Bibliography on Creative Industries

 

Monographies

  • ADORNO, Theodor, The Culture Industry (2001) Routledge Classics, Routledge
  • ALBARRAN, Alan B., Media Economics: Understanding Markets, Industries and Concepts, (1998) Iowa State University Press
  • Barrowclough, Ko, Creative Industries and Developing Countries: Voice, Choice and Economic Growth (2007) Routledge Studies in Contemporary Political Economy, Routledge
  • BAUMOL, William J. and William G. BOWEN, Performing Arts, The Economic Dilemma (2002) Thousand Oaks: SAGE, London
  • BECK, Andrew (ED), Cultural Work: Understanding the Cultural Industries (2003) Routledge, London and New York
  • BENHAMOU Françoise and Joëlle Farchy, Droit d'auteur et copyright (2007) La Découverte (Repères), Paris
  • BENHAMOU, Françoise; L'économie de la culture (2004) Découverte (Repères),  Paris.
  • BENHAMOU, Françoise; L'Économie du Star System (2002) Odile Jacob, Paris
  • BILTON, Chris, Management and Creativity: From Creative Industries to Creative Management (2006), John Wiley & Sons, Limited
  • BOMSEL, Olivier– GEFFROY, Anne Gae¨lle - LE BLANC, Gilles; When Internet Meets Entertainment: the Economics of Digital Media Industries (2006)Presses de l'Ecole des mines, Paris
  • BOORSMA, Peter B., van Hemel, Annemoon and Niki van der Wielen, Privatization and Culture: Experiences in the Arts, Heritage and Cultural Industries in Europe (1998) Springer
  • BOYER, Marcel, Assessing the Economic Impact of Copyright Reform (2004) CIRANO (Centre interuniversitaire de recherche en analyse des organisations), Montréal
  • BRUCK, Peter A., Understanding the European Content Industries: A Reader on the Economic and Cultural Contexts of Multimedia (2002), IOS Press
  • CAVES, Richard E., Creative Industries: Contracts between Art and Commerce (2002) Harvard University Press; Cambridge, Mass., London
  • CHONG, Derrick, Arts Management (2002) Routledge
  • COLETTE, Henry, Entrepreneurship in the Creative Industries: An International Perspective (2008) Edward Elgar Publishing
  • COOKE, Philip, Creative Industries in Wales: Potential and Pitfalls (2006) Institute of Welsh Affairs
  • COWEN, Tyler, In Praise of Commercial Culture (1998) Harvard University Press
  • CURRID, Elizabeth, The Warhol Economy: How Fashion, Art, and Music Drive New York City (2007) Princeton University Press
  • DAVIS, Howard and Richard SCASE, Managing Creativity (2000) Open University Press
  • DIBBERN, Jens, The Sourcing of Application Software Services: Empirical Evidence of Cultural, Industry and Functional Differences (Information Age Economy) (2004) Physica-Verlag Heidelberg
  • DOYLE, Gillian, Understanding Media Economics (2002) SAGE Publications
  • EINHORN, Michael A., Media, Technology and Copyright: Integrating Law and Economics (2004) Edward Elgar Publishing ltd., Cheltenham, UK
  • FISHER, William W., Promises To Keep: Technology, Law and the Future of Entertainment (2004) Stanford University Press
  • FLORIDA, Richard, The Flight of the Creative Class (2005) HarperCollins
  • FLORIDA, Richard, The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2004) Basic Books
  • FREY, Bruno S., Arts & Economics: Analysis & Cultural Policy (2003) Springer-Verlag
  • GINSBURGH, Victor A. and David Throsby, Handbook of the Economics of Art and Culture (2006) North-Holland
  • GINSBURGH, Victor A., (ed.), Economics of Art and Culture (2004) Volume 260 (Contributions to Economic Analysis), Elsevier
  • GIRIAPPA, Somu (ed.), Copyright Law, Economy and Development (2002) Daya Publishing House, Delhi
  • GORDON, Wendy J. (ED) and WATT, Richard, The Economics Of Copyright: Developments in Research and Analysis (2003) Edward Elgar Publishing Limited, Boston
  • HARTLEY, John, Creative Industries (2005) Blackwell Publishing
  • HEARTFIELD, James, Great Expectations: The Creative Industries in the New Economy (2000), Design Agenda
  • HEILBRUN, James and Charles M. GRAY, The Economics of Art and Culture (2001) Cambridge University Press
  • HESMONDHALGH, David, The Cultural Industries (2002) SAGE; Thousand Oaks, London
  • HOSKINS, Colin, Stuart M. McFADYEN and Adam FINN, Media Economics: Applying Economics to New and Traditional Media (2004) SAGE Publications
  • HOWKINS, John, The Creative Economy: How People Make Money from Ideas (2002) Penguin
  • JONES, Candace and Patricia H. THORNTON, Transformation in Cultural Industries, Volume 23 (Research in the Sociology of Organizations) (2005) JAI Press
  • KRASILOVSKY, William M., Sidney SHEMEL, John M. GROSS and Jonathan FEINSTEIN; This Business of Music: The Definitive Guide to the Music Industry (2007), Billboard Books
  • Lash, Scott and Celia Lury, Global Culture Industry: The Mediation of Things (2007) Polity
  • LEADBEATER, Charles and Kate OAKLEY, The Independents: Britain’s New Cultural Entrepreneurs (1999) Demos
  • LIEBOWITZ, Stanley, Re-Thinking the Network Economy: The True Forces that Drive the Digital Marketplace (2002) AMACOM
  • LITMAN, Barry R., The Motion Picture Mega-Industry (1998) Allyn and Bacon
  • MAY, Christopher, A Global Political Economy of Intellectual Property Rights: The New Enclosures? (2000) Routledge
  • MILLER, Toby, and George YUDICE, Cultural Policy (2002) SAGE Publications
  • MOUL, Charles C., ed., A Concise Handbook of Movie Industry Economics (2005) Cambridge Press University
  • OMAN, Ralph, Copyright - Engine of Development: An Analysis of Copyright in Economic Development and Cultural Vitality (2000) UNESCO, Paris
  • PARRISH, David, T-Shirts and Suits: A Guide to the Business of Creativity (2005), Merseyside ACME [PDF]
  • PICARD, Robert G., Media Firms: Structures, Operations, and Performance (2002) Lawrence Erlbaum Associates
  • PICARD, Robert G., The Economics and Financing of Media Companies, (2002) Fordham University Press
  • RAY, Paul H. and Sherry Ruth ANDERSON, The Cultural Creatives: How 50 Million People Are Changing the World (2000) Three Rivers Press
  • SANDLER, Felicia, Music of the Village in the Global Marketplace: Self-Expression, Inspiration, Appropriation, or Exploitation? (2001) Ann Arbor, MI: The University of Michigan
  • SCOTT, Allen J. and Dominic POWER, Cultural Industries and the Production of Culture (2007) Taylor & Francis
  • SELTZER, Kimberley and Tom BENTLEY, The Creative Age: Knowledge and Skills for the New Economy (1999) Demos
  • SHAPIRO, Carl and Hal R. VARIAN, Information Rules: A Strategic Guide to the Network Economy (1999) Harvard Business School Press
  • SHORTHOSE, Jim and Gerry STRANGE, Creative Industries: Production, Consumption and Resistance (2004) Conference of Socialist Economists
  • SHY, Oz, The Economics of Network Industries (2001) Cambridge University Press
  • SIWEK, Stephen E, Copyright Industries in the U.S. Economy: The 2002 Report (2002) International Intellectual Property Alliance, Washington D.C.
  • STERNBERG, Robert J. (ed.), Handbook of Creativity (1998) Cambridge University Press
  • TAKEYAMA, Lisa N., Wendy J. Gordon, and Ruth TOWSE. Developments in the Economics of Copyright: Research and Analysis (2005) Edward Elgar Publishing, Cheltenham, United Kingdom
  • THOMPSON, Ian, Convergence in Television and the Internet (1999) FT Management Report - FT Media, London
  • THROSBY, David, Economics and Culture (2000) Cambridge University Press
  • TOWSE, Ruth, Economics, Law and Intellectual Property: Seeking Strategies for Research and Teaching in a Developing Field (2003) Kluwer Academic Publishers
  • GRANSTRAND, Ove, The Economics and Management of Intellectual Property: Towards Intellectual Capitalism (1999) E.Elgar, Cheltenham, United Kingdom
  • TOWSE, Ruth (ed.), A Handbook of Cultural Economics (2003) Edward Elgar, Cheltenham
  • TOWSE, Ruth (ed.), Copyright in the Cultural Industries (2002) Edward Elgar, United Kingdom
  • TOWSE, Ruth (Ed.), The Economics of Intellectual Property (2002) The International Library of Critical Writings in Economics, No 145 - Edward Elgar, United Kingdom, Cheltenham
  • TOWSE, Ruth, Creativity, Incentive and Reward: An Economic Analysis of Copyright and Culture in the Information Age (2001) Edward Elgar, United Kingdom, Cheltenham
  • TOWSE, Ruth, Economic Aspects of Limitations and Exceptions to Copyright (2000) Erasmus University
  • VIERA, John David (ED), Entertainment, Publishing and the Arts Handbook (2002) West Group, St Paul, Minnesota
  • VINET, Mark, Entertainment Industry: The Business of Music, Books, Movies, TV, Radio, Internet, Video Games, Theater, Fashion, Sports, Art, Merchandising, Copyright, Trademarks & Contracts (2005) Wadem Publishing
  • VOGEL, Harold L., Entertainment Industry Economics, A Guide for Financial Analysis (2004) Cambridge University Press
  • WATT, Richard and Wendy J. GORDON eds., The Economics of Copyright, Developments in Research and Analysis (2003) Edward Elgar
  • WATT, Richard, Copyright and Economic Theory-Friends or Foes (2000) Edward Elgar
  • WOLF, Michael, The Entertainment Economy: How Mega-Media Forces Are Transforming Our Lives (2003) Crown Publishing Group

 

Articles

  • BASSETT, Keith, Ron Griffiths, and Ian Smith, Cultural Industries, Cultural Clusters and the City: The Example of Natural History Film-Making in Geoforum 33, pp.165–177 (2002) Elsevier, Bristol
  • BENHAMOU, Françoise and Stéphanie PELTIER, How Should Cultural Diversity be Measured? An Application using the French Publishing Industry, Journal of Cultural Economics (2007) Springer, Netherlands
  • BENHAMOU, Françoise  Les fondements économiques du droit d’auteur à l’épreuve de la mondialisation, in Vivant M. (dir.), Propriété culturelle et mondialisation. La propriété intellectuelle est-elle une marchandise?  (2004) Dalloz, Paris
  • BENHAMOU, Françoise  Les industries culturelles. Mondialisation et marchés nationaux  in Saez, J.P. (éd.), Institutions et vie culturelle, La Documentation française (Collection Notices), Paris, pp. 139-143.
  • BENHAMOU, Françoise and Dominique SAGOT-DUVAUROUX Économies des droits d’auteur. Place et rôle de la propriété littéraire et artistique dans le fonctionnement économique des filières d’industries culturelles Synthèse, (2007-6) Culture Etudes
  • BENHAMOU, Françoise L'analyse économique de la musique enregistrée. Qui connaît la chanson? Revue de la Bibliothèque nationale, No. 16, pp. 54-56. (2004) Bibliothèque nationale de France
  • BILTON Chris and Ruth; Leary, What can managers do for creativity? Brokering creativity in the creative industries, International Journal of Cultural Policy, Volume 8, Number 1, pp. 49-64(16) (1 January 2002),  Routledge
  • BLACK, Lawrence, Christiane EISENBERG, Rita GERLACH and Christian HANDKE, Not Only a Source of Expenditure but a Source of Income: The Creative Industries and Cultural Politics in Britain from the 1960s to Cool Britannia, (2006) Cultural Industries: The British Experience in International Perspective. Online. Humboldt University Berlin, Edoc- Server.
  • BLAUG, Mark, Where Are We Now on Cultural Economics, (2001) Journal of Economic Surveys 15 (2), pp. 123–143 (2001) Blackwell Publishing
  • BORGHI Maurizio, Rewarding Creativity: In Law, Economics, and Literature, (2006) Ancilla Iuris
  • BRECKNOCK, Richard, Creative Capital: Creative Industries in the “Creative City” (2004)
  • BRUCK, Peter A., E-Content: Technologies and Perspectives for the European Market – (2005), Springer
  • BRYAN, Jane, Steve Hill, Max Munday, and Annette Roberts, Assessing the Role of the Arts and Cultural Industries in a Local Economy, Environment and Planning A 32(8), pp. 1391 – 1408 (2000) Pion Ltd.
  • COOMBE, Rosemary J., Protecting Cultural Industries to Promote Cultural Diversity: Dilemmas for International Policy-making posed by the recognition of traditional knowledge [PDF]    
  • CORRIGAN, Ray and Mark ROGERS, The Economics of Copyright, World Economics, vol. 6(3), pp. 153-174 , (2005) NTC Economic & Financial Publishing, United Kingdom
  • CUNNINGHAM, Stuart D., Terry A. Cutler, Gregory Hearn, Mark D. Ryan, and Michael Keane, A., From ‘Culture’ to ‘Knowledge’: An Innovation Systems Approach to the Content Industries , in ANDREW, Caroline and GATTINGER, Monica and Jeannotte, M. SHARON and STRAW, Will, Eds. Accounting for Culture: Thinking Through Cultural Citizenship, chapter 8, pages pp. 104-123 (2005)  University of Ottawa Press
  • CUNNINGHAM, Stuart D.The evolving Creative Industries: From original assumptions to contemporary interpretations (2003) [PDF]
  • CUNNINGHAM Stuart D.,From Cultural to Creative Industries: Theory, Industry, and Policy Implications, Incorporating Culture & Policy (102),pp. 54-65, (2002) Media International Australia
  • CUNNINGHAM, Stuart D., What Price a Creative Economy? (2006) Platform Papers
  • CUNNINGHAM, Stuart, The Creative Industries after Cultural Policy.  A Genealogy and some Possible Preferred Futures,  International Journal of Cultural Studies, Vol. 7, No. 1, pp. 105-115 (2004) SAGE Publications
  • DE BERRANGER, Pascale and Mary C. R. MELDRUM, The Development of Intelligent Local Clusters to Increase Global Competitiveness and Local Cohesion: The Case of Small Businesses in the Creative Industries Urban Studies, Vol. 37, No. 10, pp. 1827-1835, (2000) Urban Studies Journal Limited
  • EISENBERG, Christiane, Rita Gerlach, and Christian Handke, Cultural Industries The British Experience in International Perspective [PDF]
  • FLEW, Terry, Beyond ad hocery: Defining Creative Industries [PDF]
  • FLORIDA, Richard, America’s Looming Creativity Crisis (2004) Harvard Business Review
  • FLORIDA, Richard, Cities and the Creative Class, City & Community, Volume 2 Issue 1, pp. 3-19 (2003), Blackwell Publishing
  • FLORIDA, Richard and Jim GOODNIGHT, Managing for Creativity, Jul-Aug; 83(7), pp. 124-131, 193 (2005) Harvard Business Review
  • GALPERIN, Hernan, Cultural Industries in the Age of Free-Trade Agreements, Canadian Journal of Communication, Vol. 24, No 1 (1999) Wilfrid Laurier University Press
  • GALPERIN, Hernan, Cultural Industries Policy in Regional Trade Agreements: The Cases of NAFTA, the European Union and MERCOSUR, Media, Culture & Society, Vol. 21, No. 5, 627-648 (1999) SAGE Publications
  • GARNHAM, Nicholas, From Cultural to Creative Industries, International Journal of Cultural Policy, Volume 11, Number 1, March 2005 , pp. 15-29(15) (2005)
  • GIBSON Chris, Cultures At Work: Why 'Culture' Matters in Research on the 'cultural' industries Social & Cultural Geography, Volume 4, Number 2, pp. 201-215(15) (June 2003) Routledge
  • GIBSON, Chris1Geography Program, University of New South Wales, Australia Email: cgibson@unsw.edu.au and Natasha Klocker, 1Geography Program, University of New South Wales, Australia Email: cgibson@unsw.edu.au Academic Publishing as ‘Creative’ Industry, and Recent Discourses of ‘Creative Economies’: Some Critical Reflections Area 36 (4), pp. 423–434, (2004) Blackwell Publishing
  • GINSBURG, Victor A., Economics of Art and Culture, International Encyclopedia of the Social & Behavioral Sciences, pp. 758-764 (2001) Elsevier
  • GRAHAM, Drake, This Place Gives Me Space’: Place and Creativity in the Creative Industries (2003) Science Direct
  • HOLDEN, John, Publicly Funded Culture and the Creative Industries, (2007) Demos [DOC]
  • JAYNE Mark, Creative Industries: The Regional Dimension? Environment and Planning C: Government and Policy 23(4) pp. 537 – 556 (2005) Pion Ltd.
  • JEFFCUTT, Paul and Andy C. Pratt, Managing Creativity in the Cultural Industries - Creativity and Innovation Management 11 (4), pp. 225–233 (2002) Blackwell Publishing
  • JEFFCUTT, Paul, Management and the Creative Industries,  Culture and Organization, Volume 6, Issue 2, pp. 123 – 127 (December 2000) Routledge
  • JEFFCUTT, Paul, Knowledge Relationships and Transactions in a Cultural Economy: Analyzing the Creative Industries Ecosystem, Media International Australia incorporating Culture and Policy, Volume 2004, Number 112, August 2004, pp. 67-82(16) (2004) MIA
  • JONES, Peter,  Daphne COMFORT, Ian EASTWOOD and David HILLIER, Creative Industries: Economic Contributions, Management Challenges And Support Initiatives - Management Research News, (2004) emeraldinsight.com
  • KEANE, Michael A., Brave New World: Understanding China's Creative Vision, International Journal of Cultural Policy, 10 (3), pp. 265-279 (2004) Routledge
  • KLOOSTERMAN, Robert C., Recent Employment Trends in the Cultural Industries in Amsterdam, Rotterdam, The Hague and Utrecht: A First Exploration, Tijdschrift voor Economische en Sociale Geografie Volume 95 Issue 2 Page 243-252, April 2004
  • KRETSCHMER, Martin, George Michael KLIMIS, and Chong Ju Choi,  Increasing Returns and Social Contagion in Cultural Industries, British Journal of Management, Volume 10 Issue s1, pp. 61-72 (September 1999) Blackwell Publishing
  • LASH, Scott and Andreas WITTEL, Shifting New Media: From Content to Consultancy, From Heterarchy to Hierarchy, Environment and Planning A 34(11) pp. 1985 – 2001 (2002) Pion Ltd.  
  • LAWRENCE, Thomas B. and Nelson PHILLIPS, Understanding Cultural Industries, Journal of Management Inquiry, Vol. 11, No. 4, 430-441 (2002), SAGE Publications
  • LESLIE, Esther, Add Value to Contents: the Valorization of Culture Today
  • BANKS, Mark, Andy Lovatt, Justin O’Connor and Carlo Raffo, Risk and Trust in the Cultural Industries, Geoforum 31, pp. 453- 464 (2000) Elsevier, Bristol
  • LUGO, Jairo, Tony SAMPSON, and Merlyn LOSSADA, Latin America's New Cultural Industries still Play Old Games. From the Banana Republic to Donkey Kong
  • MCFAYDEN, Stuart, Colin Hoskins, and Adam Finn, Cultural Industries from an Economic/Business Research Perspective, Canadian Journal of Communication, Vol. 25, No 1 (2000) Wilfrid Laurier University Press
  • MIÈE, Bernard, The Logics at Work in the New Cultural Industries, Media, Culture & Society, Vol. 9, No. 3, 273-289 (1987) SAGE Publications
  • MOSS, Linda, Sheffield's Cultural Industries Quarter 20 Years on: What can be Learned From a Pioneering Example?, International Journal of Cultural Policy, Volume 8, Issue 2, pp. 211 – 219 (2002) Routledge
  • NICITA, Antonio, Giovanni B. Ramello,  and Frederic M.Scherer, Intellectual Property Rights and the Organization of Industries: New Perspectives in Law and Economics, International Journal of the Economics of Business, Volume12, Issue 3, pp. 289 – 296 (November 2005) Routledge
  • O’CONNOR, Justin, Public and Private in the Cultural Industries [PDF]
  • OAKLEY, Kate,  Not So Cool Britannia: The Role of the Creative Industries in Economic Development, International Journal of Cultural Studies, Vol. 7, No. 1, 67-77,  (2004) SAGE Publications
  • ODLYZKO, Andrew, Content is not King, SSRN
  • PASQUINELLI, Matteo, Immaterial Civil War: Prototypes of Conflict within Cognitive Capitalism. In: Lovink, Geert and Rossiter, Ned;  MyCreativity Reader: A Critique of Creative Industries, (2007) Institute of Network Cultures, Amsterdam [PDF]
  • POTTS, Jason and Stuart Cunningham, Four Models of the Creative Industries [PDF]
  • Pratt,  AndyC., Cultural Industries and Public Policy, International Journal of Cultural Policy, Volume11, Issue1, pp. 31 - 44 (March 2005) Routledge
  • PRATT, Andy C. Creative Clusters: Towards the Governance of the Creative Industries Production System?  Media International Australia incorporating Culture and Policy, Volume 2004, Number 112, August 2004 , pp. 50-66(17)  (2004) MIA
  • PRATT, Andy C., The Cultural Economy A Call for Spatialized ‘Production of Culture’ Perspectives, International Journal of Cultural Studies, Vol. 7, No. 1, 117-128 (2004) SAGE Publications
  • RAMELLO,GiovanniB., Intellectual Property and the Markets of Ideas, Review of Network Economics, Vol. 4, No. 2, pp. 68-87, (June 2005) Concept economics, Available at SSRN
  • RAMELLO, Giovanni B. and Francesco Silva, New Directions in Copyright Law and Economics, Review of Law & Economics, Vol. 3: Iss. 3, Article 1, (2007) Berkeley electronic Press
  • SANCHEZ-RUIZ, Enrique,Globalization, Cultural Industries, and Free Trade: The Mexican Audio-Visual Sector in the NAFTA Age in Continental Order? (July 17, 2001) Vincent Mosco and Dan Schiller (Editors), Rowman & Littlefield Publishers, Inc.
  • SANTAGATA, Walter, Creativity, Fashion and Market Behaviour, in D. Power and A. J. Scott (Eds.) Cultural Industries and the Production of Culture, (2005) London, Routledge
  • SANTAGATA, Walter, Cultural Districts, Property Rights and Sustainable Economic Growth, International Journal of Urban and Regional Research, 26 (1), pp. 9–23, (2002) Blackwell Publishing
  • SCOTT, Allen J., Cultural-Products Industries and Urban Economic Development Prospects for Growth and Market Contestation in Global Context,  Urban Affairs Review, Vol. 39, No. 4, pp. 461-490 (2004) SAGE Publications
  • TEPPER, Steven Jay, Creative Assets and the Changing Economy, The Journal of Arts Management, Law, and Society (Summer 2002) Heldref Publications [PDF]  
  • THROSBY, David, Defining the Artistic Workforce: The Australian Experience (2001) Elsevier Science B.V
  • TUROK Ivan, Cities, Clusters and Creative Industries: The Case of Film and Television in Scotland, European Planning Studies, Volume 11, Number 5, pp. 549-565(17), (2003) Routledge
  • URICCHIO, William,  Beyond the Great Divide: Collaborative Networks and the Challenge to Dominant Conceptions of Creative Industries,  International Journal of Cultural Studies, Vol. 7, No. 1, pp. 79-90 (2004) SAGE Publications
  • WANG, Jing, The Global Reach of a New Discourse: How Far Can ‘Creative Industries’ Travel? International Journal of Cultural Studies, Vol. 7, No. 1, pp. 9-19 (2004) SAGE Publications
  • YUE, Audrey, Cultural Governance and Creative Industries in Singapore, International Journal of Cultural Policy, Volume 12, Number 1,  pp. 17-33(17) (March 2006) Routledge

 

Research Papers

  • ALLEN CONSULTING GROUP, The Economic Contribution of Australia’s Copyright Industries (2001/2006)
  • AUSTRALIA DEPT. OF COMMUNICATIONS, INFORMATION TECHNOLOGY AND THE ARTS, AUSTRALIA, Creative Industries Cluster Study (2004) The Department
  • BENHAMOU, Françoise and  Stéphanie PELTIER Etude sur l’économie des droits d’auteur dans le domaine de la création télévisuelle,  final report (August 2006)
  • BRAUN, Erik and Mariangela LAVANGA, An International Comparative Quick Scan of National Policies for Creative Industries, (2007) European Institute for Comparative Urban Research (EUCICUR), Erasmus University Rotterdam
  • CANADIAN MINISTRY OF INDUSTRY, Canadian Framework for Culture Statistics, (2004) Ottawa [PDF]
  • CENTRE FOR CULTURAL POLICY RESEARCH, THE UNIVERSITY OF HONG KONG, Baseline Study on Hong Kong’s Creative Industries, (2003)
  • CENTRE FOR CULTURAL POLICY RESEARCH, THE UNIVERSITY OF HONG KONG, A Study on Creativity Index, (2004) [PDF]
  • CLICHE, Danielle, Ritva MITCHELL, and Andreas WIESAND in cooperation with Ilkka HEISKANEN and Luca DAL POZZOLO, Creative Europe: On Governance and Management of Artistic Creativity in Europe (2002) ERICarts
  • COTTICA, Alberto, Rethinking Business Models for the Creative Industries (2007) 
  • CREATIVE INDUSTRIES PROGRAMME, DEPT. FOR CULTURE MEDIA AND SPORT, Great Britain, Creative Industries: Report on the Creative Industries Finance Conference (2000)
  • CREIGH-TYTE, Stephen with assistance from Gary MUNDY, Technical Paper No 3 Culture, Manchester Metropolitan University
  • CUNNINGHAM, Stuart, Culture, Services, Knowledge or”Is Content King, or Are We Just Drama Queens? (2002) [PDF]
  • DENATALE, Douglas and Gregory H. WASSALL, The Creative Economy: A New Definition--A Research Framework for New England and Beyond, Including an Economic Analysis of New England's Cultural Industries and Workforce, (2007) New England Foundation for the Arts [PDF]
  • ERC SERVICES SUBCOMMITTEE, Creative Industries Development Strategy, September (2002),  Government of Singapore [PDF]
  • EUROPEAN COMMISSION, Culture, the Cultural Industries and Employment, Commission Staff Working Paper (1998)
  • FLORIDA Richard, Gary GATES, Brian KNUDSEN and Kevin STOLARICK, The University and the Creative Economy, (2006)  [PDF]
  • FLORIDA, Richard and Irene TANGLI, Europe in the Creative Age, (2004) Demos
  • GREAT BRITAIN DEPT. FOR CULTURE, MEDIA AND SPORT, Creative Industries: Mapping Document, (1998)
  • HARABI, Najib,CopyrightIndustries in Arab Countries, (2004) Al Akhawayn University, Morocco [PDF]
  • INSTITUTE FOR ECONOMIC AND SOCIAL RESEARCH, The Contribution of Copyright and Related Rights Industries to the Indonesian Economy, (2003) Faculty of Economics, University of Indonesia, Jakarta
  • INTERNATIONAL FEDERATION OF ARTS COUNCILS AND CULTURE AGENCIES (IFACCA) Statistical Indicators for Arts Policy: Discussion Paper, (2004) Sydney, Australia
  • JAPAN COPYRIGHT INSTITUTE, Copyright White Paper, (November 2005) JCI Series - Tokyo: Japan Copyright Institute, Copyright Research and Information Center
  • JAPAN COPYRIGHT INSTITUTE, COPYRIGHT RESEARCH AND INFORMATION CENTER, Copyright White Paper: A View From The Perspective Of Copyright Industries (2001) JCI Series - Tokyo: Japan Copyright Institute, Copyright Research and Information Center
  • KOZUL-WRIGHT, Zeljka, Copyrights, Competition and Development: The Case of the Music Industry, (2000) UNCTAD Discussion Papers,
  • MARUBENI ECONOMIC RESEARCH INSTITUTE, The Creative Economy: Creative Clusters Key to Knowledge-Based Economy (including Japan)? (2003)
  • MERCER, Colin (ed.), Convergence, Creative Industries and Civil Society in the New Cultural Policy (2001) CultureLink
  • NEW ZEALAND INSTITUTE OF ECONOMIC RESEARCH, Creative Industries in New Zealand, (March 2002)
  • NEW ZEALAND: MINISTRY FOR CULTURE AND HERITAGE, Statistics New Zealand, A Measure of Culture: Cultural Experiences and Cultural Spending in New Zealand, (2003)
  • NEW ZEALAND: MINISTRY FOR CULTURE AND HERITAGE, Statistics New Zealand, Employment in the Cultural Sector 2005, (2005)
  • NORDIC INNOVATION CENTRE, A creative economy green paper for the Nordic Region, (2007) [PDF]
  • Norman Lear CENTER, Artists, Technology, and the Ownership of Creative Content: Creative Control in the Digital Age: Scenarios for the Future (2003) Norman Lear Centre, Annenberg School for Communication, Los Angeles
  • O’CONNOR, Justin, The Definition of ‘Cultural Industries’, Manchester Institute for Popular
  • PATTINSON CONSULTING, The Measurement of Creative Digital Content. A Report for the Australian Department of Communications, Information Technology and the Arts, (June 2003) [PDF]
  • POWER, Dominic, The Nordic 'Cultural Industries': A Cross-National Assessment of the Place of the Cultural Industries in Denmark, Finland, Norway and Sweden
    (2003) Geografiska Annaler, Series B: Human Geography 85 (3), pp. 167–180
  • PRIMORAC, Jaka, Mapping the Position of Cultural Industries in Southeastern Europe, (2004) Culturelink Joint Publications Series No 6
  • QUÉBEC, Québec Culture and Communications Activity Classification System (2004) [PDF]
  • Queensland Government, Creativity Is Big Business: A Framework For The Future, (2000) [PDF]
  • ROGERS, Thomas, Andrew SZAMOSSZEGI, and CAPITAL TRADE, INC. Report on the US Economic Contribution of Industries Relying on Fair Use [PDF]
  • SANTAGATA, Walter and Giovanni SIGNORELLO, Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti'', (2000) Journal of Cultural Economics, Volume 24, No. 3 (August, 2000) Springer, Netherlands
  • SANTAGATA, Walter, Creativity, Fashion, and Market Behavior, (2002) Working Paper, Università de Torino [PDF]
  • SEN, Amartya, Culture and Development, World Bank Culture Meeting, (2001) Tokyo [PDF]
  • SHANGHAI ECONOMIC COMMISSION AND SHANGHAI STATISTICS BUREAU, Guide on the Key Points in the Development of Creative Industry in Shanghai, (2005)
  • SHANGHAI ECONOMIC COMMISSION AND SHANGHAI STATISTICS BUREAU, A Study of the Concept on the Development of Creative Industry in Shanghai, (2005)
  • SHANGHAI INDUSTRY CENTER, Shanghai Creative Industries Development Report (2006)
  • SIWEK, Stephen E., ECONOMISTS INCORPORATED, Copyright Industries in the U.S. Economy: The 2000 Report (2000) - International Intellectual Property Alliance
  • TOWSE, Ruth, Copyright and the Cultural Industries: Incentives and Earnings (2000) [PDF]
  • TOWSE, Ruth (2000), Cultural Economics, Copyright and the Cultural Industries, Society and Economy in Central and Eastern Europe, pages 107 at 115 [PDF]
  • UK INTELLECTUAL PROPERTY OFFICE, Taking forward the Gowers Review of intellectual property. Proposed changes to copyright exceptions [PDF]
  • UNITED KINGDOM: DEPARTMENT FOR CULTURE, MEDIA AND SPORT (2004), DCMS Evidence Toolkit – DET, London
  • UNITED KINGDOM: DEPARTMENT FOR CULTURE, MEDIA AND SPORT A Research Strategy for DCMS 2003 (2005/06)
  • WORLD INTELLECTUAL PROPERTY ORGANIZATION and Universidade Estadual de Campinas; Estudio sobre la importancia económica de las industrias y actividades protegidas por el derecho de autor y los derechos conexos en los países de MERCOSUR y Chile, (2002) World Intellectual Property Organization
  • YUSUF Shahid and Kaoru NABESHIMA, Creative Industries in East Asia, (2005) Development Economics Research Group, The World Bank

 

Other documents

  • OECD, Remaking the Movies: Digital Content and the Evolution of the Film and Video Industries (2008) OECD Publishing
  • THE WORLD BANK, Culture and Sustainable Development: A Framework for Action (1999) [PDF]
  • THE WORLD BANK, Proceedings of the Conference Culture Counts: Financing, Resources, and the Economics of Culture in Sustainable Development (2000)
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  • UNESCO Institute of Statistics, Proceedings of the International Symposium on Culture Statistics (Montréal, 21-23 October 2003), (2004) Montréal
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  • UNITED NATIONS CONFERENCE ON TRADE AND DEVELOPMENT (UNCTAD), Proceedings of the Workshop and High Level Panel on Creative Industries (2004)
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  • UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION (UNESCO), UNESCO Crafts/Tourism Index Report, (2004) Arts, Crafts and Design Section, Division of Arts and Cultural Enterprise, Dominique Bouchart, Paris
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