire projects (e.g. http://www.erp5.org and raph levien's "libart" patent which has a royalty-free GPL license) without any prior disclosure or publication, such that they CAN own the entire rights to that work / patent it / do-whatever.

but as a general rule, free software development techniques are MASHING proprietary development and research, because they are utilising group thinking in a way that is totally impossible and at odds with the goals of patentable developments and PhD research.

... and it all boils down to "i want to 'own' this intellectual property and either gain money or gain respect because i'm a clever little fucking dickhead and here's my piece of paper that proves so".

well whoopiteedoodah, the free software developers are teaching you that your bits of paper are fit for wiping your arse with, mr patent holders and mr phd holders, and pretty much nothing else.

sorry. but it's true.

... hey, can i get a patent on these ideas in this message, or do you think anyone else has made them before oh DRAT they're in a public forum, hey you think anyone else reads this forum? :)


anyway.

basically, i believe that PhD research as it stands should be abandoned. that a PhD should instead have to prove that they HAVE added or contributed something original and novel - not that they should work in secret and publish at the END of their PhD in order for their work to BE original at the END of their three-to-four years.

so, mr wipo, you are asking questions about how to design a nice lock and a nice handle on a barn door that is only ten inches wide instead of ten feet wide.

no damn good if the flow of information and creativity _out_ the barn is jammed up...

Posted by Luke Kenneth Casson Leighton on June 10, 2005 at 02:54 AM CEST
Website: http://lkcl.net #

As an educator, I have several diverse comments on IP law and its impact on higher education. These indirectly relate to questions asked above, but I will not address those specifically.

I see the following (among other things) as key issues for education and research:

1. The “fair use” concept in IP law—in its most flexible and generous sense—is crucial to the healthy existence of education and research (E&R). IP is embedded in cultural artifacts which are themselves the objects of study as well as the vehicles of cultural transmission in E&R. “Fair use” must permit E&R’s pursuit of these activities, regardless of whether uses conform to the most common and expected uses of the IP involved. In short, IP owners should not be permitted to limit or coerce E&R inquiry into their works, provided the larger applicable framework of IP rights is respected by the academic or research community user involved.

2. In the publication of IP by the E&R community itself, serious legislative reform of private sector services that support its dissemination may be required. The most common, prominent issue is that of formal publication of research and academic literature, in terms of its cost and accessibility from commercial entities who manage it for this community. If research/scholarly literature is one of the key mechanisms for professional communication, education, and further advances derived from the exchange of ideas, then they in effect comprise a “utility” of the E&R endeavor. National governments should look upon this service enterprise, then, in the same way they look up physical utilities necessary to the sustenance of human life: i.e., regulate them when appropriate and to a reasonable extent. The academic and research community have their own role to play in reforming their internal “cultures” so as to restructure rewards to their members for participating in the establishment of open archives at minimal cost, and in exercising strategies to retain pre-print rights from publishers… but this community cannot deal directly with a utility service that their governments should be authorized and committed to.

3. National governments that publicly fund research, should insist wherever possible that the results of the research be publicly accessible. This does not mean a requirement for any contracted government or private sector organization to relinquish all ownership of the research produced, or to manage itself the availability of their research—but to furnish it, as requested, for other agencies (governmental or non- ) who will do the job instead. Non-exclusive co-ownership of the research for their own profitable uses in competion may be allowed. Specifically in the case of national government funded research by academic institutional members, no restriction on their own publication/communication with professional colleagues should be involved. But this would follow naturally from the approach indicated above.

4. The vexing problem of utilization of “orphan works”—those creative works without any identifiable and credible rights holders but which still have sociocultural use value—needs to be solved in a way workable for public users including academics. The U.S. Copyright Office is dealing with this issue right now. However, one stumbling block may well be the existing Berne Convention article 5(2), which has been incorporated into TRIPS and WIPO’s Copyright Treaty, and which prohibits “formalities” that, if not complied with, may disadvantage copyright holders. This unfortunate premise may set a too-high threshold for compliance and may rule out most any measure that could deal with the use of works no longer having rights owners. In effect, balance is needed to restore more obligation on the part of IP owners—not simply IP users. Academe in particular—by virtue of needing to employ the full range of cultural artifacts—is deeply disadvantaged when this balance is lacking.

Jeff Clark

Posted by Jeff Clark on June 13, 2005 at 10:10 PM CEST #

** Position Statement from IP Justice **

The principles under-pinning copyright law support education and research only to the extent that copyright enables publishing and widespread dissemination of information to a broader audience.

Current trends in copyright law work against copyright’s original mission. For example, exceptions and limitations to copyright are reduced and the public domain is undermined. In the digital realm, copyright law presently chills scientific inquiry and discussion since anti-circumvention laws prevent certain research and publications of information. Fair use and other limitations to a rightsholder are entirely prohibited by technological restrictions backed up by legal prohibitions against their circumvention. In a related matter, capture of academic research under patent protection creates substantial friction in the propagation of knowledge, as permission must be arranged explicitly in order to pursue research that depends on a derivation from patented results. In all of these cases, free exchange of information is threatened, and the pursuit of pure research is constrained and reduced.

-----

IP Justice is an international civil liberties organization that promotes balanced intellectual property law in a digital world.

Posted by IP Justice on June 14, 2005 at 01:22 AM CEST
Website: http://www.ipjustice.org #

WCT and WPPT

What really raises several queries regarding these rules is their applicability in countries with Copyright Law based on Continental trend (for example, Germany, Spain, Latin American countries, etc) where moral rights are important to be protected. In countries like USA, Australia, UK (Copyright under Common Law rule) is quite different the protection of such rights.

Posted by Gonzalo Ramirez on June 14, 2005 at 01:37 AM CEST #


According to Berne Convention you can reproduce short extracts of literary works to hold a position, make a comment, or criticize. This use is permitted provided that it is justified to the intention by which those extracts are used; likewise, there should be no damage to author's rights and not desincentivate their normal commercialization. It is a limitation to protection of Coyrights that is useful in research and investigation-

Posted by Gonzalo Ramirez on June 14, 2005 at 01:45 AM CEST #

Las leyes de Derecho de Autor constituyen, sin duda alguna, uno de los pilares o cimientos de los sistemas educativos y de investigación, en la medida en que los procesos de aprendizaje y enseñanza, por una parte, y de investigación científica, por otra, se basan en gran parte en la utilización masiva de obras tales como libros y revistas científicas, protegidas por el Derecho de Autor.

La existencia de esos libros y revistas es posible en parte gracias a la existencia de sistemas de protección de los derechos de autor, que han creado el contexto jurídico necesario para garantizar a los autores y editores correspondientes una adecuada remuneración por los usos de sus obras y les han proporcionado los medios necesarios para luchar contra la vulneración de sus derechos. Sin ese contexto y esos medios legales, sin esa protección y esa seguridad proporcionadas por los sistemas de Derecho de Autor, muchas de tales obras, imprescindibles para la educación y la investigación, no habrían visto la luz.

Hay quienes sostienen que los derechos de autor constituyen un obstáculo para el desarrollo de la educación y la investigación en la sociedad de la información o, más exactamente, en el entorno de las redes. De acuerdo con esta visión, el acceso a toda creación debería ser libre y gratuito, máxime cuando el acceso se realizara con fines educativos o de investigación, para acceder al conocimiento o acrecentarlo.

Para quienes defienden estas ideas, además, diríase que esa gratuidad y esa libertad en el acceso deberían conseguirse exclusivamente a costa de los titulares de los derechos de autor sobre las obras necesarias para la educación y la investigación. Es decir, normalmente no se plantea conseguir el tan deseado desarrollo educativo o científico mediante el ahorro de costes que implicaría disponer de manera gratuita de otros bienes y servicios que se utilizan en la educación y la ciencia, desde la remuneración a los docentes por su trabajo hasta el pago de los gastos de agua, electricidad, mobiliario, etc...: ¿por qué no deberían ser estos servicios gratuitos para los centros educativos y de investigación?, ¿el tener que pagarlos no constituye un obstáculo para el desarrollo educativo?

¿Y los ordenadores y la conexión a Internet, por ejemplo? ¿No deberían facilitarlos gratuitamente a colegios e institutos científicos los fabricantes y los proveedores de acceso, con el fin de facilitar la educación y la ciencia en la Sociedad de la Información...? Seguramente, estas preguntas suenan un poco absurdas..., pero ¿por qué no suena entonces igual de absurdo pretender que ha de poder disponerse de manera libre y gratuita de las obras de los autores y editores, sin que su trabajo reciba la remuneración que merece?

Victoriano Colodrón
Centro Español de Derechos Reprográficos

Posted by Victoriano Colodrón on June 14, 2005 at 10:31 AM CEST
Website: http://www.cedro.org #

Copyright protection is important for a rich and diverse cultural production which is of immense importance for education and research.
However, copyright owners must be aware of the responsibility to give educational and research institutions access to protected works and performances.
In order to create a balance between the interest of the creators and producers on one side and the users on the other side it is necessary to establish collective licensing systems that make it easy to clear the use of protected material in institutions.
The most efficient licensing system is the so-called “expended collective license”, which in the Nordic Countries is used is a number of areas: Copying of TV- and radio programs for use in educational institutions, copying of literary works for education, copying of all sorts of books and articles in private business, cable retransmission, etc. This system makes it easy for any institution to obtain access to protected material, provided they adhere to the existing agreements between users and right holders, including a reasonable payment for the actual use.
Extended collective licenses are generally expanded to include also non-nationals, subject to the rights holders’ organizations being genuinely representative and non-discriminatory.

Posted by Danish Actors' Association, Mikael Waldorff, General Secretary on June 14, 2005 at 11:28 AM CEST
Website: http://hhtp://www.skuespillerforbundet.dk #

As an educator, I have several diverse comments on IP law and its impact on higher education. These indirectly relate to questions asked above, but I will not address those specifically.

I see the following (among other things) as key issues for education and research:

1. The “fair use” concept in IP law—in its most flexible and generous sense—is crucial to the healthy existence of education and research (E&R). IP is embedded in cultural artifacts which are themselves objects of study as well as the vehicles of cultural transmission in E&R. “Fair use” must permit E&R’s pursuit of these activities, regardless of whether uses conform to the most common and expected uses of the IP involved. In short, IP owners should not be permitted to limit or coerce E&R inquiry into their works, provided the larger applicable framework of IP rights is respected by the academic or research community user involved.

2. In the publication of IP by the E&R community itself, serious legislative reform of private sector services that support its dissemination may be required. The most common, prominent issue is that of formal publication of research and academic literature, in terms of its cost and accessibility from commercial entities who manage it for this community. If research/scholarly literature is one of the key mechanisms for professional communication, education, and further advances derived from the exchange of ideas, then they in effect comprise a “utility” of the E&R endeavor. National governments should look upon this service enterprise, then, in the same way they look up physical utilities necessary to the sustenance of human life: i.e., regulate them when appropriate. The academic and research community have their own role to play in reforming their internal “cultures” so as to restructure rewards to their members for participating in the establishment of open archives at minimal cost, and in exercising strategies to retain pre-print rights from publishers… but this community cannot deal directly with a utility service their governments should be authorized and commited to. Communal open archives and private sector commercial ones may always need to complement one another—but the latter needs to remain a responsive service to its “captive” market in E&R.

3. National governments that publicly fund research, should insist wherever possible that the results of the research be publicly accessible. This does not mean a requirement for any contracted government or private sector organization to relinquish all ownership of the research produced, or to manage themselves the availability of their research—but to furnish it, as requested, for other agencies (governmental or non- ) who will do the job instead. Non-exclusive co-ownership of the research for their own profitable uses in competion may also be reasonable. Specifically in the case of national government funded research by academic institutional members, no restriction on their own publication/communication with professional colleagues should be involved. But this might follow naturally from the approach indicated above.

4. The vexing problem of utilization of “orphan works”—those creative works without any identifiable and credible rights holders but which still have sociocultural use value—needs to be solved in a way workable for public users including academics. The U.S. Copyright Office is dealing with this issue right now. However, one stumbling block may well be the existing Berne Convention article 5(2), which has been incorporated into TRIPS and WIPO’s Copyright Treaty, and which prohibits “formalities” that, if not complied with, may disadvantage copyright holders. This unfortunate premise may set a too-high threshold for compliance and may rule out most any measure that could deal with the use of works no longer having rights owners. In effect, we need to restore more obligation to maintain their rights on the part of IP owners—not simply assume automatic obligation on the part of IP users to seek permission even from obscure, questionable, or now non-existent owners. Academe in particular—by virtue of needing to employ the full range of cultural artifacts—is deeply disadvantaged when this balance is lacking.

Posted by Jeff Clark on June 14, 2005 at 02:23 PM CEST #

The WIPO Internet Treaties upset the balance developed in the copyright system between the rights of users and producers. They require legislative protection against the bypassing of Technological Protection Measures (TPMs) against copying and non-licensed use; yet it does not mandate that TPMs automatically allow "fair use" and "fair dealing" as established under various copyright laws. Rather than a user having the right to make personal copies for e.g. research, and the rights-holder pursuing breaches of fair use/dealing provisions; instead the rights management system assumes that users should not make copies of work unless they gain a license from the rights holder. This fundamentally shifts the compliance costs from rights holders to end users - from those with financial resources to those without. TPMs are a form of "private law" that constrains use without regard for legal systems in place.

Danny Butt
Associate Member
ORBICOM International Network of UNESCO Chairs in Communications

Posted by Danny Butt on June 14, 2005 at 05:58 PM CEST
Website: http://www.orbicom.uqam.ca/ #

The business software industry offers the following response to the specific question posed by the secretariat:

Q: On balance, is there predominantly a “lock-up”, or rather an increased availability, of information in the digital environment?

A: Digital technology and the growth of online networks have led to an increase in the availability of information -- in all corners of the globe -- that simply beggars the imagination. The overriding threat in the digital environment is not that information will be “locked up” by IP rights, but rather that online infringement of IP rights will diminish incentives for innovation and creativity. IP infringement is a particular problem in the software industry. In many countries, the use of unlicensed software already exceeds 50 percent, and in several nations that figure is closer to 70 or even 90 percent. Increasingly, such unlicensed use of software occurs over online networks.

The real challenge facing users in the Information Society is not access to protected works or information, but learning how to use these resources effectively to become more productive, efficient and competitive. In seeking to promote economic and cultural development the World Intellectual Property Organization and other institutions should focus on expanding access to training and education programs, rather than restricting existing incentives for investment into new technologies and works.

Jesse M. Feder
Director of International Trade and Intellectual Property
Business Software Alliance

Posted by Jesse Feder on June 14, 2005 at 11:32 PM CEST
Website: http://www.bsa.org/ #

Copyright myths in the Common Law countries (including the USA)


Myth 1: Copyright was instituted to protect the rights of the copyright owner.

Copyright was never intended to be primarily a vehicle for protecting the rights of the copyright holders. On the contrary, copyright was initiated SPECIFICALLY to promote learning: The Statute of Queen Anne, An Act for the Encouragement of Learning in the UK. In the United States this is enshrined in the constitution and in the Copyright Act 1790: An Act for the Encouragement of Learning, which was signed by George Washington. The US Constitution echoes the original British copyright law affirming that copyright was enacted “to promote the progress of science and useful arts”.
The original copyright laws were NOT enacted to protect the content owners (the printing companies at that time). In fact the laws REMOVED their perpetual rights. The first copyright law transferred the copy rights to the authors – for a limited time. Copyright is a privilege extended to authors in recognition of their contribution to knowledge. The benefit of copyright to authors was extended only insofar as it added to knowledge.


Myth 2: Copyrighted materials are intellectual “property”

Copyright holders possess a simple “copy” right that gives them an exclusive right to exclude others and otherwise control the expression of their ideas for a limited time. Bloom complained that whoever turned "copy right" into one word had to be a lawyer. One does not say "freespeechright" or "gunright" or "assemblyright" or "religionright." Bell writes that the copyright owners have “co-opted the rhetoric of property" . The term “intellectual property” was seldom used prior to its popularization following the establishment of WIPO. Since then, owners of copyright on creative works have conducted a constant campaign, with some significant success, to transform copyright into a property right.

Thomas Jefferson expressly opposed linking copy rights to property rights, noting “Inventions then cannot, in nature, be a subject of property In the same vein, President James Madison wrote that “incentive not property or natural law is the foundational justification for American copyright” So, there is no common law support for creative works as property. It is a privileged monopoly not a right.

Myth 3: Copying copyrighted material is “stealing”.
No one “owns” an intellectual work. The so-called owners possess only the copy right for the creation. Stealing and theft as confirmed by both the Oxford and Merriam Webster dictionaries involve taking something “away” as well as the taking of “property” belonging to another. Since, nothing is taken away (the owner still has it) and there is no property, it cannot be stealing. As confirmed by the U.S. Supreme Court, the correct word to describe the act of illegal copying is “infringement” not “stealing”. (Dowling v. United States 473 U.S. 207, 1985) .

The billion dollar losses due to pirating that companies quote are manufactured and highly suspicious. There is a a strong argument that pirating has bolstered the profits of many companies. For example MS DOS became an accepted standard because it was copied by everyone with a PC. This helped to establish Microsoft as the leading software company

On the other hand, how much extra money have copyright controllers made from consumers paying full price for music and movies in a new format when they had already paid full price only a few years before? For example, many people have bought the phonograph record, the tape, the 8track, the CD and now the DVD of the same song. Card wrote “Strip away all the pretension, and what you really have is this: Rapacious companies that have become bloated on windfall profits and ruthless exploitation of other people's talents are now terrified that the gravy train will go away.”


Myth 4: Copyright does not support the public domain.

In fact, the original copyright laws CREATED the public domain. These laws restricted the control of the copyright owners for 28 years, after which ALL knowledge became public domain

Myth 5: “Fair use” or “fair dealing” is an exception to copyright law.
Fair use or fair dealing are integral to copyright law. They are why copyright was enacted. The EXCEPTION is the limited COPY right granted to the authors.

Myth 6: Without copyright no one will produce creative works.
Humans have been creating since the dawn of history. People now create more knowledge every year than was produced in the whole of history before this century! The growth is exponential. This growth will continue with or without copyright.

“It's fascinating that we live in a society where openness and sharing can actually be considered crimes.” (Downes)

Rory McGreal
Athabasca University - Canada's Open University

Posted by Rory McGreal, AVP Research Athabasca University on June 15, 2005 at 08:32 PM CEST
Website: http://http://www.athabascau.ca/html/staff/admin/McGreal/rory.htm #

THEME 4: What is the impact of copyright law, both at international and national levels, on education and research?

Comments of the International Intellectual Property Alliance (IIPA), www.iipa.com, on Theme 4.

Copyright laws create opportunities for educators and researchers worldwide. Virtually all textbooks and scientific journals were created and continue to flourish both nationally and internationally because of an effective copyright system. Without the potential for recouping their investments, few, if any, authors and publishers would produce educational books. Those who criticize and attack the international copyright system, which is the result of over one hundred years of thoughtful development by the international community, are biting the hand that feeds the world’s educators and researchers.

The example of the reduced cost of the on-line Encyclopedia Britannica described in the WIPO commentary is just one example of how the Internet allows copyright owners to improve their business models and to make materials more accessible at lower prices. Furthermore, the commentary is correct when it states that “not all information on the Internet should be free of charge. Production of quality information products requires an investment of resources, and the livelihood of authors may depend upon payment for its use.” In order for creators to make their works available on the Internet they must be able to adequately protect them from piracy. Digital rights management technologies and laws that prevent the proliferation of devices that defeat technological protection measures used by right holders to protect their works are essential to the continued spread of widely accessible and affordable educational materials. The full implementation of the WIPO Internet Treaties will help to spread knowledge around the globe.

The upside of protecting that material far outweighs the inconveniences sometimes associated with copyright clearances and copyright fees. The globalization of publishing and the Internet now make it far easier for educators in developing countries to use protected materials. These benefits of e-commerce to educators and researchers globally have only begun to be realized. Moreover, the balances contained within the treaties administered by WIPO will continue to promote the public interest by rewarding creators, encouraging productivity, and providing educators and researchers with materials to work with. The international copyright system should promote choices for creators in order to successfully spread creative works via the Internet.

Posted by International Intellectual Property Alliance on June 15, 2005 at 09:38 PM CEST
Website: http://www.iipa.com #

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